Week 4 was actually pretty smooth. she was showing nitrogen and potassium deficiencies because she was being terribly underfed and because i had weened her off the veg nutes WAY too soon. I found the dyna gro nutrient schedule and ive been following that. i will definitely be following the schedule much better next round as i wasnt actually aware they had a schedule out. Shes currently week 5 day 1 and shes already fat af and super trichomey.s he still got at least 2 weeks left. she might be ready by week 7 honestly tho who knows guess well see. Ive been giving her 1 gal each time of dechlorinated tap water just straight water. it has been phd to 6.6 ph. runoff tested at 6.3 ph. will probably flush one last time before continuing the bloom feed.

🌱 : 💧 : 4l day 47 💡 : Dli: 45 mol/m²/d 🤔 :

Super frosty & rock hard buds💥 Delicious terps🤤 Perfect buds leaf ratio

06/08/2025 20:15 Good climate but one day in the middle of the week had 2h of heavy Rain with some hail(FUCK) that damaged one branch of the frostbanger Gorilla z bumping and frosting all good Frostbanger unbelievable how frost It can be on her very first days of flower,this Will be frost and a banger😂 Apricot auto and Coco milk now transplanted ,had some problems bringing them here that's why they look sad Fucking boars this place Is so dangerous right now

Bin richtig zufrieden mit den Knospen! Werden immer dicker und kräftiger.

Segue com belos botões se desenvolvendo achonque vai ser bem produtiva essa planta , ela foi selecionada entre 10 plantas germinadas para esse diário e parece que deu certo .

2018-11-19 Flowering in full swing. Pulling slows down. In the morning, on the day of the compote replacement, my PPM-meter broke down. Therefore, the new solution was kneaded by eye. Tomorrow a new device will arrive and I will clarify what I have mixed there. 2018-11-24 Buds swell, there is time to figure out how to do time lapse video.

This is a fastflowering test strain and I have no real information on the genetics. I flowered her for quite a while to get the lowers that lacked the light develop more. I trimmed her after 15 days of drying and got 31g of decent buds and 12g of larfy buds that will go with the trim to make some hash. Power used for whole grow in 114 days. Lights=201.7Kw (201.7×0.25)(=£50.42) Rad=212.23kw (212.23×0.25)(=£53.05) 201.7÷114=1.769kw per day light average. Average 100w for veg Average 150w for flower. Light average for grow 125w. Stats for the grow. FFNA2410=42g FFNA2411=45g FFNA2412=43g Acapulco Gold=44g Expected hash from trim 28g Total=174g 174÷125=1.39g/W

She's a stinky girl. Canopy is holding fairly uniform to this point still. Moved to floor, no booster seat anymore. She's a quick, 21-28 days is my guess.

Our Jet Fuels are plants that promise very well, we have always loved the strains of the Diesel family, a bit gassy and for this particular taste we have great expectations. You could say that it is the favorite taste in the BreadandBuds house I have to study the terpenes a bit better to tell you better but one thing at a time we will delve into everything. Never stop at the first good results guys, always improving is fuel for the next day, to keep the passion alive and have results. Growing Projects ----- I will follow this procedure, it has given birth to a plant before that will be worked with topping x16 buds and various LST and I have just germinated the second plant that will be born about 13 days after the first and will go straight to the conclusion with the main cola. I have to tell you in the past I was a topping maniac, then I felt nostalgic for the main cola. It is always a major sacrifice to give up the Main Cola. To avoid depression and to give a better vision to our super trusted breeder, home breeder and Zamnesia heart breeder we make a plant in topping and a straight one preserving the main cola. Those videos with the rotating Main COla were liked and we produce the best Maincola of the situation- The first week went only with Power Roots 1 Ml/l and Pure Zym 1ml/l from now on we start with ALga Grow. The plants were transplanted shortly after germination because the biodegradable pots were very small. The soil is Plagron Pro Mix 100% organic renewed with 30% new soil and 20% Perlite added. (Pro mix don't have perlite but is airy we added anyway) Plagron fertilizers are available on Zamnesia in convenient Pack formats for all growing styles. I used this with a simple search you can find the other products. ---- https://www.zamnesia.io/en/12119-plagron-top-grow-box-100-natural.html Try a seed of this strain that drives us crazy... ---- https://www.zamnesia.io/it/11258-zamnesia-seeds-jet-fuel.html Zamnesia Description // Jet Fuel (also known as G6, Jet Fuel OG, and G6 Kush) is a modern hybrid rich in THC and terpenes with a diesel aroma. Originally created in Colorado by crossing Diesel with Aspen OG, this 60% sativa-dominant hybrid is a must-have for any smoker who enjoys an uplifting and energizing high. Now, thanks to the hard work of our breeders, the original Jet Fuel is even easier to grow at home. Order your seeds, plant them in soil, and enjoy their rapid growth. After just 9–10 weeks of flowering, you can expect a generous harvest of premium sativa buds! Growbox and Air System - Secret Jardin DS120w + fans + Exhaust fans and filters DF16 kit ---- https://www.secretjardin.com All the best that mother nature can offer is on ----www.zamnesia.com Call for collabo: I am available for collaborations with companies of Lights and various equipment for growing (No Seeds and Nuts company please) I would like to renovate my 120x120 space that has slightly obsolete lights, and I would like to try some controllers. If you have proposals available.

107 days after starting germination It definitely started flowering. Weather: MON 9/2 22°/ 9° actual temperatures TUE 9/3 19°/ 11° Clouds breaking for some su n WED 9/4 18°/ 11° Rain at time s THU 9/5 16°/ 8° Some sun, a couple of showers FRI 9/6 19°/ 11° Periods of rain SAT 9/7 17°/ 9° Mostly cloudy, spotty showers SUN 9/8 18°/ 8° Clouds and sun, a shower

This week I start using atami bloombastic recommended by local professionals grower who always grow best quality 👌 So he advice me to use bloombastic last 4week off flower start with .5 ml per litre then increase to ml and he said last week before chop only feed her with bloombastic and water nothing else then flush for 3 or 4 days I will do that and let you guys know the final result Day 61 and orange sherbat seems start accelerate on fatten up hope she produce big nugs coz one orange sherbat is stooned and bud stay very very small (I don't take pic off her either)but can see it in grow questions

Well the grow was very pleasant, she got amazing structure an look of the buds, very frosty and amazing smell...so thank you Mephisto genetics you did insane job. i have ordered few seed from Mephisto but they lost i guess(((coz i have not receive them. So thanks guys for support and helping me for this grow all GD Family,Luv you all!!! Peace

Ein wenig zu viel Ernte..ahaha

So big update ! Entering week 3 of flowering for this beautiful Purple Punch by Barneys Farm ! Ive got to say i am very impressed of the results, hoping i get a medium to high yield with her, as for the Fastbuds mystery seed it is slower but has beautiful traits on the leafs compared to the purple punch, im keeping her to see what will happen ! Happy growing

Week 5.5 Smells like orange mint gelato!

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Stardog room it is looking pretty good and is thriving. Hopefully get the results we asking for. Aya room up to now is giving pretty impressive results and it looks like they like the enviroment even tho its not fully equiped. After adding the c4 neet to celan the insides a little bit more and see how it will react.

Stretch Mystery & Waiting Game 🌱🕵️‍♂️ This week’s been all about patience and potential. We’re technically in Bloom Week 2, but our little mystery queen is still holding her cards close—no visible pistils yet, even though her structure and energy say she’s gearing up for something big. 🌿✨ That said, the stretch is definitely on. She’s reaching higher each day, and those side branches are starting to fan out beautifully. The symmetry is looking solid, and she seems right on track—even if she's taking her sweet time to show her true identity. 👀 Same feeding routine, steady rhythm: 🔸 BioBizz Grow, Bloom, TopMax + CalMag + Alg-a-Mic 🔸 Homemade compost tea, applied two days post-feed 🔸 Effective Microorganisms added 48h later 🔸 Silica spray every 3 days for added resilience 🔸 pH holding steady at 6.55, EC at a gentle 1400 µS/cm She’s been soaking up plenty of sun and dancing in the breeze—no signs of pests or stress. Just one healthy, mystery-laced autoflower doing her thing at her own pace. 🌀 Let’s see what the next few days bring. Hopefully, we’ll spot some pistils soon—until then, I’m enjoying the ride. 🌸💫

8/31 Week 7 and the damned tent is full .... such problems err? 25 sq ft of green, did not expect this really was hoping the extra space would allow more plants but this is full on 5 Plants doing well just trying to make em all fit Nuets remain as is These girls be a growin! Defoliation to try and get they to fit in the tent a bit easier, removed fan leaves. 9/1 Upped PK to 2ml/g the cotton balls have begun Both hit 30" tonight and are becoming exceptional plants 9/2 Still stretching but seems to be slowing now 31" both plants 9/4 Major defoliation cleaned bottoms middle tops get the buds in light and help them fit in the tent better. Still hitting about 1 inch-ish a day nut seem to be slowing