Day 14 of flower and all 4 plants have stretched over a foot in the last week. Should start putting all of their energy into flowering now. Looking really good so far. Really, really good.

Algunas plantas empiezan a tener hojas amrillas, son 3-4, son siempre las de la derecha de la pareja easy2grow, aplico cannaflush 4ml/L 10 litros en depósito, lo beben en 2 dias. El dia 16 cambio el tanque a solución nutritiva.

This week shows a lot of stem growth as well as the presence of some clones! Too excited about how big the girls are getting have a feeling they are going to be getting bigger at a fast rate at this point. I am still keeping them on the same nutrient and light schedule at the moment. I have a lot more pictures and videos this week because lets be honest I am still getting the hang of this thang!

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Big nugs I’m excited for end weight, looking at 1.5-2oz update after dry i had 66.5g or just over 2oz!!

HOLY SMOKES!! Y’all seeing this?? Look how fast they are growing!! Wow 🤩 I’m so impressed both with the light and the superponics!! The light is giving perfect node spacing and the superponics is speeding up the growth 💯.. so what I been doing is 4 days lotus nutrients than I empty out the res and add hygrozymes and hyclean. Both by the same compmany! Both helps with salt build up and cleaning the roots/res… Plz follow my YouTube channel (Familytrees19)

Now here we go !!! This girl is just starting to take off, as for every gorilla glue lineage strain I have done , they really pack on weight at the very end . Just when you start to feel disappointed, it will explode. More notes to follow as I am just getting things posted up !!! *** My phone glitched out and added last week's photos, not a clue why but no stress, 💖. Y'all better get ready to see some special!!!

chopped on day 65 of flower 9,5 weeks flower total

Will update the GG harvest week with this info but Dry results for Gorilla Glue 2 gallon was 28.4 grams usable smoke with tons of really good auger leaves I ground up for keef. It made alot of keef ! Very airy buds. No where near the density I would like and this was the same for my 1 gallon GG grow however that actually turned out more sense than this. Covered in Trichomes and smell isn't placeable yet but it doesn't smell like grass and it doesn't smell like weed. Idk what it smells like lol. Now in cure Update day 101 for Bruce banner and GSCE Both still rolling along and doing very good. GSCE since Friday has legit frosted over like a high times magazine. Wow! But just needs more time yet. Very excited to finish these too but being very patient with these last 2. Looking forward to harvest. PS Bruce banner smells so strong kllile skunk piss if it was outside you would smell it for 100 yards and it's only a 1 gallon pot grow. Un freaking real! Citrus/skunk piss lol. So strong it blows me away! I love it! GSCE update, it's official the buds are like mini bricks that would break a window they are so dense! 😍😀 Super excited. Thanks for following along. Stay tuned.

Blütewoche 5 - Einfach wachsen lassen und zusehen Zeitraum; 19. Juni bis 26. Juni Moin Moin, wir sind jetzt in der fünften Blütewoche, also Tag 29 bis 35, und was soll ich sagen: Ich bin einfach wieder nur happy! 😊 Ich habe diese Woche so gut wie gar nichts gemacht und das war auch völlig in Ordnung so. Die Pflanze hat einfach weiter ihr Ding durchgezogen. Die Blüten entwickeln sich prächtig, sie werden dichter, kompakter und fangen langsam an, richtig schön zu glitzern. Die Trichome verteilen sich über die Zuckerblätter und das Harz klebt wie Sau. Wenn ich den Kopf in die Box stecke, kommt mir ein richtig süßlich-fruchtiger Duft entgegen. Richtig lecker! 😍 Viel mehr habe ich auch nicht gemacht. Ich habe meinen Würmern noch etwas Wurmfutter gegönnt und am 35. Blütetag wieder mit 6 Litern Wasser gegossen. Worüber ich mir gerade Gedanken mache… Manche Buds stehen ganz schön nah beieinander. Ich hab ein bisschen die Sorge, dass mit zunehmender Dichte auch das Schimmelrisiko steigen könnte. Deshalb überlege ich, in der kommenden Woche nochmal etwas zu entlauben, damit die Luftzirkulation besser wird. Außerdem würden sich die unteren Buds bestimmt freuen, wenn da wieder ein bisschen mehr Licht und Luft rankommt. 😜 Ich hab natürlich mal wieder viel zu viele Fotos gemacht. Es war echt schwer mich zu entscheiden, welche ich hochlade will 😅 Viel Spaß beim Anschauen! In dem Sinne: Habt ein schönes Wochenende, lasst es euch gutgehen und bis nächste Woche! 🙌

6 week of flowering

These girls have been a fun grow.I will get some good pictures of some sexy buds this week.They are building up tons of trichomes and I got the temps down to low 70s pulling in some outside air with another filtration system.They still have another week or two but looking very promising at day 63.They smell absolutely amazing 2 thumbs up for Zamnesia for the awesome strain and Plagron for the blooming nutes making these buds fat and sassy :). Day 70 I took some outdoor photos of the short bushy one and I think she is my favorite.Very chunky buds just full of trichomes with a fruity piney strong smell that I can’t wait to try 😂

Hello world, 🇬🇷 the previous week was training week for Michelle,who was LSTed and for Lucy who was topped...the girls are fine and growing...they also got fed with the Enhancer,which scares me a bit,but everything went well... WEEK 5:"MAGIC PEOPLE,VOODOO PEOPLE" ☠️Day 29...out in the sun with normal temps and no wind...watered with ph 6,4,about 500 ml...I have changed my water pattern with these girls...I used to water every 3 days with 1,5 L but now I do it daily with less water...What I need now is light...I grow with the sun and the last days haven't been too sunny here...now the weather is changing again...come on Sun,give me some light!Meanwhile when it's sunny it's too windy,so windy that I have to put them inside as they will be seriously damaged... ☠️Day 30...I think instead of topping I may have fimmed Lucy...not sure as I have never done fimming before...Now I inderstand why they call it like that...in my case: Fuck,did I miss???🤣🤣🤣...we"ll see...however new shoots are growing well... ☠️Day 31...as I was watching my girls with pride and love,the sunlight revealed hundreds of tiny white bugs jumping on the soil..I mean they are hundreds...I sprayed with vinegar just the top layer of the soil and waiting to see... I made a grow question and I got a very interesting advice from a fellow grower...I sprayed with cinnamon extract...hope it will help... Today I applied LST to Lucy as she is getting very tall and lunky...she's been topped,LSTed and she will be topped again when time comes... ☠️Day 32...windy and rainy outdoors...the girls are inside...Today I adjusted Michelle's LST... ☠️Day 33...the weather is fucked up...one week ago we had 40°C and today it's cold and rainy...summer is not here yet....I realized I Fimmed Lucy instead of topping her as new growth came up on the cut stem...I cut it off again as I can't experiment now,I have never Fimmed before and don't know what to expect... ☠️Day 34...no sunlight for the girls...its very cloudy and may rain again...meanwhile the bugs are vanished...cinnamon and vinegar did their job... ☠️Day 35...finally we have some sun and the girls are outside...they have stayed a bit behind all those days inside without proper light... the week is ending,thank u all for watching..see u next week ☠️

Balanced compare tea given this week, but nothing else amendment wise and no other watering needed still. Nice stretch gone on in the first week of flowering, plant still looking nice and healthy, will see how things are looking for a defol on day 14 or so.

Week 4

Starting a new cicle. One of new money is 1 week younger. The Mid cicle is ready to flip The final cicle is near from harvest, maybe on 14th february. some crosses of a male Girl Scout cookies with : White widow, Industrial plant, White diesel and (White fire og x bubbakush )all made in 2014.

She is one happy lady ,smells very strong 💪