Welcome to Veg Week 1 of Sweet Seeds Sweet Mandarine Skittlez F1 I'm excited to share my grow journey with you from my Sweet Seeds Project . It's going to be an incredible ride, full of learning, growing, and connecting with fellow growers from all around the world! For this Project , I’ve chosen the Feminized Photo strain Sweet Mandarine Skittlez F1 : Here’s what I’m working with: • 🌱 Tent: 120x60x80 • 🧑‍🌾 Breeder Company: Sweet Seeds • 💧 Humidity Range: 60 • ⏳ Flowering Time: 7weeks • Strain Info: 19-24%THC • 🌡️ Temperature: 26 • 🍵 Pot Size: 0.5l • Nutrient Brand: Narcos • ⚡ Lights : 600W x 2 A huge thank you to Sweet Seeds for allowing me to try my Best with this amazing collection from Photo Strains they managed to Sponsore . Big thanks for supporting the grower community worldwide! Your genetics and passion speak for themselves! I would truly appreciate every bit of feedback, help, questions, or discussions – and of course, your likes and interactions mean the world to me as I try to stand out in this exciting competition! Let’s grow together – and don’t forget to stop by again to see the latest updates! Happy growing! Stay lifted and stay curious! Peace & Buds!

Sorry for the late update. I harvested all plants together to dry in the tent for a slow dry. It took 8days till the stems broke/snap and everything felt dry by the touch. I cured and stored in grovebags. After 10-14days of cure, the flower were ready to smoke. Had to burp the bags, because the rh was a bit to high, but all in all unfelt very safe with the geovebags. Very happy with the result. In the end I got 240g of flower from all plants with 200watt led, so a bit over a 1g/watt. Goal for next run is to get 2g/watt. The bagseed flowers give a nice and strong high, not the greatest taste, but smokable.

My own blended recycled living soil water passion love & respect only. ...... added soil biology includes Wallace wonder organics myco fungi .. extreme gardening AZOS ... and synergro ... along with my own farmed castings also inoculated.500wQB running at 300w

The journey is over for this lady, she is 1m tall, the buds are smelling crazy good and stacked pretty well, I really wish i had a free tent for this lady to fully open her while still in pre flower but I'm happy anyway 🙌

Week 3 for my replacement. Seeing some yellow leaves at the base. Not freaking out yet because the top leaves are okay. The 9 week plant whew! Before I could only smell it if I rubbed the stems. Now, I get a slight smell as soon as I open the tent up. It’s not overpowering at all, and really pleasant. Is it okay if the goers touch the wall of tent?

Has been a slow couple o weeks since me n sbg had words av felt like some sort of a joker in the chats as if I am hear to amuse people well am Fukin not ok 👍 if a feel people are taking the piss I will call you out on it n that’s anyone on here that has something to say mail me ya clowns 🤡 don’t speak behind ma bak or make snide comments send it a will argue my point regardless n will not be made a fool of this is a wee cunt fae tge sceme hear no a big timer ⏱️ but av got lived expirience n hav survived wit youz could not even comprehend the conditions I hav lived in were prisons from the age of 18 young offenders straight tae hmp Shotts now am trying to better maself am a swweeky clean am a fuk am baw deep but want a better life for maself this is a hobby but am not feelin tge love ❤️ people’s so like it or lump chedderbob112 is that guy ye hate tae actually like 😎

The buds are still growing and I have already discovered the first amber-coloured trichomes on Bruce Banner and S.A.D. #4. I think the harvest will be ready in 2-3 weeks. Until then, I will continue to observe the trichomes with the microscope.

Some top defoliation as needed because of high humidity. She is growing very wide now she has a bit more space, very bushy as previous grows on soil. Also she drank a lot this week, had to fill the pot almost twice. Another interesting thing from my soil grows with this strain was that she had some yellowing in the second week of flower, now on DWC no signs of deficiency at all. Going well let's get fat next week

Everything goes on properly except for the high temperature and the proximity of the flowers to the lamp. I really hope the flowers will withstand the pressure because I have no way to lower the temperature anymore or keep the lamp away from the flowers.

I started the GSC seeds from HSC by soaking in a glass of water overnight then planted in coco coir under a humidity dome in my veg tent. I will plant them in flower box in a couple weeks when they can handle the feed that my BB clone is on right now. On day 5 my 2 other Gsc seeds rotted perhaps too wet but I have one good remaining for this run. I started White widow seeds and will run 2 phenos. Gsc is looking good so far.

Finally flipped to flower. Cleaned up the bottom of plant i feel like it still needs more work but I dont want to go over board. Ppms are crazy high but plant d I sent show signs of problems so I left it. Going to do full water change next week. Also spread out plant some more might need to add a second tralis.

Plant is under very high stress. Topped again for 8 colas. The plant looks bare but will fill out soon. Plant has slowed down a lot under this training. But we will let it recover for next 2 weeks. I’ve attached time-lapse of leaves reaching for light. Hope you all like it.

The plant took off this week. I am relatively new so was working through getting my PH measuring/balancing down. Now that I have established a better method the plant responded well. Put in a scrog to help even the canopy for the future. The other plant I have running is a bubblegum autoflower that is a few weeks older (right). Personally I really loved the look of the gold leaf at this point, it had a very nice spiral look to it almost like an xmas wreath.

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

I’m a couple days behind on my posting of this girl. But here she is! Growing strong and healthy. I am getting ready to transplant her into a bigger pot soon enough. Then hopefully I will be able to get a picture of a stellar root system. On another note, the field peas in the “400” are coming along, slowly but surely! I plan to transplant into the “400” in approximately 2 months (8weeks). Day 26, I’ve got a larger pot (2.7 L) with my fancy soil, lots of greensand, I checked the pH and it seems stable at 6. I did add a lot of lime. Maybe the lime takes time to raise the pH too? Anyhow, I have potassium silicate to help raise pH if needed. I hope this isn’t a mistake putting her into that. In fact I’m going to add more lime to the top half and then the potassium silicate to water in. Fingers crossed for stable, beautiful, warm and sunny weather!! Happy Growing 💪🌳

August 17th. 64 days post flip. Plants growing very well. Still moving buds out from under the viparspectra every couple days. The one pot with two plants in in require watering every two days too avoid drying out. Buds are still growing new pistals. I have some browning of pistals which is concerning as it looks like it’s pollinated but I believe that is part of these sativas. At this point I believe I have about 60 days left. I also believe flowering is really just beginning. And we will see these buds fattening here shortly. I added in one of my larger fans from the automatic tent, wanted to increase airflow at this stage. I also removed some of the lower buds that were getting dirty when I watered. Parents: Growing very well. Simply going to continue watering every day or two. I have 1.5 cubic feet of elite living soil coming as I’m upgrading the auto tent from a 15 to a 30 gallon which will give me some extra soil to give these gals and guy. Thank you guys for viewing my diary and god bless.

51 Days in flower have passed. This week i got myself an upgrade, new light the FC-E3000 and a 120x60 grow tent so i can grow some bigger and better medicine. I love the specs on the light, the price was right and so i have high expectations from looking at other peoples reviews of the light. We will see if im able to hit the jackpot with this! 🤠 The girls are looking great! Cheese left, Gorilla Girl right. the pictures and videos are self explanatory, its looking awesome!!! If you ever wondered where i stashed the Runtz and Bruce Banner; i took them out of the grow tent and just put them in the corner of my house without light only surviving off the light in the shadow from the sun, they have been neglected for a while but they still went on super strong, they started flowering 3 weeks ago so i had to put them into reveg so they look a little odd now but its all good. it was either that or i would have to throw them in the trash, and im not gonna waste some nice strains like that. Im impressed how they have survived with almost no light and water. ---1st time growing with FLO - Florian Living Organics.--- They claim that there is no need to pH when watering and that their living fertilizer is the only thing that i will need throughout the whole grow so i only need to mix with soil and just water with plain water. If this stuff works then it can simplify my future grows ALOT! Happy growing. 😎