Getting over being locked out due to timer and dripper issues ramping the EC up to 3.8 ! , the size will suffer a bit but hopefully the quality will still be there 🤞

She’s finally finished I’m so happy to have her. She smells like red starburst and zkittlez. She taste like she smells. I’m very happy how she turned out. Beautifully. Super sweet and right up my alley. Fastbuds hits it out of the park once again!

👨‍🚀👋 This week I start cutting a few lower branches from each plant. This way more energy should be available for the upper branches. For this culture, I would like to let each plant grow with a main bud without "topping". I would like the tent to be filled and look like a Sog in flowering. (a total of 16 plants with 5 strains in this culture) My goal: at least 300g of dry buds🤞 ------------------------------------------------------------ 💧Watering each pot: Day 15 : 0.75 L With a little Bio enhancer ( 0.8grams/L) Day 21 : 0.75 L I use tap water, adjust the ph to around 6 and water ------------------------------------------------------------ 🔥❄️Temperature of the week : Day : 19-23°C (Humidity : 60-75%) Night : 14-17°C ------------------------------------------------------------ 🤩Equipment of the week : Light FC3000 Mars hydro. power 95% at 50cm Extractor 6 inch Mars Hydro. power 1/10. ON 24/24h 2 fans to circulate the air inside the tent. Each on for 30 minutes then off for 1 hour. this rhythm repeats itself in a loop Heating mat 95x95cm. ON 45 minutes. OFF 30minutes. In a loop. The day only ------------------------------------------------------------ Thank you for your visit, it's always nice to see you!💚😀 ------------------------------------------------------------ My Instagram 🌱❤️️ : https://www.instagram.com/hou_stone420/

Ladies are looking fabulous and getting frosty. The smells of sweet skunk is in the air

These guys seem to have some stunted growth from being in that shitty rock wool dish setup I had but they are making up for it now that they are in the air pots. I transplanted them into sunshine #4 because my other plants have had problems with N tox in coco loco, the only other soil mix I have...probably won’t ever be using fox farm soil again. Too expensive for what it is and it’s a pain in the ass dealing with nute probs. Day 8: into the new grow tent tomorrow Day 10: My Timber Grow Lights 480/500W QB came in! This thing is so sleek. I got it in 3000k which is a tiny bit orange/yellow because I plan on spending most of my time in flower with autos. But I find it works just as well for veg too, hard to notice any slower growth or anything. Since I’m in veg I might add my 2000w blurple to the mix to keep the girls happy

Esa familia , estamos otra vez actualizando una semana más estas Original de GB , obsequio en todos sus pedidos. Vaya ritmo que llevan, y qué color, tengo que intentar igualarlas de tamaño, a ver si jugando con las cantidades podemos solucionarlo antes de pasarlas a floración. Agrobeta: https://www.agrobeta.com/agrobetatiendaonline/36-abonos-canamo Mars hydro: Code discount: EL420 https://www.mars-hydro.com/ Bueno las maximas de temperatura no superan los 25 grados y las mínimas no bajan 19, así que no me puedo quejar. Los niveles de humedad también son los correctos van entre 50%/60% de humedad relativa. Por supuesto el Ph lo estamos dejando alrededor de 6. Hasta aquí es todo poco más la verdad ya con ganas de empezar la floración , buenos humos 💨💨💨

Looking really good

This week marked the start of the flowering phase as the light cycle was switched to 12/12, officially initiating bloom 🌸 For the first few days the plant continued normal vegetative growth, with the stretch becoming noticeable after about 3 days. By the end of the week the plant had already gained noticeable height and the early stretch phase was clearly underway. • Stretch beginning after ~3 days • Canopy mostly even with only one branch slightly leading • First few white pistils visible toward the end of the week Light intensity was increased to ~750 PPFD ☀️ and the fixture was raised slightly to maintain proper distance as the plant began stretching. Watering increased slightly as the plant entered the flowering transition: • ~3L every 2–3 days based on pot weight 💧 Feeding this week: • 1x BioTabs Bio PK • Otherwise water + BioBizz CalMag Environment remained stable: • ~25°C temperature • ~55% RH 🌡️ The plant remained healthy with balanced structure and deep green foliage. The topping from earlier veg clearly paid off, as the canopy remained fairly even going into the stretch phase. Overall this week marks a smooth transition into bloom with the first signs of stretch and flower initiation 🍩🔥

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Bajando las horas de exposición de luz , pasamos a floración neta ! Al fin ! Largo trayecto con estas preciosas ! Salimos del stress 🙌🏼🔥 #480w #SAMSUNGQUANTUMBOARDS @leds.mk @eva_seeds Leyendo e investigando , pasando a la realidad y al papel ideas y proyección ... Te amo sol y tierra , nada más! Te agradezco por un día más en este bello paraíso. . . . . . . . #seguimientoMKLED #cannabisfamily #420 #420weed #greenwolvesfarmer #weedchile #weedgrower #cultivoindoor #cultivointerior #indoorgarden #cannabischile #cannabissociety #cultivamedicina #medicinanatural #420family #420time #chilecultiva #nomaspresosporplantar #growdiaries #growdiary #cannabisgrowers #quantumboard #samsungquantumboards #480w #quantumboards #seguimientoMKLED #comunidadcannabica #cannabiscomunity

Got everything transplanted into their forever home 5 gal vivosin fabric pots with lst holes. Gave the outside ring a little water before a large water in the next few days. Temps humidity is set to 70%

Encore 4 semaines avant la ligne d'arrivée.

15th day into flowering- Trim some Fan leaves /anything cover canopy. 18TH DAY FLOWER- LOLI POPPING. JUST WATER EVERY 3 DAYS PH 6.5

Week 11, flowering week 1 Controlling the runoff, no BIO 8-2-2 needed, only using some RootBooster and the AllZymes. This week the jungle drums started playing. Plants are starting to use more water, drinking like maniacs, the green machine switched to a higher gear. The growth rate of the week have catch up a bit of the delay. All the problems at the beginning of the growth have been fixed, definitely making this diary my How-to-fix-problems diary of the year 😄 I just need to keep an eye on the plants, the lights, the EC of the soil, and readjust following plants need. (I’m looking for a job in the Cannabis industry as Master Grower, Mineralogist, Quality Control)

Week 2: The Growth Phase Begins The germination phase is officially behind us, and it’s time to kick off the vegetative growth phase. I’ve uploaded a video that showcases the entire start of this grow diary, from germination to where we are now. 🌱📹 Be sure to check it out for a full recap! This week marks a critical step in the journey: Pheno Selection. I’ll carefully evaluate the three seedlings and choose the one that will move forward in this competition. So far, the plants are neck and neck, but slight differences are starting to emerge. By the end of the week, the strongest contender will take center stage. In addition to the video, I’ll be sharing photos of the seedlings as they settle into their new phase of life. Stay tuned for updates on their progress and my final decision. dein-onlineheadshop.de/ Use my referral code 420Shop at checkout to get a discount on your purchase. By using this code, you also support me, as I receive a small reward for each use. Thank you for your support!

Despite being a dwarf, despite all the shortcomings and damage it has suffered, I cannot complain about the buds it has produced. I am satisfied with my little bonsai. ❤️

Hey now, hope everyone had a great weekend. The ladies are doing excellent, I flipped to flower today. The plants with 8 mains are the Grimm Glue, and the Royal Runtz, the THC Bomb, and Northern Lights will have 4 chonky mains on them. I also added a 315 Watt CMH to the mix, it will provide some extra warmth, and burn off some extra humidity in flower more than the LED's. I did some defoliation this morning before flipping the lights, and I will do another round of defoliation in about two weeks and then that will be it. The ladies are trained and fairly flat right now, so not a whole lot to do but see how much these pigs stretch in the next couple weeks. Thanks for stopping by, stay safe, and Blaze On!

Week-8 veg

Starting second week, waiting to start LST! Day 10 : Start LST on Girl scout cookies#1 Day 11 : Start LST on Gorilla Glue#1 Day 13 : it's a very hot day, 37^C!

💩Holy Crap We Are Back At It And Loving It💩 Growmies we are at DAY 42 and she's just killing💀it👌 👉Added straws within the Tiny pot to help watering in week 4 👈 So I'm starting to see she needs watering every single day and now need nutrients 🙃 Lights being readjusted and chart updated .........👍rain water to be used entire growth👈 👉I used NutriNPK for nutrients for my grows and welcome anyone to give them a try .👈 👉 www.nutrinpk.com 👈 NutriNPK Cal MAG 14-0-14 NutriNPK Grow 28-14-14 NutriNPK Bloom 8-20-30 NutriNPK Bloom Booster 0-52-34 I GOT MULTIPLE DIARIES ON THE GO 😱 please check them out 😎 👉THANKS FOR TAKING THE TIME TO GO OVER MY DIARIES 👈