There hasn't been a lot of sun this week, but the temps are up so all of the girls are stretching. Not much else to say.

Remove two big fan leaves blocking bud sites below it, added some LST clips to encourage branches to grow outwards a but more. Still can't get rid of the stupid downward curling leaf tips, had it since about week 2 veg I only water when soil is completely dry as you can see from time lapse videos. I have the lights exactly where they’re supposed to be and actually have them turned down a bit more than where they’re supposed to be according to my PAR meter. I guess I’ll just ride it out this way till the end and see how she goes, might increase light intensity another notch later on in the flowering stage, we’ll see. I'm averaging about 625-675 ppfd from top of the plant. I use filtered tap water through a Berkey gravity filter that removes all fluorides and other unwanted chemicals and with the Advanced Nutrients mix it balances out the PH to around 6.0-6.1 every single time, these next few waterings I'll only use plain filtered water PH to 6.0 and see if maybe its a Nitrogen toxicity which is what I suspect is causing the curling and deep dark green color.

💩Alrighty then Growmies We Are Back At it 💩 Well folks we just finished up the last run and so we are bad to do it all over again 😁 So what do you say we have some fun 👈 We got some Z & Z 🚗 🚘 🚗 🚘 👉 From Exotic Seeds I had to keep up with the Humidity by boiling some water in conjunction with my Humidifier its been ruff but doable 👌 It's been a great first week so I'm happy with what I got going on so far👌 FC4800 from MarsHydro Lights being readjusted and chart updated .........👍I've added a UR45 to the mix👈 www.marshydro.ca 👉I used NutriNPK for nutrients for my grows and welcome anyone to give them a try .👈 👉 www.nutrinpk.com 👈 NutriNPK Cal MAG 14-0-14 NutriNPK Grow 28-14-14 NutriNPK Bloom 8-20-30 NutriNPK Bloom Booster 0-52-34 I GOT MULTIPLE DIARIES ON THE GO 😱 please check them out 😎 👉THANKS FOR TAKING THE TIME TO GO OVER MY DIARIES 👈

Week 2 of Flowering Little Pearl is doing wonderfully.🤩 Despite her slow start, she’s now thriving 🔝🥦 The week began with relatively cool temperatures and humid conditions... but by the middle of the workweek, the weather turned noticeably more summery again, which certainly did the plants a world of good.☀️👌

boop beep boop New pics of coop And pics of dukie too.. Hope you enjoy demz They been bored with this cold weather having to stay inside so much. One video you need to turn up volume to hear cooper he howls to match the tone of the fire trucks after they go by.. lol it’s great

5 weeks since flip. Switched from house and garden to jacks321, had some salt build up so flushed medium w some drip clean, got ppms down to 950-1000 from 1600. Everything is comin along pretty well.

Celebrating a fantastic week with your Rainbow Mints! Smooth sailing, no issues in sight. The vibrant colors and invigorating scents continue to enchant effortlessly. Here's to another trouble-free week of joy and beauty in your garden. Wishing you continued success and enjoyment!

This week the Epsilon F1 is moving deeper into mid-flower. The bud sites are stacking well along the branches and calyx development is becoming more visible. Trichomes are starting to cover the flowers, and the overall structure looks very healthy. At this point I’m still running Big Bud in the feed, since the plant is in the phase where it needs maximum phosphorus and potassium to build size and density. Overdrive will come later, once the flowers are more developed and closer to ripening. For now, the Epsilon F1 looks on track and should start to gain serious weight in the upcoming weeks.

All feeds with nutes use either a whole ratio or combination of "Veg Mix" and "Bloom Mix"concentrates DILUTED in water until a total ppm of add in is reached using a (Total Dissolved Solids)TDS Meter measured in PPM (parts per million). The "Veg Mix" concentrate will eventually be added in smaller ratios and "Bloom Mix" concentrate what will eventually replace the "Veg Mix" concentrate entirely with the ppm and ratios listed when I feed. Veg mix recipe is on week 3. Bloom Mix recipe is on week 5. Day 42 Morning check after defoliation. PH solution seems to be working! Almost no new spread of the issue/deficiency (regardless of what it was) Checked ppfd and got UL470, LL460, UR450, and LR440 over each of the colas. Temp/humidity steady still at 1.0 VPD 74F/63%RH/33% IL Vent scraped a little soil off the top to see that it's still really moist so I likely wont be feeding until tomorrow morning. Soil seems somewhat compacted, and ph readings were slightly lower, but still perfect in the safe zone 3 readings: 6.44,6.57, and 6.42 for avg 6.476 Day 43 Normal stats on VPD - same 74F/63%RH/33% IL Vent. ppfd over colas UL 490, LL 480, UR 470, LR 460 Still showing a slow progression of spots and yellowing on oldest leaves (like day 5 from initial occurrence, so very slow compared to past spread) I feel ph on a stressed plant was the biggest factor. Soil is still mostly damp to about an inch from the top but will be feeding tomorrow morning. Day 44 Normal status with VPD 1.0 - 74F/63%RH/33%ILVent -- ppfd (after dunk) UL490, LL480, UR470, LR460 Calibrated meters and tested - prepared feed water- started with 3.5 gallons of 274ppm de-chlorinated tap- used 500ppm of 80/20 veg/bloom mix, pinch of epsom salt and squirt of h2o2. Checked soil ph got 3 readings of 6.55, 6.65, 6.52 for avg of 6.573 so I ph balanced my feed to 6.3ish Weighed pot for reference and saw 13lbs 10oz- dunked pot for 10 secs, lifted and hung over drain container - recorded the stream and drip videos when I then replaced and checked ppfd again. Runoff showed 6.3ish ph and 2000 ppm (lower than my normal ppm of 2500 to 2600 my hypothesis is she's using them up so good time to feed) rare side view of main-line base included with end of process pictures. Did some LST with binds to train colas to position - I plan for 6 to be tied to ring and 2 in the center but at the same height by the time they grow past the support ring - I have them tied at the base of the first node and the pot - the center 2 colas are being trained too, but are tied off to the opposite side directly to the plant. looks like a hot mess for now - hopefully my vision will come through in a few days. Day 45 Morning check after extensive LST yesterday - VPD is all stable 74F/63%RH/33%ILVent - not taking ppfd readings as she's still under the ring and I seen these readings yesterday and the day before - I plan on taking ph readings later today, but for now this is what I got. Took ph readings - think I discovered hot spots of the woodash washing around the top - not detrimental since they are all with-in the range Im okay with (6 to 7) but worth note since I retested several times and got the same readings in these locations. also did a little more LST with slightly adjusting for level Day 46 vpd was normal 75F/64%RH/33%IL Vent - ppfd needed adjustment as the outside limbs were down to about 460 - so I moved the lights down to about 30 inches from 32 - and now the light measured 480 at lowest 490 around most limbs and the center is up to 530 - I will watch for light burn in that space other than that all seems normal today, binds are still holding as placed and tops are turned/growing. the previous stress and nute issues seem to be in hindsight now. Day 47 Soil ph was 6.54, 6.38, and 6.55 for an avg of 6.49 (last 2 readings were taken at yesterday's hot spot, seems to have cooled a bit now.) VPD normal with temps/humidity about 74F/63%RH/33%ILVent --defoliated today so ppfds were taken after that, outer ring showed lowest at 470, and most at 480 with highest 490, and center colas 500 and 510 Defoliation of 16 oldest leaves at first node where my ties are bound. I left the growth tips for last. the leaves showed what I hope to be the last of the ph issues scared on them... very much better than the last ones I took off LST of the branches to ensure that ties are still under the first node and level the tops with the ring as much as possible - I feel the better I get this part the less there will be any need for LST or HST later so, last thing - I topped again for 16 total colas - I might be reaching too far, but am also thinking ... 1st time gains experience that I can adjust later in future grows. Also removed the growth tips from the first nodes. So what's left? a single branch into 2 into 4 into 8 into 16 with all of the tops cut at the first node except the last set of tops were taken at the 2nd node and first was at the 3rd node - there are no growth tips or fan leaves between the roots and the 16 colas (hopefully providing all resources to those points only from this point on) fingers crossed it doesn't kill her and she recovers better than in past toppings. Day 48 The tent is a little hotter than usual so I increased ILVent to 50% and reduced the heater by 2 degrees. So far there doesnt seem to be any issue showing on the plant but dont want it to become one either. So I will monitor the temps throughout the day as well. ppfd was nearly same as yesterday with 470 as the lowest and mostly 480 to 490 around the ring with 510 and 520 in the center no signs of stress so far from yesterdays barber visit but keeping a close eye on the burnt tips from before - I suspect that if there's any place for stress to show up, that would be where to look first.

Day 71 harvest:D girls are impressive, very nice smell. Fastbuds are amazing only topping and girls give a great results. Soon i will edit everything, also smoke report. Peace!

This harvest has really been vey easy compared to my previous experience. I think the quality of the seeds shows in how smooth the process has been.

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

First week of Veg is done after the propagator tent. Clones looking good so far - getting healthy again. Startet LST.

Seems to always stop in the 3rd to 4th week 😕 but they are starting fill out now. Banana Blaze 🍌 out now little longer then I'm used too but I'll take it.

Kings line doing fine

💩Holy Crap We Are Back At It And Loving It💩 👉FOLKS WE R ALMOST TO THE FINISH LINE👈 Growmies we are at DAY 70 and she's just killing💀it👌 👉We are in full flowering mode and she's doing great 👈 Everything is looking good even the Tiny Cup 🥤 So Shit , I gave them just a tad to much nutes at the start of feeding 👈 But I have since fixed it So I'm still doing some low stress training 🙃 and some defolation 😳 Lights being readjusted and chart updated .........👍rain water to be used entire growth👈 👉I used NutriNPK for nutrients for my grows and welcome anyone to give them a try .👈 👉 www.nutrinpk.com 👈 NutriNPK Cal MAG 14-0-14 NutriNPK Grow 28-14-14 NutriNPK Bloom 8-20-30 NutriNPK Bloom Booster 0-52-34 I GOT MULTIPLE DIARIES ON THE GO 😱 please check them out 😎 👉THANKS FOR TAKING THE TIME TO GO OVER MY DIARIES 👈

Blütewoche 4-5 Aufgrund der andauernden Hitzewelle bleiben leider die Temperaturen + Luftfeuchtigkeit noch immer zu hoch und die beiden Capjunky links zeigen noch immer bisschen Hitzestress Die Pflanzen nehmen jeden Tag an Harz zu und auch einige Grössere Blätter sind bereits vollständig mit Harz bedeckt. Ventilatoren wurden stärker eingestellt um Schimmel und Budrot vorzubeugen. Da das Zelt komplett gefüllt ist habe ich erneut bisschen defoliert an Blütetag 33 Da ich vorraussichtlich in den letzten 3 Wochen der Blütephase im Militärdienst sein werde und nur am Wochenende nachhause komme habe ich jemanden instruiert damit mindestens 1x in der Woche gegossen wird😶 Trotz der durchgehenden Hitze in der Nachtphase der gesamten Blütephase sehen die Pflanzen insgesamt relativ gut aus.