Hello growmies 👊💚 the first flowering week is coming to an end, the lemonade haze girls have developed splendidly and the stretch has begun, it smells wonderfully fruity in my grow closet, I could spend the whole day here 😆 I would like to apologize to my friends here because I work 12 hour shifts and I don't have much time for myself. When I find the time I will get back to you and will visit your diaries, thank you for your support and help my friends 🤙☝️ wish everyone a nice weekend good luck with your diaries 💚👊

Hello all, I hope you are all well and safe. end of week 5 and the buds are starting to get bigger Mid Flower Looks good still on the top dressing with the Sea Blast Bloom. It seems to be taking the Nuites without any burns. I used the last of the Sea blast bloom and the South Cascade Organics SLF-1002 they are both depleted on this last feeding. Gave them plenty of water over the last few days 91 in the tent the C02 has to be helping these high temps. The RH jumps after a good watering 65-75 range put on the Dehumidifier brought it back down to 50 in the tent. I hope the Dusting took now I have to wait for 4-6 more weeks for the Feminized seeds if any. They are starting to get frosty, I have been tempted to use other nuites in my line up but that would defeat the purpose of the grow. "all sample freebies" so that is what I will be sticking with the ROCK CARGO and FUL will still go to the end of the grow maybe in stronger amounts. This strain smells like SWEET BERRYS I can't explain it better that that. cheers

Week 2 of flower 12-5 She is growing nicely. She got a good dose of microbes yesterday. 2k ml she got cal/mag 5ml per gal, Drops 1ml, dusting of yucca, Kelp 1/16th tsp, EM 1 1 ounce per gallon and 1/2 tsp recharge. Top dress is soon. She will only get water x2 waterings. Cheesecake pictures tomorrow. I think I even may have, underwatered Cheese HAHAHAHA No way! Me ..... Underwater.... Thats a first! Now I have it marked. LOL 😬 J/s EM1 is kinda lol Icky. And the bottle almost exploded on me 😂 Good stuff. 12-7 Good ol plain water ph 6.2 Watered around 2.5 liters took it well. Roots are coming out the bottoms of both bags. 💪 Almost looks like worms 🤣 I must be doin ok, I haven't had them jump out before. 💪 And on both. Not the other 2 🤣 yet? The buds on 3x are tiny. They need top dressed, but i dont think thats it. May be a slow budder?? Idk, we shall see. But I do see signs of hunger. Top dress next water 💪 Removed all leafs pointing in. Or most at least. Very happy with progress. Still no signs of over water/feeding yet. 😁🤘 12-10 Top dress both 2 tbs buildaflower, 1 tbs craftblend, 1/4 cup poo. 12-11 Just growin tall.

A very easy strain to grow. She takes a bit longer to start flower due to the 85 day flowering stage. Watch bud density and make sure they get lots of air as they get very thick

Fat nugs forming. Flushed into half strenght nutrients. Getting more light green leafs. Smells fruity and have a strong scent. Small yielding strain.

Day 25 since seed touched soil. All is good. Weather is perfect for veg, mostly showers and cloudy, so high humidity and no too intense sun light. Girls got BioBizz Leaf Coat shower. Happy Growing !!!

I got total nearly 300g dry wei

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Fastberry Auto is truly a gem among autoflowering cannabis strains! Its rapid growth, delightful berry-like aroma, and beautiful purple buds make it a joy to cultivate. The sweet and fruity flavor is a treat for the senses, and the balanced high leaves me feeling creatively inspired and deeply relaxed. A must-try for any cannabis enthusiast, whether you're a seasoned grower or just starting out! -

Hello again, Growmies, As we proudly step into week 10 with our Epic Buzz, the symbiosis of nature and technology in our garden is truly flourishing. The dedication of TrolMaster's automation system is reflected in the thriving state of Epic Buzz #1, #2, and #3, which are burgeoning with vitality and promise. Epic Buzz #1 is a spectacle, adorned with clusters of dense flowers that are bursting with trichomes—each bud a sparkling testament to the perfect environment we've provided. The light frosting is spreading across the foliage, foretelling the potent harvest that awaits us. In our controlled ecosystem, the average Vapor Pressure Deficit (VPD) has been right on target, ensuring optimal transpiration without stressing our beloved plants. This careful balance optimizes their uptake of water and nutrients, fostering the luscious flowering we're observing. Siblings #2 and #3 are not to be outdone, with their own dense, sticky flowers reaching for the heavens, eagerly soaking in every ounce of light. Their robust health and vigour are clear indicators of the success of our environmental stewardship. Our environmental graph this week is a testament to our commitment to stability. The temperatures and humidity have held within the ideal range, if we discount the outliers, maintaining a conducive atmosphere for the Epic Buzz family's development. The steadfast nature of the EC and pH of our nutrient solution has played a pivotal role in this week's triumph. This unwavering supply of nutrition has been crucial, providing our Epic Buzz plants with the sustenance they need to thrive. As we look to the coming weeks, it's with a sense of eager anticipation. The Epic Buzz trio, with their hedgehog-like buds and early frost, are not just plants but representations of cultivation mastery. They are a living tribute to the precision of our environment, lovingly controlled and monitored for their benefit. And so, as we anticipate the final stretch of this grow cycle, we remain captivated by the daily progress and the nearing harvest. With each day, we're reminded of the beauty and strength found in diversity and balance. Stay lifted, Salokin

She grow super fast and I start nutrient on her day 6 and she loves it Today day 12 I start on her lst training and I will top her too

The aroma of Gelato #41 is simply exceptional, to the point that it fills the entire room with its intense and captivating fragrance. Each cultivation only strengthens my admiration for this strain, which will definitely remain one of my favorites, both for its quality and the sensory experience it provides. *** Gelato 41 has a sweet and creamy aroma, with notes of vanilla, berries, and a citrus touch. The flavor is smooth and creamy like a dessert, with lemon and mint on the exhale.

Growing along quite well. Next year, bigger bags and better soil mix. Also, a little longer veg inside wouldn't hurt. Got buds starting on the three ATF's, Chemdog, Night Nurse, and one Viper Cookies. Still no signs on the big mother Lamb's Bread, which makes me wonder how big she's gonna get. Finally stopped being lazy and set up some support for them, since my training left them a little wild. Hit them again last night with neem as the little pests are back and munching away. Supposed to stay relatively dry this week, hoping the single application will last for a while. Continuing with TIger Bloom every other feeding, alternating with straight water ph around 6.

420Fastbuds FBT2304/Week 10 Hello grow fam. Hope everyone is enjoying there weekend. Week 10 update on these two beauties. Over all health is great seeing some fading in the leafs but should expect it at this point in flower. They're getting close to getting the chop as I'll start checking the trichs this coming week. Looking for a 90/10 of cloudy to amber. Flowers are nice and dense with a very pungent sweet smell. Loving it. All in all Happy Growing

Harvesting the rest of the first plant later this week. Looking good, and hurtling toward the finish line.

Okay growmies here we are at the end of our cream cookies by fast buds. It was such a pleasure to grow, i learned so so so much this run that will help me through the rest of my adventures. The beginning was tough as i am new i over watered and did not ph the water and what i mistake. But its okay i learned. She bounced back like nothing and produced these awesome buds and beautiful smoke for me. Watching her change colour and grow was amazing. It was topped and lst, she reacted amazing to it and grew more and more. Fast buds has not let me down. I cant wait to grow her again and see what happens next time! I washed the trim and made bubble hash with it! Pressed some of the flower to make some rosen!!!

un dia de 4ml por litro de BLOOM A+B - Y otro dia BUD CANDY 2ml x litro un increible crecimiento muchas ansias de que llegue su momento de cortar

12/12 Starting

Muy buenas familia como ha ido la semana yo estoy muy contento como van creciendo hoy las he regado les he acomodado un poco las ramas y le hice una defoliacion y a ver cómo sigue esta semana ustedes como las ven familia cualquier consejos es bienvenido de momento no he cambiado siguen con la misma altura del foco unos 30cm esta al 50% el pH del agua esta ves era de 6.4 he mirado el pH de la tierra el de una maceta es de 6.2 y la otra 6.5 sigo con los mismos riegos bueno familia los dejó nos vemos en 7 días para centrales mi progreso espero sus visitas y sus consejos un abrazo familia paz