Esta es una genética de un olor muy fuerte y pesado se siente intenso desde la vegetación , es una variedad muy resinosa con unos colores morados hermosos , probando las flores cuando terminó el secado y ahora curando las flores se siente un sabor terroso , al principio no me gusto ya que nunca había probado este , pero después al seguir fumando se siente un sabor final muy agradable. Esta genética se conservará para futuros cruces y experimentar algo nuevo. muy conforme con la producción de cada clon

Great Strain and Pheno for low height tents. Citruses oranges and Gass terpZ.

Harvested these ladies at day 68 of flower. Minus the tops from plant #2. Absolutely stunning genetics! All the plants expressed a range of pinks, reds and purples. I’ve not just experienced anything like it to this extent. All the plants share a mixture of different terpenes, but predominantly Orange, Cherry and Gas. Plant #1 smells of Trop Cherry Plant #2 smells like heavy sour Gas Plant #3 smells like Orange oil & Gas Plant #4 smells like Orange oil & Gas Plant #5 smells like Cherry & Orange Plant #6 smells of heavy Cherry Gas with subtle Orange tones. Plant #7 smells like heavy Orange Gas I’ve ended up leaving plant #5 to keep flushing with the new group 🤷‍♂️😸 I’ve added a video of a dry bud from plant #2 The second video is plant #6. It’s been a really fun grow, I’ve got clones of the plants I want to run again so expect future diaries. I’d like to thank everyone who has commented or liked this diary, I hope it’s been helpful in some way 😸 PersonalSmok3s🌱💚

Done abit of lst this week on a few of the big ones First timer not really got a clue what to do so trying trial and error One half the back of tent got a trellise over them the other half have had the fam leaves tucked under and the ones you see under the smaller light have been tied down about 90 degree angle Also a few showing signs of maybe nutrient deficiency of some sort could anybody give a hand as to what this is also something I’ve noticed over the last week a lot of the leaves look almost chewed off complete fan leaves gone only the stem left this is a indoor grow first time I can’t seem to see anything in the tent or any signs of snails or slugs and I’ve put it down to water landing on the leafs and burning them away completely (pot head conspiracy ) any help would be much appreciated please

Getting close to finishing! Maybe start flushing Friday when it turns 7 days and aim for a 7 day flush!

i like the structure of this plant, its a beautiful and stable genetics, really great to try, she's already getting more tricomes and starting to smell more, lets see how it goes the next weeks but i think that at the moment its looking good 😊

Hello dear growers and growmies 👊💚 my lemonade haze girls turned into little green bushy trees :) the scent that comes from my closet smells like a candy store 🍬🍭 just delicious 🤤 They get 0.75 l of water 3 times a week and a light dose of fertilizer. The microbe soil life seems to be active, they get a small replenishment of microbes and micro nutrients every 2 weeks. i hope to see first signs of blooms by the end of this week , gotta do a heavy defoliation this or next weekend 🤙😃 thanks to everyone who stopped by I appreciate it very much , stay healthy my friends 🍻💚

Pure Ice cream is doing great. She had a solution change 4 days ago. She is bulking and looking strong. She has a neat color mutation going on as well. Nothing else to report. ⁶Thank you Spider Farmer, Athena, and Pure Instinto Seeds. 🤜🏻🤛🏻🌱🌱🌱 Thank you grow diaries community for the 👇likes👇, follows, comments, and subscriptions on my YouTube channel👇. ❄️🌱🍻 Happy Growing 🌱🌱🌱 https://youtube.com/channel/UCAhN7yRzWLpcaRHhMIQ7X4g Spider Farmer Official Website Links: US&Worldwide: https://www.spider-farmer.com CA: https://spiderfarmer.ca UK: https://spiderfarmer.co.uk EU: https://spiderfarmer.eu AU: https://spiderfarmer.com.au G5000 Light Amazon Link: amzn.to/4643esa UVR 40: https://www.amazon.com/dp/B0BR7SGTHS Discount code: saveurcash (Stackable)

This is my first grow indoor, 2 plants in a tend 80 x 80 x 160 cm. Using a mix substract, in a 7 liters vase. Germination was done with the paper towel method. At the first week one of them was stagnated, so I forced up the seed and probably hurt a cotyledone.

Let's start this epic chalange :) 😍😍42 days to birhtday my son <3 <3 <3 😍😍

Sorry no picture for the moment I've crossed the plant with the Sunset Sherbert Bx2 to get seeds of a breed I ve create 😁 Soow I made Dry ice Hash with the material pictures are coming 🤘🏼😘 I've made 4 x 3grammers Temple balls of 160microns with 128g's of nuggs so almost 10% of return of fire golden hash 😍

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Day 29, Too many bugs! Mini grasshoppers and one of those leaf tunneling bugs, as well as a respiratory bug within myself! I’ve taken care of the bug inside myself, now time for the Diatomaceous Earth!!!! And to get that bug out of that leaf! Still feeding a little cal mag. I think it’s necessary. Day 31 - Day 1F Going to ramp it up from 1mg to 3mg per Gal of CalMag OAC. I will top dress something special, maybe the mother earth acid mix, or maybe I will do a seabird guano with insect frass and top it off with an Epsom Salt solution feed. I’m trying to practice using less of a branded store-bought approach. But to source everything is so much easier out of a store bought package, so for now, I might just do a small amount of seabird and insect frass, maybe just a super small sprinkle on the soil surface, not in water. Day 5 of flower: and WTF is up with this foul weather. Only 46 degrees Fahrenheit! (7.8 C) Cloudy with 15-20 mph winds. Gonna drop to 29 tonight… this is ridiculous. I don’t have access to the tent at this time, so it’s cold weather today. I could bring her inside where it’s warmer, and there is no light! Or those house lights put out only a few candelas worth, not exactly light for a plant. Do she would just stretch and go hungry inside. I’m leaving her outside. Bringing her in over night obviously! But not much growth is expected. Just gotta roll with the punches. I thought we were flowering this week, but barely small preflower development. So this is switched back to a Veg week.

Fed both on Day 46. The Caramel cream likes to EAT! R/O is high again. I’ll monitor again during the week to see if this is an issue. Day 50: ph water feed w/ calimagic. Moved into larger tent to prepare for flowering soon. Added additional lighting as well flowering. Grow on.

Alien Vs Triangle starting to get huge. Impressive for 2 weeks old. Gave her an overdose of Recharge this week and I think it paid off! I'm betting she double (or triples) in size this week. Stay Tuned!👍

I was traveling for work and it turned out that the plants stayed 3 whole days without watering, I watered them as soon as I arrived, these photos and video are of them after 2 days already watered and they already showed improvement and I also started with top crop 2 ml top veg fertilizer per liter during vegetation, and this is the end of second week

Day 49 -well what do you know. this one is an photoperiod plant so now i need to flip to flower. -hoping 12/12 doesn't ruin the autos i've given cal-mag in the feed water and to the recharge feeding.