VEG WEEK 10 My Base Nutrient Inputs: See VEG WEEK 6 for details of stock solutions A & B. My grow weeks run from Monday to Sunday. This week the goal was to let the girls grow, space the tops around the trellis, and attach each stem to the outside of this structure. Tuesday - Watering Day - 1 gallon each as described above. Friday - Watering Day - The pots are very light. Laverne is quite thirsty in pic # 10 - 2 gallons each as described above. Friday - Pruning Day - Pinched out all the new grow at each fan leaf. The goal is a single stalk with no side branching. Also removed some lower Fan leaves and a few select others. Unfortunately, Laverne lost a top. Not sure how, but I snapped it😡, and it dangled by a little of the outer stem tissue. I quickly reached for some tape to administer first-aid, which has worked for me in the past. Sadly, a few days later, it was evident (pic # 16), she wasn't going to make it. Sunday - Training and Trim Day - Laverne is now down to 11 tops and my plants symmetry is shattered. I pushed the broken limb aside, to make room to realign the neighboring branches. I'm leaving this broken branch on the plant for now (pic #17), in an attempt to keep the other branch, on the same main stalk from dominating the plant. The remaining branch (pic #18&19) is already growing much faster and needed some serious twisting to bring it to the level of the rest of the plant. I managed to get Laverne symmetrical again, and leveled out the tops with some wire work. Shirley was also wired down to a symmetrical, level canopy, without any drama. Laverne is now 10 inches tall, and Shirley is 12 inches. It seems I named them backwards, lol. Laverne received a 2 inch booster seat under her pot to bring her canopy level with her buddy. Their canopy tops are 30 inches from the Electric Sky ES 300 V1 light. Shirley has shown herself to be a female (pic #24), while Laverne has not shown sex (no concern, as these seeds I made should be feminized). I see some tip burn, and need to dial back my nutrients a tad. I also am working on eliminating the purple on the top side of the petioles (not too worried about it as the plant is growing and appears healthy otherwise). My base nutrients contain calcium and magnesium, plus I add Cal-Mag +, so not sure why. It is funny that the purple is only on the top side of the petioles, and makes me wonder if this is caused somehow by LED lighting. If anyone knows, please share😀. I plan on another week, maybe two, of vegetative growth. The mother(s), that I made these seeds from only stretched about 12-14 inches. I'll flip to 12/12 light schedule when the stems reach the height of the top of the trellis. With the stems supported, and some luck, these girls, will be set-up for smooth flowering. The video was taken Sunday morning, before training and trimming. Thanks for Viewing, Peace, DeaneR😎

Wow jus wow overall so amazed with how she turned out. Frosty as ever a beast to have to trim. I wish I would have grown so many more I will deff be popping more of these beauties more very soon she’s just wow.

They are growing fast and start preflowering. Drinking 1,5l with 2ml fertilize every 36h.

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Just prep for LST! Any advise someone??????😀

Absolutely stinking beautiful strain Very sticky 2 completely different phenos. Amazing plant love the dynamite from royal queen

Hello Growers & Tokers! Rooooots. Don't forget about them! At the beginning of the week they all got transplanted into their final pots, 11L fabric pots. Medium is Light Mix from BioBizz. Synergy from Grotek nutrients was blended in the medium to help out the roots. Let hat mycorrhizae do it's thing. I'll let them settle in their new home then I'll be topping them to widen that canopy out. Take care out there and happy growing!

Week 19, day 6. Second week after switching to 12/12 lighting. Nr 1 is 155 cm tall from top of soil and Nr 2 is 171 cm. All video and pics is taken when the girls have hade 11.5 h of no lights and just got watered. The stretch on these girls was incredible the past 2 weeks after switching to 12/12 lighting. So fare this has gone smooth as silk and no problems at all despite temperatures over 30 degrees Celsius for the last 45 days. I have manage the heat by having between 85-95 % of RH in the room all the time. And this genetics from DinaFem seeds is awesome, i hope i will get a massive harvest of strong indica medicine.

One pheno smells like straight up slurricane i grew from clones so im sure not a mixed up seed lol One pheno has not much scent and probably leans bubba kush. I have no idea where this sweet candy berry pheno is coming from...probably wedding cake. I hope to get some damn cheese from the 3rd one that i saved but didnt make the flower room cut. Size and trichomes for week 3 is satisfactory given i did a heavy defoliaton at flip, and these are only 10L/3 gallon grow bags sharing a 200w light. Tried to stop stretch with cytokinins and kelp but i may have to raise the lights?

Flowers starting to get some sweet aroma

Sa semble ok elle a une belle couleur.

📋 Die Strawberry Banana von Fastbuds befindet sich in der vierten Vegetationswoche, was insgesamt Woche 5 nach Keimung entspricht. Die Pflanze steht stabil und hat nach dem Training eine gute, gleichmäßige Struktur entwickelt. Das Licht läuft konstant bei 18 Stunden am Tag. 💧 Zusätzlich habe ich 4 ml S&R Organics 5in1 als Sondergabe verabreicht, um das Wurzelwachstum und die Nährstoffaufnahme in dieser Phase etwas zu pushen. 📸 Die aktuelle Aufnahme zeigt eine vitale Pflanze mit gesundem, sattgrünem Blattwerk. Besonders auffällig ist der ausgeprägte LST-Effekt: Durch das Herunterbinden des Haupttriebs haben die unteren Seitentriebe massiv aufgeholt und stehen jetzt sehr gut im Licht. Die Blattstruktur ist kräftig, allerdings zeigen die untersten Blätter leichte Verfärbungen, was in diesem Stadium nach der Umstellung oft vorkommt und nicht weiter beunruhigt. ✂️ Die Pflanze hat die Kurve nach dem Training gut bekommen und zeigt eine schöne Symmetrie. In der nächsten Woche werde ich das Hauptaugenmerk auf die weitere Ausbildung der Seitentriebe legen. Wenn die Entwicklung so weitergeht, dürfte der Stretch bald einsetzen. Ich beobachte die untersten Blätter weiter, sollte das Gelbwerden zunehmen, werde ich entsprechend beim Düngeschema nachjustieren.

Let's realign our cosmic compass and embark on a harvest report for our magnificent Cosmos F1, a pure CBD strain that has taken us on an extraordinary journey. Brace yourself for cosmic revelations and interstellar delights! After an impressive 11 weeks from seed and 7 weeks of flowering, the time has come to witness the cosmic culmination of our efforts. I carefully hung the entire Cosmos F1 plant to dry, allowing the cosmic energy to infuse every inch of this botanical marvel. It's a sight to behold, with majestic branches reaching for the cosmos, reminiscent of a cosmic dancer frozen in time. As our cosmic queen gracefully dries, her vibrant hues continue to amaze. The shades of green, intertwined with delicate hints of purple and gold, are a testament to her genetic splendor. It's as if she has absorbed the cosmic essence of the universe, transforming it into a visually stunning spectacle. Now, let's talk about the cosmic power of CBD. Our pure CBD strain holds the key to a transformative experience. With minimal psychoactive effects, this cosmic treasure offers a realm of therapeutic benefits. It's like a cosmic massage for the mind and body, soothing and relaxing, allowing us to explore the depths of cosmic tranquility. The decision to hang the entire plant for drying is a testament to our dedication to preserving the cosmic integrity of our harvest. By allowing the branches to hang freely, we encourage a slow and controlled drying process, ensuring that the cosmic essence remains intact. It's a ritual that honors the plant's journey, preserving its cosmic magic for us to enjoy. As we eagerly await the cosmic transformation, let us express our gratitude to the celestial forces that have guided us on this cosmic odyssey. The cosmos has aligned to bring us the extraordinary Cosmos F1, a gift from the cosmic garden gods themselves. We extend our heartfelt appreciation to the cosmic harmony orchestrated by @James and Royal Queen Seeds. In the coming days, our dried cosmic buds will be ready for the next stage of our journey. From cosmic concoctions to cosmic culinary delights, the possibilities are infinite. Imagine infusing the cosmic power of CBD into soothing teas, cosmic creams, or cosmic confections. The universe is our canvas, and with our cosmic harvest, we can create cosmic masterpieces. As we bid farewell to our Cosmos F1, let us cherish the cosmic memories we've shared. The vibrant colors, the pure CBD power, and the cosmic connection we've established with the universe. May our future endeavors be as cosmic and awe-inspiring as this one. Until we meet again, my cosmic friends, lets keep exploring the cosmic wonders, nurturing our cosmic gardens, and let the cosmic energy guide our cosmic creations. May our harvest be abundant, our cosmic experiences be enlightening, and our cosmic journey be filled with celestial blessings. As always thank you all for stopping by and for supporting me on this journey, i am super passion about growing and fell blessed to have you all with me on

2cm vertical growth this week.

-Loading-

🔇😉

80 days later, its ready to flower. (This is actually 1 week into floration) Seems like a lot of time vegging, doesn't it? The thing is that I had no place for it to flower, as I had only 1 bucket. Now that is solved, as I made a second bucket for vegetation.

Hello, J’ai recoupé les extrémités des 4 branche pour créer 8 nouveau site de buds, plus qu’à attendre pour recouper et faire 16 sites… la végétation se passe bien dans l’ensemble, je vais la voir une fois par jour, elle est heureuse et pas compliquée 😎