Missed the last couple of weeks of veg. This video is 1 week after the switch... I class this as the start of the flower period. Plants are looking good. Lollipopped the plants a few days before the switch and took some cuttings for the next grow! Having no issues with these plants and changing to led has kept temps down. Large oscillating fan on the wall is keeping air moving g while I have a4" intake and 6" rhino Pro filter

Starting week 3 today, with a challenge ahead with this little bad girl! It's looking good! I'm feeding the plant once each two days, with Seaweed Tonic, 150ml with the suggested dilution from the bottle. Now I have also a bottle of Canna Terra Vega, with NPKS 3-0-3-0. Is it a good idea to start feeding the plant, with also this nutrient? The soil is a mixture of 80% organic soil + 20% of coco coir. What is the best agenda to follow with nutrients? Cheers!! (:

So this grow wasnt to bad considering it was my first indoor auto grow. For the most part I am satisfied with. However I will stick with the high end genetics from here on out as I want to grow the dankest of the dank and this is what I enjoy doing so why not do it the best way possible with the best names in the game. Stay tuned to see what 🔥 I’m growing next!!! Thanks for tuning in and as always stay Smokey my Friends!! 💨💨💨

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Ich habe sie jetzt 2 Wochen wachsen lassen bevor ich sie in mein großes Zelt packe.

Questa pianta e veramente profumata di fragola cazzo!! E la prima volta che sento una varietà così profumata é ricoperta di tricomi OVUNQUE al momento sono tra il trasparente e il bianco latte, ho cambiato big Bud con overdrive per vedere di ingrossarle un po' di più, ho diminuito il grow aumentato il factor X vediamo cosa ne esce fuori! Comunque fast buds non smette mai di sorprendermi!!! Io coltiverò per tutta la vita solo le loro varietà!!! 😂 Non sono mai stato deluso dalle loro genetiche promettono quello che dicono e a volte anche di più!!!

She's doing so well now. She also got her darkgreen color back. She is also showing her sex (female) on day 9 in flower. Will enjoy to see her fatten up🍁💯

Week 4 - 01/22 to 01/28 2021 Pictures from Days 25 + 26 TRANSPLANTED! Hopefully the stunted size means the flower timing is delayed as well, I've gone through a runt LSD before so if it flips before 7 inches I'll just pull it and start a different seed, I still have more Purple Lemonade beans so might pop one of those into the 5gal with no transplant and see if I can get a better base. More and more reasons to go back to a photoperiod grow after this for more control/really test out the new lights 🙌 Ended up more 50/50 ratio of Destiny Organic's Dark Matter Living Soil + ProMixHP since I had to make the Destiny last. Apparently they went out of business just after I decided it was my favourite/new soil :( Would rather stay away from Ocean Floor since I haven't had the best experiences with it (bugs/rust fungus etc) Feel free to drop some recommendations other than Fox Farms below 👍 The plant otherwise is healthy and growing well under the new set up. Still 3 and change tall but in context of the new light has tripled in size in a week and a half. If it looks like it's still vegging and starting to catch up once it settles into the new RootPouch 5gal woven then I'll keep it going. I raised the @ViparSpectraLED P1500 another eight inches after transplant and started basic LST. I really wanted to get these four under a ScrOG but if 3/4 are already flipping and the LSD is still runty I might have to wait it out again. I have the @MarsHydroLED TSL2000 set up and ready to go once the girls settle into their new pots. Have the new surge protector/heavy duty power cords/power tool grade timers as mentioned in Week 3. Some of it shown in the pictures. Threw some videos in this week as well with some Queen's Radio GaGa, Beastie Boys' Brass Monkey, and a little hint of Arkells ....COME TO LIGHT on the short @ViparSpectraLED ..GET IT.. 😓 -- Thanks for checking in! Throw down a like and/or follow so I can return the favour 🙌 Check out my Diary of the Year 2020 Entry for my Original Auto Sour Diesel: https://growdiaries.com/diaries/54258-fastbuds-original-auto-sour-diesel-grow-journal-by-glazedgrow IG: @GlazedGrow CannaBuzz: @GlazedGrow

Growing quite well, hope the phenotypes are not very different from each other They only get water, I have added Tyroler Glückspilze mycorrhiza to the soil @13 Today I repotted them in 14l pots with plagron lightmix, I also added 50g of organic tomato fertilizer per pot ( ratio 7 3 10)

Ya con el día 84 se da fin a este gratificante proceso. Fué una nena fácil de cultivar, a pesar de estar creciendo en un espacio reducido junto a otras hermanas de la misma familia. Eso no fué impedimento para que mostrara su calidad y unas hermosas tonalidades que mostró con el pasar de los días. Finalmente valió la pena esperar un poco más hasta el punto deseado, ya que la planta siguió evolucionando y mostrando todo lo que tenía para dar. Las flores se ven hermosas en el frasco; tienen forma de fresa puntiaguda y el aroma que desprenden hace salibar 🤤 es una mezcla dulce y tropical que a cualquiera puede cautivar. En el humo tiene un sabor frutal, cremoso y terroso con un final muy dulce y agradable.

week 2

Blütewoche 6 verläuft ohne Probleme. Die Pflanzen sind gesund, Buds werden dicker, Trichome entwickeln sich gut. Kein Mangel, alles im grünen Bereich. Leichte Entlaubung für bessere Luftzirkulation, Gießen wie im Schema. Bin sehr zufrieden – weiter so!

I went away on vacation to Utah for a week so I wasn't able to update my grow journal at all unfortunately . She really exploded while I was gone she's roughly 14"tall x 17"wide. She is starting to give off a nice dank smell I had the carbon filter off but I switch it back on. The tents humidity will drop back to 35-40RH% because of this. I also switched the bloom lights back on so the temp is also going to rise up higher than 75F during the day. My guess is at night the tent hits a low of 62F but averages around 65F. The co2 bag has some awesome growth and Its Cleary producing co2 because this lady is praying towards her lights ! I 100% recommend using c02 bag for sure even though most places online will say its useless. DAY 40- Added tomato cage to help support it ! it is two feet exactly as of today! *New time lapse* 2/10/20- Took 2 cuttings for clones, she is a cool plant and id like to keep her genetics alive for breeding projects this summer =) lollipoped the bottoms a bit and defoliated the lower fan leaves as well. Temp is back to 80F and 38RH% 2/11/20- Did absolutely nothing but admire this beauty today ;) 2/12/20- Watered with Recharge (double the strength), Cal Mag, and Mammoth P at 6.5 Ph 2/13/20-NFTG mis flower feed

Things are moving along nicely and they are strong bushy plants.I did some defoliation and tied down some branches on one of the three ladies.So far so good I’ll clean up the bottoms soon and possibly add a scrog net.

I came back after vacation, the girl is ready for cutting, the rainy weather has started, so there is a threat of rot, you can say I managed to find just a few small pits in time and removed them and threw them away, the big and stiff flowers look fantastic:) but after a long trip I was tired, so I didn't take quality photos :( no everything else, I am very satisfied with the result I got:) its smell already lets me know that it will be good:) a lot of sugar leaves from which I will make bubble hash:) I will update the weight when it dries.

Welcome to week 6 of flower for this lovely project! Last week was exciting this week should be even more exciting! With the ladies beginning to put on serious weight it's only a matter of time before I'll have to install a second net to help support the branches. With this being about the halfway point I'm excited to see them at the finish line! Huge shout outs to @MarsHydroLED for making epic lights and tents for people to grow in! Huge shout outs to all my followers and people who stop into the diary alike! Keep inspiring to grow! -The Projexx Day#36F Creamy Cereal is PUMPING frost now with its undeniable smell of fruit loops and milk. Day#37F Ladies are putting on mass and quickly! Day#38F Macmelonz continues to stretch and stack but looks like its nearing the end for her stretch phase. Hopefully she pumps HUGE kickass flowers for me. Day#39F Flowers are almost the size of a soda can now. The trichomes on these plants are wild like trichomes over trichomes. The flowers have really picked up on the aroma department as well very please with the plants. Day#40F Raised the light abit, Flowers are starting to display colour in them now can't wait to see them in a few weeks! Day#41F Pictures N/A. Ladies are still beefing up flowers some of the pistols are starting to turn. Day#42F Ladies are still putting on mass daily. Lots of lovely unique smells coming from the plants. Recap: Things went well this week , the ladies really put on some mass and all the flowers are hard as rocks! I will be taking away leaves over the course of the coming weeks to ensure the airflow to the flowers. Excited to see what the coming weeks bring!

Week 11 for Lemon Orange by Greenhouseseedco, 1 out of the 3 is doing so much better, this time round I defenetely was missing something in my soil. Gave her a IPM shower (in the shower lol) Tent/tights etc all cleaned also. She was fed 37g of BioBloom + 12g of BioGrow.

Day 45 in flower... Trichomes are about 80% milk and no amber... The paint and big Z are 7-9 weekers and orange cake is 9-10... Def few weeks on the orange cake... But getting close to how I like it on the other two... The smells are outta this world... Orange cake smells like orange cake... Very orange like it's nuts... Never smelt anything like it tbh... The paint is a different pheno than previous ones because there's usually a chemical skunk smell but this is a fruity pebble smell with layers of earth smell and a sticky presence that doesn't go away for a long time lol... The big Z is another sweet smelling but more along the smell of a mouth full of Skittles and that dirt earth smell aftertones... They're awesome and I'm really excited! Day 46 They fattened up over night! Coming to n end... I did find little clusters of amber trichomes on the paint and I can't find many clear on the big Z... So it's right where I want it!