Beginning week 3 flower looking great probably hit her with the last of my SFV daddy dust soon

Algunas de las plantas tienen un pequeño exceso de abono de hace unos días, alguna punta de hoja quemada, sin más. Empezamos la semana con un par de riegos solo con agua y algo de calmag y continuamos con el calendario de abono.

This week I Supercrop all the plants and spred them out over both lights. One more week of Veg and they are ready to explode Check me out on Instagram @growmorestressless

3 girls of the same family, eating same food, sleeping under same roof but running at different speeds 💚💚💚

Un altra settimana è passata senza problemi...grazie alla mia perseveranza nel curarla e debellare i ragnetti Rossi che bastardelli mi sono arrivati anche dentro al box... sicuramente c'è li ho portati io involontariamente quando sono andato a vedere delle piante di un amico che erano impregnate di ragnetti e ragnatele sui fiori....vabbè ora devo sbattermi un po' più ma non lascerò che mi rovinino la mia terapia 💪👍🙏🕉️🙏... Boom Shiva Shankar 🕉️ belle le mie coccinelle 🐞 che mi tengono pulita la mia terapia

📆 Semana 9 La Mentha de Croco entra ya en cierre real: los cogollos dejan de crecer pero se endurecen y cargan más resina. Los pistilos empiezan a oscurecer y los tricomas se ponen mayormente lechosos con algún ámbar. El aroma mentolado sube un punto más y los riegos ya son muy suaves, solo para mantenerla estable antes del remate. Afinando resina, terpenos y densidad para la semana 11. ¡Seguimos creciendo fuerte 💪!

The plant is really small hopefully there are a few grams xD and now it is even infested towards the end and has to go out in quarantine lol

Day 38-45 (Day 39) Almost overnight, nearly a third of the white pistils turned red. Not sure if this is something do with environment but it wouldn’t surprise me if it had something to do with the feeding I gave it yesterday. Who knows (Day 42) I was going to give a fat defoliation today but I’m second guessing myself. I might take a few of the leaves that are sitting on top of each other but that’s it. After that, I’m on cruise control until the end. I’m watering in a gallon every other day and 1 day off when they look a little overwatered. All plants look happy and herm free. Bud size is still lacking overall. In my experience, buds don’t really swell that much after day 45ish so this is pretty much it. Can’t say I’m too happy but I’m certain the quality will be on point. (Day 43) I’m seeing a little more fade each day now. It’s almost pinkish right now. (Day 45) I’ve been taking a few leaves per plant every couple days or so. Once I can see that almost every budsite has adequate light I will stop. Just for good measure, I’m going to give a final feeding of seaweed extract. We still have 2 weeks of fattening up to do and they could definitely use a K surplus. And since this is a water soluble nute nothing is lingering and breaking down for more than a few days. Earlier in the season I had a seedsman white widow and a local m39 plant I was going to flower if I got less than 4 female BBB’s. I was lucky enough to get 5 so I gave the insurance 2 plants to a family member. M39 is now done after 60 days of flowering. And the white widow, which was really stunted is going another 10 days at least. Both plants were flowered in a closet under 2 cheap amazon blurples totaling about 200w. They were in 1.7 gallon pots with amended soil nearly their whole lives. They were only top dressed once around day 30 of flower. M39 must be a low feeder because it really didn’t get any deficiencies after it left my hands. It was consistently the most vigorous plant in the tent during veg too. From what I understand, it has the classic fruity m39 smell and because it’s not grown with paclobutrazol it’s not freakishly dense. Awesome. I will post some more pics and report on the smoke once it’s dried.

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

An here we are. At the end of another cycle. The end of another year, and what a year it was. For Sunshine and me personally, it was a tough year, with our families sick on multiple occasions, life-threatening. We are very thankful for many things but most of all that all our parents are healthy again. We wish your families are as fortunate in the coming year. So we end this Gorilla's life with a swift cut of the scissors, after thanking her again for the companionship, the well-needed distraction, and all the love she has given me already. I sometimes read that people won't go near their plants when they are angry or sad. Please do go to your plants when you are sad or angry! They are millions of years old. They have been healers of animals and humans since they were around. Our emotions can not taint something so pure as the spirit of this plant. She will heal us, give her life for us, sacrifice herself for our healing. She is all-powerful and all-knowing, there is nothing we mere humans can do, except disrespect her powers. Bask in her glowing light, enjoy her soothing energy, her creative spark when you are in need of love, just don't smoke her at that time, for she will soothe you bit not give her treasures, she will seduce you. Next to thanking Santa Maria for her healing, we would like to thank our friends here, all who shared their kind words, advice, and attention. I had made a video to share my thanks on video, but every time I got very emotional. You guys have no idea how tough this year was. The gorilla is real easy to clean and sticky and cristally. Its amazingly great to smoke! So a special thanks to: @Sailormoonflowers for being a buddy to talk to, @JamMAKEcan for being there with ideas and always a lot of love, @Roberts for being an inspiration @Cannabeast and @LegendarySeedThumb for always checking out my grows, to all who I forgot who are always here to greet me! @Growdiaries for being an awesome site and community and last but not least: @MarsHydroLED for letting us try their SP-3000. VERY HAPPY NEW YEAR XXX We wish all of you freedom, love, happiness, but also the awareness to see many of us are still being repressed, with growing but also with our human rights. Jah jah gave us life to live, so let us live brothers! It is time the rastaman made a plan! We are 99% loving people on this planet, we need no 1% to fuck it up with wars and strife. We need to stop cooperating, peacefully resist. If you can buy local, ban exploiting multinationals. Help your local businesses, help your neighbors, we need to wake up and stop funding this black stain on our planet. Sell your stock in multinationals, invest in local businesses. Buy local products, speak out when you get taxed higher than millionaires (and you are). The day is coming my brothers and sisters. Soon a handful of CEO's will find out when billions are done with them. For now thanks for everything!

Never used it . Bug on site.

Starting to really stretch nice. Drinking a good amount of water at this point. About half a gallon every 3-4 days. Feeding them lightly, bout 1/4 strength once a week.

Well after failure fist time around after germination we go again,.. seeds germinated 24th and broke soil 26th ,.. conditions should be perfect, roll on next few weeks 👌

Just trying to get back to normal life after the Thomas fire. I believe I have two phenotypes of some gorilla glue lineage as the seed came from a very tasty dispensary quarter. Even though the little ugly plants look grotesque, they are loaded with bud sites. I have photos and videos and notes of the past few weeks so I will try to back annotate. Gradually ramped light down from 18 hours to 12 after power outages due to the fire, and it was about good time to flip anyway. It is so much easier to control temperature during the winter in my space. The lights keep the space at a pretty steady 74 F. I haven’t pushed PPM and am keeping Ph in the 6-6.8 range. I’m using peony rings as support and to spread a little but I am not training for a perfectly flat canopy as I had excellent popcorn nugs in my last grow even with the lights over 2x further than optimal. Defoliated the lower branches but I am not defoliating aggressively, but will continue to remove any withering leaves. Sorry for the slow updates. The fire has been pretty traumatic for my city and myself, and I’m just getting back to normal life. My home, family and pets are safe, and the fire is mostly contained. Thank you for checking out my diary. Happy holidays and I hope Santa Ja brings you a giant tree!

The watermelons are around one and a half week in flowering an they stretched a lot more than the fat banana, this is obviously a personal experience, but let see, at the moment we have quite some bud sites around the plant and she's nice and green

Here I am again, stoners, haha. I'm really liking this genetics, they're growing fast and look at all the pistils it's throwing out. I foresee a delicious harvest, haha. Kisses and hugs.💀😍

Растения набирают массу, жду более сильного увеличения в объемах.

Couple days left of week 3, and buds are starting to swell, and trichs are forming. I've removed most of the lower branches at this point (which probably should have been done earlier), I'll hopefully do the last of the defoliation this week too. I'm going to bump up the nutes a little for a while before flushing for at least 2 weeks when they are starting to look ready! Smell inside the tent is getting stronger, made me sneeze a couple times when I peeked in there the other day 😅 Have a happy new year!