Update 14/09/20 - All systems ahead at this stage. Plants are drinking approximately 2.5 litres per day and reservoir is constantly filled and Ph checked daily. Ph average 6.1 Humidity 50% Day Temp 28c Night 20c Seems to be Approximately 3 weeks left on Colorado Cookie & one of the mixed bag as well or may be slightly ahead, by possibly a few days. Time schedule looks as though 1 of the mixed bags 1st, then Colorado Cookie, 3rd Second mixed bag (lightly topped) then may a week or 2 will be the Blueberry. The next weeks 4 weeks are exciting!!! I'm excited to see how much more they fill out from this point! They may exceed my expectations!! 14/09/20 - I increased the nutrients slightly as the Blueberry was a little light green as opposed to all other plants that have that have lush green into flowering as well as a little extra flower boost to try to fatten up the buds. 5 mls extra of Flower Booster 25 mls per 10 ltrs. 16/09/20 - Realised that Mixed bag x 2 & Colorado Cookie only have approximately 3 - 4 weeks, so I decided to begin to reduce the nutrients instead on the 3 girls. Blueberry is at least 2 weeks behind so I have continued to feed her 1/4 nutrients and 20mls bloom per 10 ltrs. Did another defoliation on the Blueberry and this will be the last time for her until later in flower. very light defoliation of bud sites to Mixed bag x 2 & Colorado Cookie. * The Colorado Cookie has a magnificient fragrance, the Mixed bag as I'm not sure what they are they do have a Citrus fragrance. Trichomes have begun and are still clear An eye must be kept on Trichomes from here * 17/09/20 - Systems are good and everything moving along nicely.

Spider Mite infestation. I put the story in the pictures. Long story short, the infestation focused on the lower (ticker) branches of AK2 and this explains the undergrowth compared to her sisters. The trichomes are half-cloudy / milky and she will be ready for harvest within a maximum of 2 weeks. I defoliated her by removing nearly all leaves and put her aside in the grow room. Open to any other suggestions. I also confess that I neglected the plants and did not check the source of the white point. I also used some of the soils I used in other outdoor plants which I believe the source of the infestation. Seed Formations AK2, again produces seeds in lower branches. I did not pollinate this one and there is no other source that she is pollinated. I didn't see any Bananas, too. I am thinking it might be because of the stress from the Spider Mites. Open to any suggestions on that too. Other Two Girls I spotted some mites on them too, but it was not alarming. I defoliated the infested few leaves and they will be okay. Jack Herer needs two and White47 might need another 3 weeks and that is it. I think they all will be okay until then. I will keep a close eye on them. Sorry for not good news this week.

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Al ser la variedad con más predominancia sativa de las tres que habian estas fueron cortadas un poco antes de tiempo y los tricomas en su mayoria eran todo cristalinos, apenas habian unos pocos lechosos o ámbar y muchos de color morado xd. No obstante una vez pasados los dias huele bién, sabe bién y buen efecto. No sabria describir el sabor pero tiende a Kush. fácil de cultivar y como pudo verse hace o puede hacer unas bonitas porras.

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Hey guys! Thanks for stopping in to check out my babies! This is week 2 of flower (days 8-14). This week things really seemed to take off! 🔥 Plants were happy all week long and seemed to grow almost an 1” per day if not more. Buds are developing nicely, no smell yet but nice to see them stackin’. I cut out anything under the trellis that would end up being popcorn buds so the plants could focus on the main colas. Hoping I’ll just have to pull a few leaves here and there from now on. The New Floraflex drip system has been nice! 💯 It has made watering easier and more automated. Water distribution isn’t perfect but I’m sure they aren’t 100% level either. Plants should stop stretching after this next week and should start putting on some size! Stoked to see what these girls can do in week 3! Day by day break down: Day 8 Cut out some lower growth/ leaves blocking bud sites Day 9 Fed all 6 plants. PH: 6.11, PPM: 1136 Day 10 Plants look great. Let them do their thing. Day 12 Fed al 6 plants. PH: 6.05, PPM: 1264 Day 14 sitting at 29” tall right now. Not so stressed on height being be issue. Thinking they might be around 35-40” tall at the max. Stay tuned for next weeks post to see how much these ladies have thickened up!

Today is the last day of week 1 flower. I've been working on raising the ph in the medium of Zorro x Purple Punch 2, she was showing a Calcium Deff in the previous post. She was getting the same feed as the others ph 6.2 but instead of running off around 5.8 like the others she was swinging right down to like 5.2-5.3 so she's been getting a separate feed with neutral ph and her runoff comes out at 6.2 now which I'm happy with as I move into the second week of flower and where I got them all to with today's feed. She has shown no further defficiciencies since. Other than that they have all been doing what they do best and they have been happy all week, only really disturbed them to feed them, until today. Today I gave them a little training and bent their branches away from each other. Also today I switched their feed up a little but I've not added the changes to this entry because today is one day and the values are for the whole week but the changes today are as follows.... I took out Cellmax Rootbooster - pots are well rooted and I'm leaning towards flower production now as I come into week 2 of flower. I added Cellmax Flower Stimulator at half strength - easing them into flower power mode! I added Cellmax AlgaMax 1ml per litre - The kelp keeps stress levels minimum and I've done a little LST plus the last 2 days have been around 20 celcius which translated to 26 - 30 celcius in my tent. I alternate all watering one with feed and one without so long as they are in good health. Other than that not much to report, growths good, bud formation is on schedule with lots of pistils although they are 9 weeks old so they already had nice lady gardens 🤭 Thanks for looking in One Love💚 Fire Farmer🔥👨‍🌾

Baked Bomb autoflower is starting to preflower. I think she is a bit behind due to the issues I had early on in the grow. She has been growing great for many weeks now. She has been looking really good lately. Thank you Bomb Seeds. 🤜🏻🤛🏻🌱🌱🌱💣 Thank you grow diaries community for the 👇likes👇, follows, comments, and subscriptions on my YouTube channel👇. ❄️🌱🍻 Happy Growing 🌱🌱🌱 https://youtube.com/channel/UCAhN7yRzWLpcaRHhMIQ7X4g

We start week 3 of bloom!! Goofiez 2 amor compound genetics it’s the champions!!

Hope everyone is doing well and have a good mothers day with the family!! Today we are into week 5 of bloom with this queen in the 2x2 I am lovinng and let me say that againi loving this grow this plant just everythuing about the 2x2 and the living soil! I went ahead and got risky giving th plant some light nutrients this week wirth the tastey terps from advanced nutrients, just giving her a little extra organic vitamins. From here on out I'll be giving her just water. but let me say this toooo. I am in LOVE with Roots ORGANICS baby the top soil feed ive gaven this plant has been awesome she is loving it every day, its been a game changer for me. much love happy growing

Dry kief Blueberry gelato

🌳 Week 13: Well, they're happy... almost too happy! The canopies are filling up again and getting incredibly dense down below. Especially with the squatter, Indica-leaning strains, I'm honestly getting concerned that they might be too dense, and cause mold issues. We do not want that! So, they all came out of the tent again and got their most aggressive cleanup yet. I took more bottom branches off and made more clones, and then also just cut out some other smaller branches, particularly ones that were growing back inward or in some cases even crossing over others. The differences between the indicas and sativas are starting to become more apparent as the plants stretch, and some of the sativas are almost 16" tall. I actually ended up topping a couple of the very tallest branches before they stretched any further, again in an effort to keep the top of the canopy as level as possible. I'm also experimenting with using some wire rings as inserts to spread out the top of the canopy, and pretty pleased with the initial results.

This week, I noticed an excess of nutrients, and one of the plants has its leaves curling up. So, I decided to stop adding nutrients, hoping this will help and don't stress the other two. But she's strong and has just a few more days left before harvest i think.

Her buds have fattened up very nice!!! Almost all her pistols have changed colors and curled in. I hope im not to late, but this week will be her last feeding then good ol plain ph'd water until she is ready to chop. She smells so strong of cookies and cream and gas⛽ she is going to be a decent yielder but an even better smoke!!! Super easy plant to grow. Super stoked with 420 fast buds!!

Grow Report – Black Domina | Anfang Woche 3 😂 Die kleine afghanische Diva hat den Stretch größtenteils hinter sich und macht langsam richtig Buds. Aktueller Stand: EC 2,3 (die Bitch frisst wie ein Loch) Drain-pH 6,2 (endlich mal nicht mehr am Durchdrehen) 25°C bei 70% Luftfeuchtigkeit (ja Meister, ich weiß… viel zu feucht) Ein Würfel wird ständig zu trocken – wahrscheinlich hat er eine Persönlichkeitsstörung Nächstes Event: Tag 20 großes Lollipopping. Dann fliegen die Blätter und die Buds kommen ans Licht. Vibe: Von „ich hasse Steinwolle“ zu „okay, vielleicht wird’s doch noch geil“. Black Domina bleibt eine Drama-Queen, aber langsam wird’s interessant… 🔥