Servus Moin! Die MDC #2 macht sich ganz gut. Ich kann mich nur über die unteren Triebe ein wenig beschweren. Sie wachsen leider nicht so stark mit.

Estive fora por algum tempo, mas as meninas estavam muito bem!

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In dieser Woche hat sich sehr viel getan , die Blüten sind herangereift und haben nochmal etwas an Volumen dazu gewonnen.😍 Der Geruch ist sehr stark und die Terpene intensiver geworden. Es sind vorallem, Benzin und süße Düfte wahr zunehmen 🍬⛽️ Der Runtz Teil überwiegt leicht . Die Skywalker OG Runtz Auto brauch nicht sehr lange um die Blüten auszureifen. Deshalb habe ich hab dieser Woche, begonnen die Pflanze mit Flawless Finisch zu spülen und so auf die Ernte vorzubereiten 🍁🙌🏻

I hit it with some boost one last time then 4 or 5 days later hit it with carboflush the colors are insane since i hooked up the air conditioner,im hoping for a good amount of head smoke .. ✌️✌️✌️

Hallo zusammen 🤙. Sie wächst sehr schön und macht keine Umstände

Info: Unfortunately, I had to find out that my account is used for fake pages in social media. I am only active here on growdiaries. I am not on facebook instagram twitter etc All accounts except this one are fake. Flowering day 22 since time change to 12/12 h Hey guys :-) The stretch is in full swing and it continues to develop beautifully :-). The GBL fertilizer does exactly the job it should 👍. Organic more PK will be added in the coming days. It was poured 3 times this week (for nutrients, see table above). The lowest shoots have been removed so that the energy reaches the upper area completely :-). Otherwise, as always, the lady was checked for her health and the tent was cleaned. I wish you all a lot of fun with the update this week. Stay healthy 🙏🏻 You can buy this Nutrients at : https://greenbuzzliquids.com/en/shop/ With the discount code: Made_in_Germany you get a discount of 15% on all products from an order value of 100 euros. You can buy this Strain at : https://greenhouseseeds.nl/ ☝️🏼☝️🏼☝️🏼☝️🏼☝️🏼☝️🏼☝️🏼☝️🏼☝️🏼☝️🏼☝️🏼☝️🏼 Green House Seeds Company Cup Clone 🏆 Type: Wonder Pie ☝️🏼 Genetics: Wedding Cake x OG Kush 👍😍 Vega lamp: 2 x Todogrow Led Quantum Board 100 W 💡 Flower Lamp : 2 x Todogrow Led Cxb 3590 COB 3500 K 205 W 💡💡☝️🏼 Earth: Canna Coco Professional + ☝️🏼 Nutrients : Green Buzz Liquids : Organic Grow Liquid Organic Bloom Liquid Organic more PK More Roots Fast Buds Humic Acid Plus Growzyme Big Fruits Clean Fruits Cal / Mag Organic Ph - Pulver ☝️🏼🌱 Water: Osmosis water mixed with normal water (24 hours stale that the chlorine evaporates) to 0.2 EC. Add Cal / Mag to 0.4 Ec Ph with Organic Ph - to 5.8

Beutiful hard diesel, she's growing super fast and looks like she's even happier after the transplant to her definitive 11l pot, let's see how this wonderful lady keeps developing, she's being fed with nothing but water since I grow using Florian's living organics (living soil blend) tomorrow this wonderful lady is gonna be flipped into flower finally. As said this lady has been flipped into flower under the light schedule 12-12 on February 15th so now we're gonna se a beautiful stretch before actual flower starts

Still holding on, I'll try to use less fertilizers for the next couple of weeks. I think they should be done around Day 80. Very impressed with how different and pretty all three of them are. Deffinetly loving the lemon cherry cookies smell, it's really taking over the flat.

So this is the Tear Down week. The timing of it makes it so i will need to the harvest flag in a few days when I can weight and test the plants. I have included the Cleaning, and Cutting and some Root Porn. I will make the harvest post in about 4-5 days, when I can trim these plants. There is a lot of Plant here. I got way more than I was expecting. I don't have a scale that measure this amount of plant, without taking like 10 measurements and then adding them together. So I will just be posting the dry weight. I will post the wet weight as dry weight * 1.65. Autopots: Wow, what a great product. I have been blown away by how well and how easy it was to work with them. They really did solve the watering issues. Excellent product. If you are a beginner, start with Autopots. -= Lessons Learnt =- - Overdrive the air to your Autopots. In my control plant, I used a small rectangle air stone (instead of a standard air dome). This lead to root rot and some other issues, it also put significantly less air into the water. The root rot, give the material for the Brown Algae to grow. Using a huge Air-disc-Air-Stone would be an excellent combo to mix in with the air dome itself. Something like this: https://www.amazon.ca/Pawfly-Diffuser-Suction-Hydroponics-Aquarium/dp/B01MY3AQ33 at the bottom and the air-dome on top of it, will be what I do with my next experiment. - Air stone in the reservoir. I had two instances where algae grew into the res. An air stone would have helped. It would have also helped my control plant get less root rot. Given the amount that the air-domes and air sources got engulfed, having the water have more o2 in it would have only been beneficial. - Don't grow 6 plants in a 4x4. Since my control plant was about 1/8th the size of the others, I think I could have grown 5 in the shape of a 5 (on a 6 sided dice)⚄ This placement would give a much more spaced canopy for airflow and more importantly light. The sides of some of the plants were lighter green and produced larf due to lack of light penetration. - This tent was on 19-5 schedule. This worked out very well for this strain. After every lights on, they were in the praying position, so this strain was able to recover in that 5hrs off. If I had more seeds, I would run these again, and try 20-4. I think this strain could handle it. All for all, I think I'm going to 19-5 as my default timing. This kept up a solid DLI. - Staring at .9EC (really .7 EC cause my water here is .2 EC) Then bumping up at .1 a week, until 1.6EC worked out VERY well. I experimented on this crop all the way up to 1.9EC, which burnt the tips of this plant. I think if I did this strain again, I would do 1.6EC until 3-4 weeks left then crank it to 1.9. It did plump them up when I went to 1.9, however it left them looking rough. Bulk was added though. - Sticking to 6.0PH for all of veg, and 2 weeks into flower worked great. The plant had solid and consistent color and leaf shape . The plant's did get hurt, due to some issues (as noted on the weeks). I switched to 6.5 PH in the last 3-4 weeks and it helped them recover, and plump up noticeably. -VPD. The #1 thing I focused on was VPD. I keep it .9kpa range, as best as humanly possible. It was honestly, HUGELY noticeable compared to my other grows. I know truly understand the value of properly dialed in VPD. This is the one lesson that will stick with me forever. - Super-cropping: On the plants I give the chiropractic treatment too, had much thicker stems as much larger channel internally. I did this treatment to 4 of the 6, and the 4 that had it done has larger buds and recovered from defoliation faster. TLDR; VPD is king. Super-cropping is worth the time. Keeping PH and EC dialed in were all wins. Autopots kick ass.

Getting ready to chop her down!!!! Yay! No issues other than she would not stop growing!! Lol 😂

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Well I think I got a little burn don’t know what exactly but I think I had my 1000w light to close I get the heat emitting had something to do with it . I adjusted it 40cm from grow

I received art genetix seeds late this girls are about 2 mouths late from the best weather for germination in my area but i love to see what they got because in my country many people growing this breeders genetics and they are all happy. Lets see how beautiful their arts are

Graine germée 26mai. La chèvre a été rempoter dans son pot final, il a enfin la tête à l'envers ! J'ai mis des photos des étapes à la suite, ça a été plus simple que je pensais pour y arriver. Tout d'abord j'ai fixer une règle en inox sur un poteau J'ai mis des billes d'argile sur la surface du pot en géotextile J'ai emballé le chèvre dans du cellophane Je l'ai passer dans le trou de drainage et retiré le cellophane J'ai découpé le géotextile pour le retirer J'ai complété le pot de terreau J'ai mis tous les ingrédients (photo6) en top dress (sauf levure qui a servi arrosage) et j'ai complété pas du foin en Paillage J'ai découpé une feuille en papier blanc au diamètre du pot pour couvrir le paillage comme une bâche meme si je sais que ça sera pas aussi efficace que la bâche mais ça permettra de garder le tout un maximum humide et accélérer la décomposition du top dress J'ai fixer le chèvre a son guide Et je l'ai posé à son emplacement final Maintenant plus qu'à laisser pousser en espérant que ça fonctionne bien, en faisant ça j'espère forcer la ramifications. The Goat est un peu à l'ombre vu qu'il a la tête à l'envers mais c'est pas plus mal vu la puissance du soleil actuelle (+45 degrés celsius) Hate de voir la suite de l'aventure ! Let's grow🌱🍀

Noticed Magnesium deficiency on lower leaves. Increased dosage in this week’s feeding and monitoring pH to ensure recovery. New growth looks stable.

April 26th - Day 76 : Oh my god! The smell wow! Everything just came blazing couldn't believe. They look good. I can tell the yield will be small but I don't really care to be honest. I'm so excited to see them babies grow healtly, i'm like a proud dad.