Weekly Grow Update 🌸 – Steady Progress and Sticky Buds! This week was super smooth. The plants continued developing nicely, and the buds have been packing on size. Plus, they’re getting stickier by the day, producing more and more resin – love seeing (and feeling) that! On top of that, some of the buds are starting to show a slight purple tint, which looks absolutely beautiful. Every day, I’m getting more excited about finally harvesting and testing these beauties – but there’s still a good bit of work ahead. Next week, I’m planning to tweak my feeding schedule a little: I’ll start lowering the Bio-Grow and increasing the Bio-Bloom to match the plants’ needs in late flowering. Watering habits have stayed about the same – around 4–5 liters every 2–3 days, depending on how heavy the pots feel. pH levels are usually between 6.4 and 6.8, and overall, the plants are looking fit and healthy. I really hope the next few weeks keep going as smoothly as this one. See you next time, friends – happy growing! 🌿✨

20JUNE2025: Buds are forming well. Water them 1 liter every third day.

Day 14 and i gave this girls the first “little “ defoliation 😆 lets see how they react but for now they seem pretty happy 💚💚💚 Day 18 and they are as if i never touched them, no signs off any stress or delay on drinking what so ever 🙏💚 this girls are champs 💪💪💪 Ppfd- 800Umol/m2s VPD- 1.15 kPa Girls : Tropicana Poison @sweetseeds - 7X Chocolate Skunk @00seeds - 2X Badazz Cookies OG @seedsman- 3X Lights 2X Lumatek Zeus 465W Compact Pro @ 75% All i Grow is medicine for myself, i do it with love for the love 💚💚💚 Growers love to you all

Привет друзья. Моей растихе сегодня 34 дня. Начал применять LST технику на 19 дне и продалжаю применять её через день, а 18 августа добавил ДЕФОЛИЗАЦИЮ С 20.08 ДЕФОЛИЗАЦИЮ делаю каждые 3,4 дня С 20.08 LST технику делаю каждые 3.4 дня На сегодняшний день влажность 63% Растение растёт хорошо. генетика радует. Всем мира и добра! #Smail_Seeds

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Let’s go 🔥🔥🔥 Lampe auf 12/12 bei 60% 💡 Der Wassertank ist wieder am Start! 🌊 Sie scheint es jetzt viel besser zu vertragen. Gegossen wird nur noch ganz dezent, um die Living Soil im oberen Bereich leicht feucht zu halten. Ab und zu gibt’s ein bisschen Komposttee – alles andere holt sie sich direkt aus der Erde. 🌱 Blüte seit dem 5.11 am Start und bisher läuft alles nach Plan 😎🍁

There was one tiny branch not growing so i cut it off now i got 3 main branches

Slight light burn on a couple plants had to raise the LED. On the off week Light seems to be allot more effective at civering the space although the plants did not take well to the spectrum/heat adjustment so the first two days i had to ween the light on a couple hours at a time. I could tell when they needed a break because they woukd physically get droopy once they got over whelmed eventually they got used to it tho!

Hi... So this is my first time taking things a bit more seriously. Open for tips and advice. usually looking fore flavor rather than production. First week on 250w Also, pics are taken with the mobile... better pics next week

I'm so sad just because I cannot get a lot of jars full of this wonderful haze man! Damn I love her aroma to pieces her terps are just awesome suuper sweet but you still can feel the sativa haze smell,but it's got a lot of berry and fruity smell tho,thank god I have this wonderful strain in Photoperiod version and I'll be able to grow her,definitely love this strain,I'll add her to my Photoperiod abd automatics list,AWESOME STRAIN! can't wait to smoke this,100% organic pure and clean free of any chemical sh%t thank you guys hope you like my work 💚✌️🌱💛❤️

High GD community, Week 9, Sweet Thai looking allready better then ĺast week. The topping start to grow gently and a full 13cm in height gained this week. Since 3 days(friday), the lightcycle changed into 13/11. Nonetheless spidermites are spotted on this lady, she doesnt back down. After a treathment with orio bugs, who i actually misordered because I didnt had my new microscope yet, trips are definitly gone, and orios do eat/attack spidermites, its not their favorite. So a second army of bugs, this time phyto mytes, its gonna be all about attack and digesting spidermites, Who didnt yet get crowdy so far. But after a check up of some leafs with the new microscope, i can see a lot of eggs and pretty active young spidermites. So the phytos will not come to early. Phytos do eat eggs as orios dont, so thats a big difference. Thats it for this week boys and girls, Thanks for reading and passing by, Grow safe buds and feel free to check out my other ladies doing fine, 🙏🌿🌿🌿🙏

Day 15 so start of 2nd week veg. The Strawberry Gorilla auto looks is growing every day. So far any problem waiting for her to grow a bit more before start training. Day 18 FIM time. Thanks for following my diary if you like i have instagram page too that trying to post photos and video every day.

It’s more improved than last time. I hope I can buy fertilizers from major foreign manufacturers next time. There are relatively few resources in countries where cannabis is illegal.

my first coco grow...2 plants 1. northern light auto untopped in spider farmer tent 150x150 cm (5×5) with Aptus nutrients...this one goes out of control...let see if I can repeat this crazyness 2. northern light auto topped in spider farmer tent 70x70 cm and mainly TA nutrients Nutrients mentioned above are for NL topped (2.) in smaller tent (pictures follow) NL untopped (F-MILF) got this week the following: Aptus Topbooster 6 drops/l Aptus P-boost 12 drops/l Aptus K-boost 6 drops/l (this week added new) Aptus regulator 3 drops/l Aptus All in one 0.6 ml/l Aptus CaMg 0.6 ml/l TA Silicate 0.4g/l End of week 10 installed some self-watering (3 days off)...with coco problematic let see...final two weeks will be completely without any manual influence (2 weeks off)...hopefully staying alive

Day 71 from seed the plant seems to be growing beautifully and now they are starting to develop beautiful flowers and they are entirely covered with white snow trichomes it is a very strong and powerful plant to grow what a beauty . thank you for reading I will continue to update have a happy grow.

Really starting to go crazy now have her more lst to get more light penetration and she’s loving it crazy frosty I know the diary says week 7 but this is week 6 from seed!!