i'm in love with this grow. I'm also drunk! good pics and druken videos. I love fastbuds/ Fastubds is life!

23/03/26 -29/03/26: this will probably be the last entry for the blueberries as they're close to harvest. Cloudy trichomes with some amber, will probably give them another 2-3 days. Vanilla Créme Pie and Chicken n' Wafflez also have a couple of amber trichomes but they'll need a bit more time. My guesstimate is 7-14 days. So I guess we're nearing the end of this diary, always a happy-sad moment. You take care of them for months and then the tent is empty. But not for long 🙌🏻 Thanks for stopping by and see you next week!

Kannabia Seed , Sativa Dream High everyone 👋 another week in the books and the ladies are looking pretty good 👍 I'm not sure on training for them yet but it's almost time to start 😆 this Sativa Dream has a bit of a mutation going but is still growing fast 😀 I'll have to decide what I'm doing very soon. I received and installed the new UR45 from Mars Hydro they are UV-IR supplement light bars designed to fit the Fc6500 and Fc8000 I'm excited about having them in my growroom. Check out my Instagram if you want to see closer pictures of them installed. Mars-Hydro.com discount code " Cyrus " Thank you Mars Hydro and Kannabia Seed Company

10 janeiro - regada com 2l de água.

c'est bien jolie

Cut some Blue Magoo clones. We are using the Nectur for the Gods line on this grow. We cut the clones, cleaned them up, cut them at the stem at a 45 degree angle, dipped them in clonex and planted them in spongy wet plugs. They are under a 4000k HLG LED light under a dome on an 18hour light schedule.

The lady's are in a good mood😎

My dwarf woman looks healthy. The buds turned into purple red colour. Beautiful. Day 42 Photoshooting LST

Week 2 transplanted from solo cups to 5 gal pots an 1 into 7 gal grow bag. Plants had good healthy roots in solo cups..plants keep growing vigorously from the start!!!

6/11/22 Today starts week 9, and the 3rd week of flower. I may have a problem in my grow tent! Stella’s tent mate might be a male, or a hermie. I don’t know, because I’ve never grown one or seen one except for pictures. I was planning on going out of town for the Fourth of July for a few days, but I was wondering how my plants would fare. I skipped 1 day between feedings and she looked absolutely terrible! She was so dry, and all her leaves were limp. She truly looked scary. I’m only uploading a couple pics of her today. I’ll add more tomorrow to see how she bounced back. Anyway, the point of all this is that I told my wife that I was going to skip a day and see how they looked. After seeing the results, my wife was not happy. Our trip may get canceled because I’m a responsible grower. 🤷‍♂️ Today I was going to give her an entire gallon, but she only took about 14 of 16 cups before the runoff was more than sufficient. I felt it was a waste to give her more since it would just run out. I’m still using the mid-bloom nutrients. So today she received 14 cups or 0.875 gallon of the following: CALiMAGic - 2 ml FloraMicro - 4.7 ml FloraGro - 3.8 ml FloraBloom - 8.5 ml Floralicious Plus - 2 ml Liquid KoolBloom - 2 ml The initial pH was 5.8. I added 3 ml of pH UP which adjusted the pH to 6.3. I didn’t even bother with my TDS meter today. I didn’t need any added frustration. Runoff was sufficient, and the pH was 6.3. Honestly, it seems like the first bit of solution just ran through her. The tent was warm at 86.9F, but humidity was low at 36%. I’m really worried about her tent mate being a male or hermie and spreading that to her and the other plant (Sir Jack - auto) that just joined them in the flowering tent. Hopefully I’ll know for sure by tomorrow. Happy growing everyone! 6/12/22 I wanted to add some more photos to show how she bounced back after feeding. The temperature in the tent was a few degrees cooler today because it’s starting to rain here. The humidity went up to 54% from 36% over night just because she was fed. Her largest tent mate (Rocket Fuel) turned out to be a male and was removed and placed outside last night. He’s enjoying the rain right now. I plan to dispose of that later. Stella has room to spread out for a little bit, but I’ll be giving her more company soon. My other diary, “Stella’s Cuatro” are her daughters, and they will be joining her soon. Happy growing everyone! 6/13/22 Today is feeding time once again in The_Good_Twin grow room. I’m going to try and be brief today. Stella took a whole gallon today, and had a wonderful amount of runoff so I can be assured that she has been thoroughly fed. I kept with the same nutrient levels as on the 11th. Look above to see. The initial pH was 5.9. I added 2 ml of pH UP which adjusted the pH to 6.2. Her runoff pH was 5.9. Temperature was 88F, and humidity was 51%. She has reached 45.5 inches tall and is once again almost touching the light. In fact, the branches that I’ve previously bent using HST, are now righted and almost back to the lights. Oh well. I’ll have to think of another way to raise the light or not worry about it. 🤷‍♂️ Happy growing everyone. 6/14/22 Stella is a thirsty girl! She took another gallon of water today mixed with more of the mid-bloom nutrients. I’ve been trying to keep up with her needs so that she makes some super fat and crusty nugs for me at the end of her journey. All of the branches that I performed HST on have grown longer, and turned up, and once again are at the top by the light. I feel like I’m going to have to do it again, but lower down the branch. She’s not going to like it, but kissing the light isn’t going to turn out well! Enough blabbering on… She received: CALiMAGic - 2 ml FloraMicro - 4.7 ml FloraGro - 3.8 ml FloraBloom - 8.5 ml Floralicious Plus - 2 ml Liquid KoolBloom - 2 ml The initial pH was 5.8. I added 3 ml of pH UP and adjusted it to 6.3. I’m still not using my TDS meter. There’s a small sense of freedom there. Runoff was about 20%. Her pH was 5.8. The tent temperature was 83F, and humidity was 61%. She’s HUGE, but she’s going to have to make some room, because there’s going to be a large family reunion this weekend. Stella’s Cuatro is going to be moving in. It’s going to be crowded. Happy growing everyone! 6/15/22 I fed Stella another gallon of water today mixed with the mid-bloom nutrients as the day before. Same nutrient levels as above. I calibrated my pH meter today to make sure it’s measurements are correct. The initial pH was 6.3, and didn’t not need adjusting. Runoff pH was 6.1. I’m not even bothering with my TDS meter anymore. Eventually I will, but I’m not in the mood for the frustration that it gives me. The tent temperature was 84.4F, and humidity was 47%. Her bent branches, and one or two additional ones are getting into the light again, so they were taped and bent over again. So, more HST completed to try and keep her at a reasonable height. 🤷‍♂️ I don’t know how I’m going to fit 4 more of her into the tent, but I’ll have to figure a way. Happy growing everyone! 6/16/22 Another day, and another feeding for Stella. The branches that were bent yesterday, as well as the ones that were bent for a 2nd time have all survived (so far), and their ends have started a slow curve upward again. I mixed another gallon of water with the same nutrient levels as the other day. Look above to see what she received. The pH going in was 6.2. The runoff pH was 6.0. The tent temperature was 84.4F, and humidity was 63%. I know all of you are tired of reading it, but she’s a huge plant! I’m hoping for a nice haul of top notch bud when she’s done. However, right now I’m starting to feel a little burnt out from caring for so many plants. Don’t we all wish we had such problems! Happy growing everyone!

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

This strain is a dream to grow, if you haven't tried it yet, it's amazing, it's easy, it's lush and vibrant, full of energy from seed to smoke. Great for organic grow styles and a fun plant to grow. The smoke I will update in the smoke review! I do not have words for the quality of this strain. In everything. Grow this and be absolutely amazed by its performance. I had won the seeds with the Halloween give-away but they are a sure winner and a keeper. @SweetSeeds congratulations on a champion auto-strain. I've grown auto's before, only outdoors, but nothing like this, nothing this big in such a short time, and this resilient for not only mistakes but everything. This plant will perform even if you were to mess it all up. Keep to 20 liters grow bags for best performance as you could see with my two plants. One as more developed, although everyone says over 15 ltr makes no difference, with organic coco hybrid super soil, it does. It is the difference in buffering of nutes, PH, heat, and moisture. Way less hassle in the bigger pot and this was an excellent learning curve. This grow started out as a match between Forbidden Runtz by Fastbuds and XL Runts by Sweetseeds. But since the playing field was uneven (pot wise but also heat and fresh air wise), the results do not count in my opinion. But my guess is (since I haven't weighed the Forbiddens) that the XLs for now won. But as I said it would not be fair. We will do the contest again when said playing field is level. For now thank you again for checking my diaries, if you have any questions or comments, always welcome my friend. Big Hug Bud

Finalmente i fiori stanno gonfiando come stavo aspettando! Grande settimana quella appena trascorsa, le foglie sono sempre più gialle, ne ho già tolte alcune, e i fiori stanno venendo belli grossi e pelosi. Controllando con il microscopio i tricomi noto che sono quasi tutti bianchi, diverranno ambrati a breve, non vedo l'ora. Ho svuotato completamente i vasi e ho rimesso acqua liscia con il solo overdrive, domenica prossima svuoto di nuovo, aggiungo il flawless finish e via. Manca poco 🍀🤣😎🎉🎊🍾🍀

Tento týden už začínají palice prorůstat.. Protože jsem po prolití zjistil, že se v půdě trochu hromadí Ec tak jsem je to nechal vyžrat a tento týden ec 0.8 pH 6.4.. . Jinak se zdá, že i pijí méně a musím nechat častěji vysychat.. bude to chtít zase probrat listy, ale holky vypadají dobře a zatím žádný problém.. tvoří se pryskyřice a vypadá to hezky 😄..

F week 6 Really strong reeky smell. I made an 8 hour mid flush with Flash Clean caused by nutrient lockout.

За эту неделю он резко дал в рост, замечаю уже плавную подготовку перехода на предцвет, скоро покажет свой истинный пол, пахнет уже с нотками силы, не представляю что будет под конец цвета) эта неделя довольно спокойная, только подгинаю самые высокие и думаю как лучше его по обрезать ветки, так как их очень много, может быть на клоны срежу как раз для аута)

End of week 7 Last 2-3 days crystals/sugar leaves started appearing slowly. i have added another 125 Watt CFL for extra supplemental light . Breeder says plant needs 65-70 days from seed. Thats like 20 days more for the buds to get as big as possible. cant wait for this week to check these buds stay tuned :)

when I came, I saw it blooming, which I did not expect.. the weather was gloomy, little sun, and quite a lot of rain, its stem is tall, but at the same time strong :) we will wait for ripening :).

Strawberry AK – Current Status During flowering week 5, I unfortunately made a classic grower mistake. After adjusting the light, I forgot to return the timer to its normal schedule, which resulted in the Strawberry AK receiving approximately 96 hours of continuous light. There are some minor visible effects on the plant, but overall it handled the incident surprisingly well. There are no signs of hermaphroditism, no major stress response, and the buds are continuing to develop normally. 🌿 Overall Impression Despite the lighting mistake, the Strawberry AK remains stable and is still progressing well through flower. At this point, the plan is simply to keep conditions steady and let her finish out the run.

Overwatered the two in the back earlier this week on day 12, not paying attention like an idiot 😫. Will resume watering as normal tomorrow, day 16. Plan on starting LST this week, depending on size. Plant in the front on the right is almost ready now. The mutant plant in the front on the left has some really weird growth, but I’m gonna see where it goes... why not?! ________________________________________ Started LST for 2 of the plants on day 17. The other 2 are still a little short but will probably be ready for LST within 3-4 days. I have now (day 19) started LST on all 4 plants. First I plant started LST on, now has the lower sites starting to fill in. Wrapping up week 3. There is one plant clearly straggling behind the others. The other 3 (including the mutant!) are responding well to LST. For now I’m sticking to leaf tucking, and have only defoliated the couple leaves sagging into the soil. Over-watering from early in the week definitely slowed growth down temporarily, but seems to be back on track now!