Found this bad ass GG#4 from Canuk Seeds . Let the fun begin ! This is an all new experience for me . I've learned lots from watching some of the people on this site and now its time to put my knowledge to the test ! I hope these ladies turn out lovely !!!

This plant is an autoflower and was under a 12/12 light schedule because the other plants in the grow tent were photoperiods that were already flowering, and that was bothering me. I felt like it was extending the flowering period too much, and its size is already great, so I moved it to a separate tent. Now I'm giving it 18 hours of light with 3 different lights: - one 150W LED, - one 150W flowering LED, - one 5m LED strip with 60W at 3000K to help the center of the plant ripen faster. I'm keeping the watering schedule at every other day with 2 liters, following the Advanced Nutrients feeding chart. I imagine about one more week with fertilizer and another week of flush before harvesting I also preferred to cut some ties that were too tight. (lst)

Muchas gracias espero que les guste este Harvest acá me estoy fumando un porro de Big Bud y la buena vibra ⚡️🤝💚

So I made a totally noob mistake. I can't believe I didn't think about how fast the males would spread pollen. I was still trying to figure out which male I wanted to use for selective pollination on a specific branch. So I pulled the males and I'm attempting to collect pollen using a trim tray screen. Its working quite well and I'll make a video with that as well. I'm not even sure if it's viable or if my attempt and mistake of leaving the males too long will work. So anyways I realize now how delicate it is to have males. They start popping fairly quickly. The gelato female is praying hard. Super happy it seems Come check out my YouTube y'all

Can't wait to blazeeee Feeding💪 10/17 Water30L+Cleanse80ml+calmag@190ppm Ph6.3 Ebb 10.42/11.32/12.26/13 Clone 11.35/12.21/13.05/14 Average runoff ec1.5 Keeper 300ml per pot 10/18 Water26L+Flawless90ml+calmag@300ppm Ph6.3 Ebb 11.38/12.24/13.17 Average runoff ec1.2 ph6.5 Clone 12.38/13.56/15.20/16.10 Average runoff ec1.5 ppm750 10/19 Water26L+Cleanse80ml+calmag@200ppm Ph6.3 Ebb 11.12/11.48/12.24 Average runoff ec1.4 Clone 11.50/12.12/12.37/13.37/14.40 Average runoff ec1.3 ph6.6 10/20 Water30L+Cleanse30ml+Calmag@190ppm Ph6.4 Ebb11.42/12.22/13.20/14 Clone 12.40/13.20/14.20/14.45/15.15 Average runoff 1.2ec ph6.4-6.7 10/22 last light day 10/23 2 Pm Cut and hang Plan 21day at 23temp 55rh

💩Holy Crap Growmies We Are Back💩 Entire grow has been stunted by the soil/medium Code Name FBT2309 Well growmies we are at 42 days in and everything is going great 👌 👉 So the low stress training👈 has been going great she's gonna be a big girl, shes in full flowering mode so let the stretch begin 👌 Lights being readjusted and chart updated .........👍rain water to be used entire growth👈 👉I used NutriNPK for nutrients for my grows and welcome anyone to give them a try .👈 👉 www.nutrinpk.com 👈 NutriNPK Cal MAG 14-0-14 NutriNPK Grow 28-14-14 NutriNPK Bloom 8-20-30 NutriNPK Bloom Booster 0-52-34 I GOT MULTIPLE DIARIES ON THE GO 😱 please check them out 😎 👉THANKS FOR TAKING THE TIME TO GO OVER MY DIARIES 👈

Coming soon

Welcome to my Wedding Cake, Freebie from Zamneisa. 0-35 Days. Week 0-5 She has a lovely shape. Grew very quickly. Has that distinct from all the other Wedding Cakes I've seen here. Looking at other diaries. And after looking at this in my seed storage. I said let's go with it. Possible 25% THC all in the end of pics. Lovely leafs, strong roots. No dying leafs. Has a lovely root ball. As she's in an 11L pot now as she was such a fast Grower out of the fems. Just behind Green House Seeds Lemon Orange. But, she's catching up. Soon I'll put her to LST, last Defoliation and will put her to the flip. I was using power buds. And my god. So many stems with shoots. Tbh, I ended up removing a lot of those extra stems that were on my autos. It really does work. If you've the time. Which to bring all those nodes to full flower, would of added weeks to my grows. With this. She's a fem. I've removed at lot below and has long stems with a good few shoots, making for what should be some big tops (huge tops) by feeding right and with proper lighting. Also I've a trick by adding nearly 2 extra hrs during fattening with FAR RED 730NM which puts fems to sleep in 5m after 5-10m after a dose. Also have UVA for ripening.

Hello everyone , Here is the phase of completed stretch, and the fertilizer fertilizer contribution are 100%, flowering starts very well and the appearance of the first pistil are visible everywhere. For the height of the plants I find it reasonable and thus keeping all this world a good size the luminous penetration will be excellent ... until now hene no sign of problem for my plants I think that the flowering will follow its rhythm .. to see in the coming weeks ... now place to photos ...

MATARO BLUE by KANNABIA Week #21 Overall Week #7 Flower This week been a good week for this lady she's doing good no issues to report buds are looking good so far. Stay Growing!! Kannabia.com MATARO BLUE

Finales de la semana 8 en cultivo ecológico. El proceso ha sido relativamente fácil y sin problemas de no ser por el exceso de nutrientes en la mezcla del supersoil casero, culpa mia por probar cosas nuevas, aunque me ha valido para aprender y he conseguido rectificar a tiempo sacando una gran cosecha. La calidad de las flores se puede apreciar en las fotos, la pena es que no se pueda apreciar el olor, afrutado y muy potente, huele a pura vida. La cantidad de tricomas es considerable como para hacer buenas extracciones. En resumen una gran productora de flores de muy alta calidad, Totalmente recomendable.

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Well we are now at DAY 84 from seed and 53 Days of Flowering 🍉 🍉 🍉 So shes been doing reall well ☺️ And this week could be the week she gets the chop 😁 I have moved the feeding to accommodate the final step in flower 😀 by straight up giving her fresh water till its time 👈 So there now we play the waiting game 😋 yet again 🍉 🍉 🍉 🍉 🍉 🍉 🍉 🍉 🍉 🍉 🍉 🍉 🍉 🍉 🍉 🍉 🍉 🍉 🍉 🍉 Thanks 😊 my friends for the support 🙏👊

Fire bud in 11 weeks looking forward to testing this by next week be Curing out in the vault in the end :) simple living soil brand Black Swallow KIS Living soil and their bloom top feed plus Dynomyco mycorrhizae 🔥 Thank you again Fast Buds for Sponsoring this journal experiment. Indoor organic farming keep it simple and get back what you put in thank you :)

Building up! Hey pals, this week went pretty fine, she finally stopped stretching at 99cm and the lady drinks like never before. Buds are finally building up. I count to give the next weeks just plain water to flush away all the nuts she absorbed during the cycle. Smell start to be strong, but a sort of sweat and delicate smell... hmmm like a Gelato cream 😍😍😍🍨🍨🍨... Delicious... Some buds are more mature than others and the main branches are far away from being ready. I cannot wait to update this diary in the next 2 weeks and see how she get. Will keep you guys posted, stay tuned stay high!

Fast Buds LSD-25 Auto Right Rear All I can say is WOW! This was the smartest and slowest to start but has taken over the shower. It is full of buds that are filling in nicely. It has been the heaviest drinker. I have been having to give it extra water after each cycle of the drip watering system. The purple is almost black and I am looking forward to see what it turns out like, probably about 3 more weeks.

Week 10 not long now these smell amazing like sweet blueberry and there's definitely something I've had before when I've bought some personal but can't quite get my head round the smell. started introducing overdrive now as they start to finish fattening and ripening up can definitely see swelling going on over the last 3 days thanks for viewing and happy

velokelp Spray foliar antes de dormir

💚💚💚Alles Tuttifrutti 💚💚💚