Day 82. Sprayed Monterey BT as a precaution, I'll keep that up weekly or so. I've sprayed neem oil a handful of times over the grow. No pest issues aside from the cat.The bigger the plant gets the harder it is to keep it in this cage so the cat has taken more chunks out of it...including one of the budsites. Lost my TDS meter the last couple months but got it back. Probably gonna go thru and cut the really yellow leaves. I need more bulk on the buds!!

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Hear we go with this beautifol strain Northern Light Auto.. Happy new year to all and have a good one growmies. Finnaly she popt out so happy ❤️

Buds continue to swell as the plant heads into week 8 of flower… last feeding of Gaia green 2-8–4 & worm castings was top dressed into the soil and have been feeding plain water to her ever since.

Got the 2 new LED’s set up from futur vert Flora nurse 85 watts each killer bars !! FSG spectrum perfect for seedlings too flower.. working on a sea of green one veg closet to a 4x8 flower tent

Chop 3 bubble kush, so amazing strain from weed express, heasy and very fast

17/06 Last week of veg begins

This week I switched over to 12/12 light cycle to begin flower stage. Cycled through a sequence of blue, red, and purple light to develop taller (red) and fuller (blue) foliage, using both (purple) at times as long as I could keep the temp under 79F. Man! once I switched over, they began taking off! Some of the more dominate branches began taking over and blocking the smaller ones in record time. I had to add a couple filler lamps (1 LED & 1 CFL, both white) to even things out a bit. NOTE: reverting back to actual Plant-to-Lamp distance (vs Screen/Net-to-Lamp).

Día 36 (17/02) Riego con 500 ml H2O EC 0,45 Un stretch espectacular! Día 37 (18/02) Riego ligero con 250 ml H2O EC 0,45 Ha disminuido un poco el consumo de agua Día 38 (19/02) Riego con 250 ml H2O EC 0,45 El stretch es increíble y precioso 😍💥 Día 39 (20/02) Riego con 500 ml H2O EC 0,45 Hoy se muestra más sedienta después de unos días con menos demanda de riego Día 40 (21/02) Riego con 350 ml H2O EC 0,45 Día 41 (22/02) Aplicación foliar con Sales de Epsom a 4 g / L (La planta presenta carencia de Magnesio con manchas necroticas en las hojas de abanico inferiores) Riego con 350 ml H2O EC 0,45 Día 42 (23/02) Lollipopping y defoliación ligera! Debido a que tiene un stretch espectacular (alrededor de 57 cm de altura) elimino todas los nudos / ramas que no superan el 50% de la altura de la planta Elimino un par de hojas de abanico grandes Riego con 400 ml H2O EC 0,45 🚀 Khalifa Genetics - https://khalifagenetics.com/product/lemon-blanco-v3/ @khalifa.genetics 💦 BioTabs 15% DISCOUNT code "GDBT420" biotabs.nl/en/shop/ @biotabs_official 🌱Substrate PRO-MIX HP BACILLUS + MYCORRHIZAE @promixmitch @promixgrowers_unfiltered 💡2 x Mars Hydro FC1500 EVO Led Grow Light (2024 NEW FC 1500-EVO Samsung LM301H 150W LED) - https://marshydro.eu/products/fc1500-evo-led-grow-lights/ - https://www.amazon.de/dp/B0CSSGN5D8?ref=myi_title_dp

Espero el apoyo de la comunidad para ganar el premio de TrolMaster 🤞🤞🤞

6.4. Die 3 Babys wurden jeweils in 15l Stofftöpfe von Zamnesia 1,5cm unterhalb Erdfläche eingelegt und mit Erde bedeckt. Als Erde wird die 420Grow Erde von Gardenboss verwendet und es wurden jeweils 10gramm von Rhizobacter (RQS) der Erde beigefügt. Im untersten Teil der Stofftöpfe wurden Blähtonkugeln ausgelegt. Die ersten 2-3 Wochen sollen die Pflanzen auf der Fensterbank zur Südseite wachsen und dann in einem Foliengewächshaus (Kesser) auf dem Balkon (ebenfalls südliche Ausrichtung) bis zur Ernte bleiben.

Using common sense

Looking little drippy so I water with ph on 6.5 and raise the light about 25cm later I start lst she looks a little def too don’t know if it’s cuz of water or mb a bug issue.

It's flushing week. Last week I've stopped giving her nutes, and the plan is to chop her down by the end of this week.

Giorno 2 bene ragazzi ho già notato che le ragazze si stanno allungando, sono in forma e non vedo l'ora di vederle a fine settimana. Giorno 3 annaffiata con 2,5L di acqua Giorno 4 defogliazione e lollipop, dopo una settimana circa ho tolto la fasciatura dalla spaccatura del ramo centrale, che cambiamento!

Day 85: not long until I cut the last girl! Just have one picture today haha… I’m starting the flush on Friday! My 2x plants I cut the first day are soon dry! So much crystals on the buds and leaves looks like diamonds. Day 87: Finnish dried my 2 plants! Got myself 70grams of buds so far, let’s hope for a little more in my last plant. Started the flush on my last girl today so she will soon be ready to harvest as well. Can’t wait to grow these girls again but this time they will have a lot of training hehe😁 Day 89: not many days left! Giving it canna flush for the last day. Will give her ph balanced water for a few days for now then cut her!! Day 90: will cut her in the beginning of next week. Just took my 3rd plant out of drying tent today, she gave me like 20g trimmed buds haha. But this last one will be the best yeilder in the tent. I’ve had 70g on my 2 plants I cutted first and now 20 more so total 90g so far! And the tast and smell are amazing even without curing!! This is the light that I’m using for this grow! Mars hydro TS-1000 Increase Yield & Crop Quality in Led Grow Newest SMD Led technology provides the highest Par/Lumen output, makes you get 30% higher yield compare old led lights, can get up to 2.5g/watt yield. Only 150 watts true output so you don't have to check your bill every month. 342 pcs LEDs, more scientifically and energy-efficient! Perfect for 3'x3' (100x100cm) veg stage and 2'x2' (60x60cm) bloom stage https://www.instagram.com/marshydro_aliexpress2/

I tried wettrim and drytrim to understand what i prefer. The wettrim dried inside dryferm bags inside a drybox with ventilation that i build myself. The drytrim dried inside the tent and got a trim after 9 days. Havent tried the buds yet since they have to cure first but they smell very lemony so far. Curing happens in grovebags. Half of the bags also got a boveda to see the difference if its worth it for the future or not.

Alright I've updated this postmortem and cure just to give an idea of what I was up to during the dry and cure weeks. This grow was a ton of work and I'm very please with the results. I learned a ton about soil and environment control and really feel like I'm gaining confidence and coming into my own as a cultivator. I've been playing a lot with ice water hash and rosin and have set some neat goals for the future like hunting ice water hash cultivars, going perpetual and expanding the amount of canopy I can work with by building a network of remote-operated satellite flower tents in friends' and family's abodes . I'm not sure I'll go through all this effort of documentation here again, but please follow along on my instagram, stay in touch and chill out with me sometime @Fullmeltalchemist.00 All in all, I was running 1000w of quantum board across three tents and pulled just over 1100 grams, which was a big goal of mine. Thanks for all the advice and love growmies! And thanks growdiaries for the platform. It's been coo.