These 2 are growing amazing, especially plant 1 is doing great. I've had the humidity on about 40% for most of the time since I have another flowering auto in the tent but these don't seem to mind. I've also had them on about 400umol/m2/s

Bonjour guys, so from the moment I popped this seed up until now, I've had no issues with this strain at all, no deficiencies, very easy to grow, and she is piling on the weight now, the buds are the whole length of the main colas (x4) and are over half a metre in length, I must say I'm very, VERY impressed with this pheno, I just wish I'd taken a cutting, I have got one more seed left tho 🙏🏼. Anyway, please check out my other diaries, and feel free to leave a like, maybe even a follow, and I'll be sure to check out your diaries too. Drgreen13#6724 (discord) Stay high, stay fly, #420everyday.

10-24-2024 ALL THE STRAIN RECOMMEND FLOWERING TIME IS 7-8 WEEKS TRY TO FINISH WEEK 8 STILL HAS 19 MORE DAYS... LAST FEED WITH NUTS .BURNED SOME OF TOP FAN LEAVES ...... BUT CHECK OUT QUEEN,DR SLEEP , WULFF ,POWER... CRAZY FROST TOE TO HEAD SMELLS .............NEED TO RUN FANS WITH HIGHER SPEED FOR SMELL... NO MORE NUTS....JUST WATER .....STAY IN THE COURSE... STAY GREEN .... 10-27-2024 -HIT THEM WITH HUMBOLDT COUNTY NUTS G10 -5ML PER GAL SNOW STORM -5ML PER GAL PURPLE MAXX-7ML PER GAL EVERY TWO DAY NEED TO WATER....

Muy buenas gente Aquí otra semana más con esta planta y la verdad que viene super bien con muchas ramas, buena estructura y cargándose de resina. Está siendo regada semanalmente con hype company, bioestimulantes orgánicos. Con una temperatura entre 24/25 encendido con todo al 100% Y apagado entre 16/18 Humedad entre 40/45 Veremos cómo sigue la próxima semana.

Sin del cultivo para las 10 Frutangie

Die Pandora kommt mit dem aktuell eher bewölktem Wetter und der hohen Luftfeuchtigkeit sehr gut zurecht. Sie legt trotz der fehlenden Sonne ziemlich an Blütenmasse zu und performed im Vergleich zu meiner anderen Automatik viel besser. Sie benötigt dafür etwas mehr Zeit, was aber dennoch für mehr Ertrag definitiv in Kauf zu nehmen ist. Der Geruch ist definitiv eher skunkig, erdig oder Sumpfig 😂 wie Mann es nennen will.

Week 17 Day 113 (04/12/2020)💧: Nice start to the week with a watering. Just as last week, I will be giving them the increased nutrients until the flush. So today I gave them 1.5ml of BioGrow, 6ml of BioBloom, and 6ml of TopMax. Day 114 (05/12/2020): The trichomes were looking beautiful today! (really hard to take close of pictures of them though). You can see in the pictures that some are getting more amber now which is a great sign that the girls are almost ready 🌸 Day 115 (06/12/2020): Took a quick pic of the tent but didn’t have much time to check the girls properly. I’m sure they are great as always 👌 Day 116 (07/12/2020)💧: I watered the girls today with the same nutrients: 1.5ml of BioGrow, 6ml of BioBloom, and 6ml of TopMax. The buds on this girl are looking super dense and even the ones at the bottom are getting bigger! I hope that this 6ml of TopMax will fatten them up even more in the next few weeks before harvest 😄 Day 117 (08/12/2020): Didn’t have time to take pictures today actually Day 118 (09/12/2020): I’ve gotta say that their smell is definitely evolving in a more “mature” direction and they are starting to smell less like citrus and a bit more earthy and spicy. Really incredible! Day 119 (10/12/2020)💧: Watered the girls today with the same nutrients as last time giving them 1.5ml of BioGrow, 6ml of BioBloom, and 6ml of TopMax. They are both doing well but again some of the leaves and stems at the bottom were definitely a bit sad and wilting. But nevertheless, I took some videos and close-up pictures and they look incredible. Their red tint is definitely developing more and more, which is especially noticeable when I take close ups. Also looking from their trichomes, there are some amber ones already so I am thinking to even start the 2 weeks flush from next watering onwards and prepare for harvest! Will assess the trichomes in a few days and decide.

First week of flowering. Added a mixture of hydroponic nutrients, added a 50w lightbulb (for a total of 250w) and did some more and final defoliation; now she's ready to bloom at peace.

Feeding As usual, plant was given nutrient solution every day when the sun went down in the concentration down bellow -    FloraSeries Gro-->1.8 mL/L -    FloraSeries Micro-->1.2 mL/L -    Flore Series Bloom-->0.6 mL/L -    Calcium solution-->1 mL/L I started with 1L of tap water measured at 240ppm. Then added Calcium fertilizer from gardening store and ppm were around 500. Then Flora series nutrients were mixed in and ppm reading was around 1000. This is to high so I diluted the solution with tap water to 650ppm. I ended up with 2 L of nutrient solution. Diary Day 73 Plant was topped for the fifth time. Now I have 32 mains to work with. I also noticed first signs of preflower today. Day 76 New mains are now 1 cm long. Weather report Day 71-73, 76-77 Weather was sunny, day temperatures were 33 °C, night trmperatures were around 22°C. Day 74-75 It was raining most of the day. Day temperatures were 26 °C, night temps were 16 °C. On day 74 wind was very strong and to prevent any demage plant was moved inside

D43. The third week of flower starts, and the girls are rocking it in the tent. They are bushier than a 70s pornstar, and the first girl has doubled in height in the last week. The second girl is only now starting to go into flower, so I expect her to soon begin stretching. She isn't far behind in height, so I suspect she will eventually be taller. There are a few yellow tips on new leaves on the first girl. It probably won't become a problem; it is only minor so far, but I will continue to monitor it. I slightly defoliated the girls below the canopy to promote better airflow, but I will wait until the stretch is done before a more substantial defoliation. ------------------------------ D46. The girls are raging in the tent. The first girl has stretched over 8 cm in three days, and the second girl is keeping pace, although she still has yet to go into full flower. I'm concerned regarding the first girl, as new leaves at the top of the canopy are thin and displaying interveinal chlorosis. Fresh leaves further down look fine, as do older leaves. The stretch and the increased light might have something to do with it. We'll see. I checked the DLI; it was around 53, which is way high this early in flower. I raised and dimmed the light to a DLI of 48, which is still high but should be more appropriate. ------------------------------ D49. So, I have a tent-sized jungle on my hand. Three weeks ago, I nearly cut down these plants because they had a rocky start, and I feared they got stunted. I have no idea what happened since, but HOLY SHIT! These girls have blown up. The second girl stretched over 25 cm this week and turned into a beast, which is funny, considering she was the smallest one from day one. She will continue to stretch longer as she is only starting to flower. The first girl is further along and is showing proper pompoms and will remain shorter than the second girl. Still, I hope that the difference in canopy height will be manageable. I will clean up the lower canopy in the coming week. The first girl is ready to shave her legs, but the second girl still needs a few days to settle into flower. ------------------------------

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Really can't complain about this plant. Despite her nutrient lockout issue, she turned out perfectly, and I couldn't be happier with the yield considering she was crammed in my tent with the other two plants. Definitely the most dense buds I've grown to date as well. Can't wait to grow again with more room and possibly a larger pot size 👌

Good start to the week, of course it's only been the first day. Got the humidity up with a new humidifier and all has been great for a couple days. "Plant Success Revolution: Great White" Is in, so that'll be used once I repot as an inoculant as well as a root dusting. Depending on the growth of the plants over the next couple days to a week, I'll be repotting this week or next week sometime. Updates as they come; of course. - This prior week's timelapse will be up tomorrow. -2/23/2021 Gave a foliar spray of kelp extract right before lights out, the morning of 2/24 I noticed gray/white staining on the leaves where the droplets were. Will keep an eye on it. -2/24/2021 Carl 2 looks to be experiencing a deficiency, perhaps a nitrogen deficiency. Slight yellow mottling of the lower leaves. As with the spots, will keep my eye on it. -2/25/2021 Carl 2 is certainly experiencing what I believe is a nitrogen deficiency. Will be feeding properly next watering. -2/25/2021 Additionally, Carl 2 has definitely been helped by the kelp. It's almost the size of the plant that had been larger before and hadn't been sprayed with the kelp foliar. -2/26/2021 All plants were root drenched with some Great White Mycorrhizae - Should be fun too see how this plays out. The feed concentration in the "nutrients" section is NOT accurate. I put a light dusting into the sprayer. -2/28/2021 - Significant growth from all plants, seems the kelp and the GWM are doing their jobs.

Put to 12-12 schedule during the end of last week ( week 15).

Week 5 topping and clean up and used top for a clone

Week 15 days 99-105 . I'm am flushing all plants with 1 gallon of filtered water each. I've reduced the light cycle from 18 to 14 hours to reduce heat stress. It may reduce yield as well based on comments I've read in other growers diaries. An oz per plant would be nice. Of course more would be better but an oz makes a pound of cannabutter. Reducing the light hours is reducing the purpleness in the stems of og kush and gorilla glue but Purple chill still has purple stems The Natrona sisters spend their nights in the garage where the temps are 10-15 degrees cooler than in the day temps in the tent. Night temps ranged this week between 63-66 with rh 51-76%. The high rhythm comes after a rain. During the day, I'm keeping the tent open while circulating 2 fans. Day Temps can reach 80 so it gets hot in there. flooded each plant with 1 gal of water. From here forward I will be flushing all plants with filtered water at 1 gal for each plant every other day. Monday, flushed with 1 gal of water. Starting this flush, I added ice to the top of the soil before watering. See photo. This is a stress technique used to force plant phenotype colors. I don't think it will work for mine as I over fed. While I have 3 different strains, they look the same with blue green dominance. Thursday, flushed with 1 gal of water. Starting this flush, I added ice to the top of the soil before watering. See photo Saturday, flushed with 1 gal of water. Starting this flush, I added ice to the top of the soil before watering. See photo Sunday photos I'm not seeing any change in leaf or bud colorations from flushing out the fertilizers nor from the ice treatment. General comments" After putting the plants in the garage during the night, morning soil temperatures are within a degree of the night air temperature. This has been about 15 degrees cooler (50s) than the tent temperatures (75+). This week our weather has been unseasonably warm so the night temperatures have been 63-71 with Rh 51-70% Tent temps in the day 75-80 and RH 47-59%. Special thanks to @DreamIT for showing me how to add music to video. Check out my Gigi video above for a short clip.

🚨 Northern lights week 9 update 🚨 🚨 week 6 of flower!! 63 days old!! 🚨 Hey fellow growers it's your boy Wackytabacky_420 here with my Northern lights grow from growers choice seeds. Well guys 1 more feeding and I will begin flushing!! This Northern lights has really boosted my confidence doing so amazing this grow compared to my first!! She is stacked and frosty!! Smells like straight dank!! Her buds are weighing down her branches more everyday. She is starting to yellow out as she is draining all her nitrogen to her flowers. She has a beautiful light spectrum from... 💡light sponsor💡 @marshydro_amazonled @marshydro12 #marshydro #TSW2000 Low stress training clips- @madmadameplant @madmanplant Www.madmanplant.com Other companies in this grow- @foxfarmsoilandfertilizer - 100% ffof @acinfinityinc - fabric pots @generalhydroponics - flora trio line @vivosun.official - inline exhaust fan @opulent_systems - 4x4x80 grow tent @growerschoiceofficial - 1 Northern lights seeds 2/17/2022 Water 6.3 ph 180 Ppm Solution temp 73.2°F 2/21/2022 2 ml micro 4 ml bloom 1/4 ml ph down Ph 6.40 400 Ppm Solution temp 74.6°F Well guys that brings this week 2 an end. Best of luck and Happy Growing!!🌱💚💨🔥👊🏼🤟🏻👍🏻💪🏻💪🏻💪🏻

21/07 Soweit geht es der kleinen ganz gut. Ich habe sie ordentlich entlaubt, da Ihre Blätter die kleinen Triebe verdeckt haben. Einen Tag später sieht sie zwar etwas Kahl aus, aber sie stellt die kleinen Triebe Richtung Licht. Sie ist jetzt mit 2 Podien und 4 Trieben - 8 Trieben - 16 Trieben getoppt worden. Leider haben sich Trauermücken im Livingsoil eingenistet, diese wurden aber schon mit Nematoden und Gelbtafeln bekämpft und sollten in der nächsten Zeit weniger werden.