Amazing experience with the Mix Pack, I will try it again next summer for sure. Love the variety.

bla bla bla

Tag 70. Unglaublich wie schnell die ist. Ab jetzt nur noch Wasser bis zur Ernte, die Farben sagen alles 👍 Luftfeuchtigkeit konnte ich tagsüber noch etwas senken, Temperatur lässt sich gut einstellen, Vorbereitungen für die Ernte sind getroffen. 🥦❤️

Hey folks into week 15. Ladies are in full flowering mode. Just the usual watering but we are now adding 100ml of molassas to 5 gal of water. Also been doing selective defoiliation so prime bud sites can get good light pen. See yall on the next update.

1/11/2024 Vegetation Week 1 Day 1- I have a root almost in the water.. Yay!! Top feeding is almost done. she is looking a little sad as I work the transition Top feeding but once the roots are fully in the water she will start to take off. Ensured my PPFD is set between 250-300 it is set to: 258 1/12/2024 Vegetation Week 1 Day 2- I have a root in the water.... NO TOP FEED TODAY SIR!!! now that a root is touching the water and she looks stable, I am not going to topfeed, I will see how she looks tomorrow and as long as everything looks good I am going to go ahead and do a change and week 1 fill on Nutes.. I know it is a couple of days in but the same Nutes go through Week 2 and get changed at Week 3 So I should be good to go.. I will just ensure I fill to root touching the water when I change tomorrow. 1/13/2024 Vegetation Week 1 Day 3- Water Change Day!! I added 36 Gallons of Water to the system: Silica= .5mil/gal= 18mil CalMag= .75mil/gal = 27mil FloraMicro=3.0mil/gal = 108mil FloraGro=2.0mil/gal = 72mil FloraBloom= 2.0mil/gal = 72mil PH DOWN= 30mil Very important thing with this system is to now wait the 24 hours for the system to adjust.. Do not make any further adjustments to your PH up or Down for 24 hours to allow time for the system to balance. 1/14/2024 Vegetation Week 1 Day 4- Today I just adjusted the PH to ensure that it was right at 6.0 1/15/2024 Vegetation Week 1 Day 5- Today I Cleaned up the lower damaged leaves from the transition from top feeding to roots in the water. She looks good today. 1/16/2024 Vegetation Week 1 Day 6- Today I just took a picture of the beautiful lady for Log. Other than that just normal day to day operations, check the pH, check the Humidifiers and fill as necessary, check level of water in the Res. Everything looks great. onto Tomorrow!! 1/17/2024 Vegetation Week 1 Day 7- Today I filled the humidifers, checked the PH and just let her grow.. Grow baby Grow.....

Day 42-49 (Day 42) Just watered today but couldn’t go until runoff because I didn’t have enough RO. I forgot to add the probiotic too. Nonetheless, everything is starting to recover from those weird deficiencies and is looking super healthy. Plants are really bushing out now too. I had to top the zkittlez and BBB#3 again as they are just getting too big. Nothing is definitively showing sex yet but I’m seeing clues. Shouldn’t be long now. If I get 4 females or less I will use 10gal pots, 5-7 fem 5gal pots and 8-12 3gal pots. I need to stop overwatering. Even though it doesn’t look too overwatered, it is much better to water a little bit each day at lights on. This will help keep the humidity down as well as deliver optimal oxygen to the roots speeding up plant growth considerably. (Day 45) Gave an EM1 spray down today. The beneficial bacteria is said to overpopulate surfaces so powdery mildew and septoria can’t form. Something seems to be really working as I haven’t seen any yet. (Day 47) I sealed up the tent and am running both dehumidifiers and it’s keeping the RH around a safe 70% night and day which is right on track with VPD. Plants are all looking super healthy. Deficiencies have pretty much all cleared up. Cold nights I’m running 600w and warmer nights I’ll run 400w. I was asking around Instagram about white ash/good burn and a few different people assured me it has to do with mineral content of the soil. I was told the three best products for clean ash is glacial rock dust/basalt, oyster shell flour and langbeinite. I already have langbeinite so I’ll grab the other amendments today and top dress. I grabbed the amendments and also got some Destiny Organics dark matter super soil, coco and some beneficial nematodes. Top dressed each amendment except langbeinite and mulched in some coco coir. (Day 48) My shelf came in today and I think it may be to big for the 4x4 tent. Each square is 12”, not the 11.8” advertised. I could wipe down my flower room and set it up in there which would give my plants a good adjustment to the new lights before I flip. Or I could set it up in the veg tent but that seems like a huge hassle as the need to be moved and flipped soon anyway. I wish they would show sex already so I can toss out the plants I’m not keeping. For flower I am considering starting over fresh with the new Destiny soil and coco mixed with some amendments. I’m concerned that my current mix might be too hot. I could also dilute it with the Destiny/coco mix. Those little bulb mites that came in with the worm castings are a little concerning as well. Some say they are just beneficial composters aka “worm bin mites” and others are telling me they’re predatory bulb mites which destroy crops like garlic. I’m leaning towards beneficial composters but in another grow I watched them devour a seedling before it sprouted. Gotta check the current roots but the plants aren’t quite ready to be transplanted. (Day 49) Got everything in the flower tent wiped down and sprayed with alcohol then EM1 few hours later. Got the shelf set up and got all my temp controls set up and running. I put the controllers outside the tent this time and will patch any light leaks. Gave a lite compost tea at 830ppm and a velokelp foliar spray at 6ml/L. This will be the last veg feeding before I transplant into their final containers on the 31st. BCTG#2 is a confirmed male and I pulled him. No one else is showing definitively. Roots looked super healthy with very few mites but I’m not 100% convinced they’re all clean. I saw a few mites on leaves today too. Saw a bit of droop after the move but they all look happy just a few hours later. Took a few clones from some sucker branches on a few of the blackberries.

Adding video

💩Holy Crap We Are Back At It And Loving It💩 Growmies we are at DAY 35 and she's just killing💀it👌 👉We are in the Preflower stretch 👈 So Shit , I gave them just a tad to much nutes on the last feeding 👈 But I have since fixed it So I'm starting to pull her over and do some low stress training 🙃 and some defolation 😳 Lights being readjusted and chart updated .........👍rain water to be used entire growth👈 👉I used NutriNPK for nutrients for my grows and welcome anyone to give them a try .👈 👉 www.nutrinpk.com 👈 NutriNPK Cal MAG 14-0-14 NutriNPK Grow 28-14-14 NutriNPK Bloom 8-20-30 NutriNPK Bloom Booster 0-52-34 I GOT MULTIPLE DIARIES ON THE GO 😱 please check them out 😎 👉THANKS FOR TAKING THE TIME TO GO OVER MY DIARIES 👈

The stretch is over and sites are all in and now it’s transitioning over to real bud development instead of just those pistils :) Sorry if I blend a couple of the pictures in the wrong week, I took a progress photo about every day lol. So far she has been great and smooth sailing, I had to raise my light a little, I believe it was getting some light sickness that under the LED looks like a significant burn, but in natural light she’s pleasantly green :) the light I have is a prototype my boss has made for him out of 9 180w cobs, with the glass diffuser, it’s a beast!

So technically we are at week 8 but!! I messed up and added an extra germination week. Trio are looking great! One has been flowering for the last two weeks, the other two have just started their preflower so so I switched the Nutrients up to Sensi Bloom A&B also added big bud and fish shit to their flowering feed water. Ive been heavy on the defoliation on the larger two, to increase light penetration to the LST bud sites. As youll see in the video , ive been experimenting with the 90° LST clips and found they work amazingly!! However, the ends do snap as your plants grow, so they as seeming like a one time use for this brand at least.

* ***************** Week 1 of Growth From Seed, April 11 to 17, 2020 - Days 1 to 7 from germination ********************** * Okay, we are off running now. Through germination and was delighted to experience 100% success rate👍 Excited to run this strain from Mephisto. It is supposed to be a couple of their strongest and fruitiest crossed. My Skywalker was a good experience and I could have ran her again but I wanted to try another strain from this breeder and see if there are some similarities......this sounded fun👍😋 Just popped one of these girls and will probably miss some timing but that is how the game works.......learn from this one with hopes of dialing in the siblings😀👍 Greater focus on VPD this run. Already pushing the humidity higher than I ever have with having controller set at 72% with temperature at 79 degrees. I have been reviewing the numbers and I have normally been close but it looks like I have to raise everything by about 10% and for a few weeks long😬😬😬😬😬😬 Trust the science and lets learn some more from this grow!!! *****Daily Detail: Apr 11, Day 1: - VPD - 1.2 - 500ml first watering given with nutrients as listed. (minus Velokelp) - pH water to 5.6 - Girl is up and looking like she is ready to go. Apr 12, Day 2: - VPD - 1.0 - 500ml feeding with VeloKelp @ 2ml/L, Piranha & Voodoo @ 1ml/L. pH to 5.6 - lowered light intensity a bit more. - She is getting taller now. Seems to be speeding up. Still the slowest of the group. - She seems most affected by too much light. Apr 13, Day 3 - VPD - 1.2 - 500ml water with 0.5ml/L each of Piranha & Voodoo, Dual Fuel. - 300ppm with 5.4pH. Apr 14, Day 4 - VPD - 1.1 - 500ml water with Virtathrive and Piranha & Voodoo Juice @ 1ml/L, VeloKelp @ 2ml/L, and SensiCal @ 0.5ml/L. - 210ppm with 5.5pH. - She is doing well. Starting to see the first set of leaves growing a little odd. Both offset to one side of the pot. Good progress though little early to worry about some things. Apr 15, Day 5 - VPD 1.0 - 250ml water with VeloKelp @ 1ml/L. - 95ppm with 5.4pH. - She was a little slow and little dark but she seems to be coming along. Once she strengthens up the bend should come out of her stem👌🤞 Apr 16, Day 6 - VPD 1.0 - 500ml water with Piranha & Voodoo @ 1ml/L, Vitathrive @ 0.5ml/L, Dual Fuel @ 0.5ml/L. - 300ppm with 5.8pH - She is looking more healthy today. Being more robust. - Her second set of leaves are not as progressed as the other girls. Just an observation. Apr 17, Day 7 - VPD 1.1 - Turned on flower light on UnitFarm this afternoon and they are happier. - Dry out day today and no added water/feed, just misting. - Let the medium dry out a bit and give a nice week 2 feed tomorrow.....they are ready for a little more nutrients now. - Not a lot to report today. She is happier than yesterday and getting bigger......can’t ask for much more👍💪👌

All I can say is that this thing is a beast. She likely only has a week or two left so I did one last small top dress with dry amendments as well as some ewc and super soil to top it off. Cant wait to watch this girl really fatten up. She’s already having trouble holding up the colas. 😎🍿🍻🌱

Both popped on 03/13/23

4/16: I’m really not happy with her....she really needs to start swelling up 4/17: seeing a little deficiency with her gave her a little cal-mag bump 4/19: I took off 5 leaves that had patches on them

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

👋👋Hi 👋 Week 1 of veg🌱 Soil, Living soil 💦water only 💦 💦water Ph 6.3💦 Day 10 added live soils crop cover 27g 💦Water ph 6.3 x 300 millilitres💦

I am cutting two handful of leafs every third day by now. Trying to figure out where the plant sends the least amount of energy ... Major lollypopping will be after week 2 or 3 of flower.

The Afghani x Mac1 auto from DNA recovered well from the training and is in full bloom. Bud sites are looking great. Had an issue with humidity this week and the leaves started looking rough. She got a dose of Recharge this week and drinks about 8-12oz of water throughout each day. All in all she's trucking right along. Very happy with how smooth this solo cup grow is going.