Plant grew a little burning the tips off of the top leaves. Bent those stems down an inch to try to avoid any additional burning. Since the grow bucket has limited space, a majority of the bottom leaves have started to die. I also will be removing grow big from my nutes.

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

officially flowering.. FINALLY

Hallo zusammen 🤙. Sie wächst sehr schön und macht keine Umstände.

🎊 Week 12 is officially over ! I’m really pleased with the progress she’s finally stepping fully into that Purple Banana expression 🍌🍭 The buds are still packing on size, and every day brings us closer to harvest. I checked the trichomes again and we’re starting to see a nice mix: mostly milky with a few turning amber. Since the last feeding, I’ve been giving her only RO water to avoid oversaturating the soil before the finish. With two more weeks as our target, we’ll push one final week of feeding before the flush 💦🌊 One of my biggest joys as a grower is bringing out the unique characteristics of the strains I pick up as close as possible to what the breeder intended. For me, it’s not all about chasing yield. Genetics vary, and sometimes even in perfect conditions, your plants won’t look like the online photos or hit those top shelf sizes you see everywhere. But here’s the truth: If your environment, feeding/watering routine, and training techniques are on point, you’re almost guaranteed a potent, high-quality plant, regardless of final weight. So don’t stress yourself Focus on mastering your craft, learning your strains, and dialing in your system. With time and consistency, everything clicks and seeing that progress in real time on this grow has been incredibly rewarding. 😊 One last week of feeding for this beautiful monster Let’s finish strong! 🕺🏾👊🏾 Happy growing gang 💚🌱

This week im off I've been debating on keeping up with the diary 😅 😩 just typing away sucks we any ways .5 in growth nothing to bad another update tomorrow promise

Getting close to the end now. I can see the trichomes turning milky.

+ data+charts online rakongrow.lima.zone/growme-mango-kush-auto-015.html Tag 81 : der rest dünger ist defenitiv jetzt umgekippt. egal , sie holt sich was sie nutzen kann und blüht fröhlich vor sich hin . sieht allerdings etwas gerupft aus .

Que pasa familia, vamos con la cuarta semana de floración de estas Barcelona Puff feminizadas de Seedstockers. Vamos al lío ,se trasplantaron en macetas de 7 litros definitivamente. El ph se controla en 6.0 , la temperatura la tenemos entre 25/21 grados y la humedad ronda el 50%. El ciclo de floración puse 12h de luz, el foco está al 80% de potencia. De momento van creciendo a buen ritmo y tienen un buen color, la flor ya empezó a formarse y a tricomar, por el momento bien. Comentar de nuevo el estrés hídrico a sido superado de momento todo bien. Agradecer a Agrobeta por el envío del kit gold series para la temporada 🙏. - os dejo por aquí un CÓDIGO: Eldruida Descuento para la tienda de MARS HYDRO. https://www.mars-hydro.com Hasta aquí todo, Buenos humos 💨💨💨

The journey for this lady is over! She is huge and gorgeous, the buds seem rocks just by touching them!

Increased their food by a tad. Looked perfectly health raised to about 1900ppm. Again spider mites at it crawling up every leaf and creating a colony. I thought it was over until I sat there nearly every night finding the f*****s and rubbing the leaves with the spray. Defoliation was needed ASAP due to them stretching nicely. Started slowly from the bottom up. (repeated this process every 3-5 days.)

Day 119. Will update later. This grow is almost finished .... Jar day - all is done, now cure left. Happy Growing !!! P.S. if you are searching for Killer Kush, she got separate diary, my favourite of all 3 strains.

We are all finished! 79 days from seed, 11 weeks !

Made sure the run off was 0.5ms, the water that I feed with has a reading of 0.3ms so I'm looking forward to when she has dried and cured so I can update with the smoke review

28/11/22 - first week of bloom starts today, looking at doing another defoliation to free some sites up and removing small sites from the lower canopy - defoliated all of them quite heavily hopefully for the last time, removed small sites from the bottom

Que hay familia, volvemos por aquí y actualizamos la quinta semana de floración de las Original de GrowBarato. Jodo, que aroma más rico que desprenden, cómo están progresando y cómo se están poniendo repletas de polen. Estoy bastante contento aún siendo los ejemplares de granel, orgulloso del resultado hasta ahora. Agrobeta: https://www.agrobeta.com/agrobetatiendaonline/36-abonos-canamo Mars hydro: Code discount: EL420 https://www.mars-hydro.com/ Las maximas de temperatura no superan los 26 grados y las mínimas no bajan 20, así que no me puedo quejar. Los niveles de humedad también son los correctos van entre 45%/55% de humedad relativa. Por supuesto el Ph lo estamos dejando alrededor de 6. Hasta aquí es todo, buenos humos 💨💨💨.

En este caso es un diario un poco distinto... Tengo en mi terraza (outdoor) una maceta de unos 25 litros, con sustrato reciclado de todos los ciclos hechos con BIOTABS este invierno pasado Durante todo el invierno / primavera, he ido añadiendo a esta maceta los "restos" de estas macetas del indoor, cargados de vida, sustratos y materia orgánica Cada vez que añadía sustrato reciclado, añadía / renovaba la capa de mulch (heno) para proteger la micro-vida Además, ha estado protegido por un techo de metacrilato todo el invierno, para evitar que las lluvias torrenciales de mi zona se llevasen los nutrientes He mantenido este sustrato húmedo con Agua RO A principios de mayo, planté una tomatera (tomate canario) en esta maceta Alrededor del 26 de mayo, decidí dejar caer aleatoriamente una semilla de Gorilla Z Auto que me regaló mi amigo StackFarms Unos días después, nacía con fuerza y vigor una pequeña plántula! 😍💥 Esta maceta se mantiene hidratada con un sistema de riego por goteo (TEMU) muy ingenioso: Utiliza un gotero medico como se usan en los hospitales! Este sistema ha demostrado (en mis pruebas) ser bastante consistente en el riego diario! La maceta con la tomatera + Gorilla Z Auto se mantiene hidratada con 1 Litro de H2O diario (RO o agua declorada, depende como me pille) A divertirse con este experimento! 🚀 FastBuds 15% DISCOUNT code "NONICK" 2fast4buds.com @fastbuds.official 💦 BioTabs 15% DISCOUNT code "GDBT420" biotabs.nl/en/shop/ @biotabs_official 🌱Substrate PRO-MIX HP BACILLUS + MYCORRHIZAE @promixmitch @promixgrowers_unfiltered

So after consideration of the density of the buds and my night humidity levels— decided to chop a week early. Buds are super dense. Concern for mold. Very leafy lady- with massive fans She’s 10% amber but still some white pistols on the lowers. Very easy to grow. Stayed on the shorter side with minimal stretch—which is appreciated. I love how the Plagron Green Sensation is nitrogen free! I used it from weeks 3-6. Super helpful as the leaves were getting a little curl— even with minimal nutes. Will have harvest report soon. As terps can change after dry/cure. Happy with the results of the Runtz and Plagron! 🏻💚

Remove two big fan leaves blocking bud sites below it, added some LST clips to encourage branches to grow outwards a but more. Still can't get rid of the stupid downward curling leaf tips, had it since about week 2 veg I only water when soil is completely dry as you can see from time lapse videos. I have the lights exactly where they’re supposed to be and actually have them turned down a bit more than where they’re supposed to be according to my PAR meter. I guess I’ll just ride it out this way till the end and see how she goes, might increase light intensity another notch later on in the flowering stage, we’ll see. I'm averaging about 625-675 ppfd from top of the plant. I use filtered tap water through a Berkey gravity filter that removes all fluorides and other unwanted chemicals and with the Advanced Nutrients mix it balances out the PH to around 6.0-6.1 every single time, these next few waterings I'll only use plain filtered water PH to 6.0 and see if maybe its a Nitrogen toxicity which is what I suspect is causing the curling and deep dark green color.