The mind grows from observing failed attempts, The body grows from observing failed attempts, Topped mid-week both plants Often through our various senses, we receive impressions that bring the pleasure of nature's harmony into our thoughts. At other times we are aware that man has intervened in nature's processes to produce something by art, which to our highly evolved senses seems to rival even the best nature can display of beauty and harmony. We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something, by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. If our equipment was a wave form plotter, we may have a drawing like illustration 2. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that coresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then tne next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it werned when it was set to be a suitable compromise between the many different pitches in use at the time. There is also a scientific standard of pitch of C= 512 Hz which, although not in common use in nusic, has a lot of theoretical followers, as it is generated from the lower octave of C = 1 cycle per second and has certain advantages of numerical simplicity in mathematical research. A scale built upon either of these standards will yield an upper octave scale in the color spectrum. However, with the A = 440 Hz scale, we end up with a color series which, although interesting, is hard to relate to any color system or set of values in current use. The C = 512 Hz system, on the other hand, seems a more obvious choice at first sight, having 12 definite color tones and containing the strongest and most pure colors in the spectrum. Further research showed that there were still things not quite right with this system, and has led to a modified version in which correspondences with other systems seemed to fit into place. Of course the proof of the pudding is in the eating and before being accepted this system will need further research to substantiate the correspondences and prove its value to mankind. What follows is a summary of the process used in drawing up this modified scale. The upper octave color of a fundamental of one cycle per second is found to be exactly emerald green, which is recognized as having a wavelength of 511 nanometers (this is at 20o in air). 511 nm is also the color of malachite, or hydrous carbonate of copper occurring as a mineral. It would seem reasonable, given the teachings in the QBL, to associate this with the planet Venus. If we take 1 Hz or its upper octave 512 Hz as our fundamental, then build a scale upon it using our tempered scale 'formula', we will have the following 12 color tones: 723 nm = infrared 682 nm = deep red 644 nm = orange red 608 nm = orange 574 nm = yellow 541 nm = yellow green 511 nm = emerald green 482 rim = green blue 455 nm = royal blue 430 nm = indigo 406 nm = violet 383 nm = ultraviolet There are certain immediate correspondences that become apparent between some of these colors and our teachings in Parachemistry. The yellow here is the color of chromate lead and zinc yellow, the most 'yellow yellow', for want of a better description, to be found in the spectrum. It seems rather logical, if we follow the Queen scale of color, to call this the Sun, or Vulcan, depending on which system we choose to look at. The orange here is exactly the frequency of sulphide of mercury or cinnabar. It would seem appropriate to relate this to the planet Mercury on the tree of life. If we then call the deepest red in our scale Mars and the Royal Blue Jupiter we find a pattern beginning to form. The ultraviolet here is outside our range of color vision and would appear black to us. If we call this Saturn, as Saturn is described as either black or violet, then we have six tones out of the twelve named. Through want of skill and reason's light Men stumble at noon day; Whilst busily our Stone they seek, That lieth in the way. Who thus do seek they know not what Is it likely they should find? Or hit the mark whereat they aim Better than can the blind? No, Hermes' sons for Wisdom ask, Your footsteps she'll direct: She'll Nature's way and secret cave And Tree of Life detect. Son and Moon in Hermes' vessel Learn how the colors show; The nature of the elements, And how the daisies grow. Great Python how Apollo slew, Cadmus his hollow oak: His new raised army, and Jason how The fiery steers did yoke. The eagle which aloft doth fly See that thou bring to ground, And give unto the snake some wings, Which in the earth is found. Then in one room sure bind them both, To fight till they be dead, And that a Prince of Kingdoms three Of both them shall be bred. Which from the cradle to his crown Is fed with his own blood; And though to some it seems strange, He hath no other food. Into his virgin mother's womb Again he enter must; So shall the King by his new birth, Be ten times stronger just. And able is his foes to foil, The dead he will revive: Oh, happy man that understands This medicine to achieve!

47th Parallel Crowly's Comet 🔹⊱╮🔹╰⊰🔹 GROW Started 03.10.24 INFORMATION 🔹╰⊰´🔹⊱╮🔹 🌞Environment - Maintaining 80F and 65%Humidity 🌾Training - Nothing this week just letting the seedlings veg out. ⚱️2-Gallon 📊6.2 PH 💧 Feeding - Using Horti Grow 8-11-21, Bloom 5-15-26, Late Bloom 0-24-26, Cal 12-0-0 🌞Medic Grow Smart 8 760 Watts 🕷️ IPM - CannControl from Mammoth and Mosquito Bits as needed 🔹⊱╮🔹╰⊰🔹 PLANT UPDATES 🔹╰⊰´🔹⊱╮🔹 📝 Notes - These little ladies were transplanted very quickly after sprouting, the stretch was way too fast, are a week above ground, placed into 2-gallon pots, and are starting to recover and grow. 🗓️03.22.24 Maintaining Environmental Environment, Plants Are Doing Great! 🗓️03.23.24 Today fed with Hort-Grow @ 3.3 GRMS Per Gal, and Horti-Cal @ 2.5 GRMS Per Gal. 🗓️03.24.24 Maintaining Temps and Humidity - Plants are Looking Great! 🗓️03.25.24 Watered Today with 6 ounces of H20 w/ Hort-Grow @ 3.3 GRMS Per Gal, and Horti-Cal @ 2.5 GRMS Per Gal, adjusted lights. 🗓️03.26.24 Maintaining Temps and Humidity - Plants are Looking Great! 🗓️03.27.24 Watered Today with 6 ounces of H20 w/ Hort-Grow @ 3.3 GRMS Per Gal, and Horti-Cal @ 2.5 GRMS Per Gal. 🗓️03.28.24 This week has been very productive and the ladies have grown about 3 inches, Maintaining Temps and Humidity. ╰⊰🔹╰⊰´🔹⊱╮🔹╰⊰🔹╰⊰🔹STRAIN INFORMATION🔹⊱╮🔹╰⊰🔹╰⊰🔹╰⊰🔹⊱╮ Crowley's Comet / https://www.47thgenetics.com/product-page/crowley-s-comet-10-fem-birdseeds It's everyone's favorite piece of space rock, Crowley's Comet! The culmination of reversing our Matterhorn cut off Mr. Crowley to Intergalactic Runtz, and the results were out of this world (I had to do it). These ladies were slow to start, but once they hit their stride they put any worries we had to rest. Compact, short-framed, and robust. They pack beautifully boulder-like flowers that reek of garlic and sickly sweet cotton candy. Dark green to a mosaic of purples, yellows, and silvers. Frost production is off the charts, the internode spacing is tight, and they certainly will impress in their last few weeks of flower. This is one of our favorite crosses in the new fem lineup. If you're looking for your hype fix, here you go. Yield: Heavy to XL Flower Time: 63 days Feeding Schedule: Heavy

Just water:))))

Well done rapidstart , do hiz work🤘 No technique just fold the leaves

Está semana Fue casi un desastre ! Pero la planta de cannabis es tan fiel ! Realizamos una "defoliacion" y creo que se nos pasó la mano , pero he aquí los cambios ..hoy con unas 30hrs de recuperadas ! Hermosas

Hello, hello! Hope you're all doing well. Welcome to Week 7, Veg w/ Space Cookies. The Deets: The Good: -Space Cookies is moving well. I was able to make her quite a bit bigger by training her out this week. She took the space well and is filling up the new open space quickly. -Full transplant and first transition's feeding went very well and she took every drop. No burns, no dipping out, no attitude. -Strong like Bull. Every week she gets thicker and thicker. During transplant I buried a small portion of her stem to shore her up and it has proven to work very well. Smallest plant but has the thickest laterals and main. I really like this little one and I feel she has been the easiest to work with so far. Haven't faced as many issues with her as I have with the others (so far). Hope she keeps it up👌. -Pistil party! It's a girl! Yay!! So there's pistils. Not heavily pronounced yet, but clear as day. Will add in a picture tomorrow, but a little to shaky to take a proper photo, at the moment. Soon👍 -pH and PPM's are in check. Not too concerned about my ppm reads, as the new soil is warping these run-off numbers, but I'm very pleased to see her Run-off come back at a solid 6.2pH. A long road from the 5.3 I was battling for 1.5-2 weeks. The Bad: -Get atta here with that 'bad' nonsense. She's doing good😊 The 'Meh': -Got her to be a bigger bubble, but she lost some more height. Propped her up on the same ceramic pot that Do-Si-Dos was last grow. Almost a perfect height making an even canopy. -Really bushy. I open her up and it seems she's filled the empty space within 24 hours. Going to do a quick bottom to top defo and prune before moving her to flower. Still trying to learn what to take in Veg that will end up being nothing but LARF in Bloom. I feel I did a little better this time... but I'm positive there will be a lot to take in the early weeks of flower, during the stretch. -Before the transplant, I was running 24/7 extraction due to a weather change in my area. In her shorter 3 gallon pot, she picked up a bit of wind burn on the low end fans. I knew it was being pretty battered around, but I didn't really have a choice. I really needed that air exchange. These fans will be removed in near future if/when she needs/wants to cannibalize them. Notes of the Week: -All transplants were done with a 15mL/Gallon soil of Gaia Green 2-16-0 Bone Meal for slow release P/Cal throughout Bloom. Added bonus of keeping pH in check (somewhat like a dolomite lime). "Stim Root #1" for softwood applications has been used sparingly as well. Allows for zero delay when transplanting. Roots tap into new soil immediately. No stunting, no lost time. -A water feed was given to each girl in the past two days as I am back to my feed-feed-water schedule (and working well). I did include a small dose of GP3 Bloom, Humic acids, molasses and potassium silicate to keep her moving until the next feed (Bloom and Humic halved). Cut the Cal/Mag and pulling my Mag from the Bloom's 1.5%. -Training is pretty much over. PSK has a little work to do, but this week all the training ties will slowly be released and replaced with bracing cables. 5-6, 2 foot sticks of bamboo and 1, 3 foot main bamboo line have been inserted and will be used to pull laterals back inwards, give them strength, and help them carry their flowering weight. All bamboo sticks (except for the 3 foot main) were inserted into the new transplant soil where there would be no roots and no root interference. To reduce root interference on the 3 foot main, I sharpen to a point in order to push roots aside, not bluntly destroying them. -The flip is on the calendar. PSK is even in good shape now. It's time. Either Sunday, May 31st or June 1st these girls will be put into 12/12. I'm really looking forward to this, but as per the usual, I'm a little nervous. It's been a battle with them so far and I'm really, REALLY hoping Bloom goes a tad better then early Veg did. -Oddly enough, these plants are larger in size then grow #2, at the same period of time (49 days). Attributing earlier training and the SF for these changes. Keeping the girls shorter and using more LST has pushed them to move a bit faster. Noted. -Hygrowzyme and King Kola will be introduced into the new Bloom schedule in the coming week (s). I did not use the PK booster as early as recommended last grow and looking to see what changes I will see with proper applications, throughout flower. Hygrozyme will only be used for the first few weeks of Bloom. If anything feels amiss or my gut tells me somethings off, I'll stop it's use and just use what I know. Thank you for stopping by all ya'll. Been a pleasure to share this week and I look forward to sharing Bloom with you. I kept this one pretty short....Yay me! hahaha😅. Cheers everyone. Take care of you and yours, happy trails with the girls and see you on the other side. Peace!😃

GIRLS ARE STARTING TO SHOW GOOD GROWTH IN HEIGHT. Should have done more LST but will still try. Installed new fan in the chamber and finally got the heat down to 75. Very Happy.

Day 54: added some nematodes to kill the fungus gnats Day 56: nutrients like plan Last feeding Pictures are taken on day 56 --------------------------------------------- She develops great buds and is getting some nice colour😎👍 she is the Queen of this run 😁 Happy growing 🍌🌱

Beautiful seeds from previous weed i smoked

En la 4ta semana aumentamos la dosis del fertilizante para crecimiento, regulamos su p.h en 6.0 e hicimos una poda apical en el 4to nodo de cada una de las plantas.

Planta fácil de cultivar, de estatura media y producción importante de tricomas. Sus fragancias son dulces parecidas a la panela, canela, especias y un fondo un poco kush con notas a crema. Flores hermosas macizos, compactas y totalmente cubiertas de fragante resina, las tonalidades son hermosas, al moler se despliegan todos los aromas y ese tono violeta en el interior de las flores. Gracias a fastbuds una vez más por su confianza y a toda la gente que sigue el contenido. Buenos humos!

She was a stretcher and it hurt her production taking it as my fault till I see what the clones do Two years ago we began with an LSD harvest and now we end with one, rather fitting. Clones combined wet weight 720 grams in dry over next couple of days 173 grams dry from clones

Gracias al equipo de Seedsman y XpertNutrients sin ellos esto no sería posible. 💐🍁 Alaskan Do-Si-Dos: Alaskan Do-Si-Dos ha sido desarrollada por expertos como una versión mejorada de la siempre popular variedad Alaskan Purple de Seedsman. La introducción de la genética Do-Si-Dos en la Alaskan Purple ha creado un híbrido índica/sativa que aumenta la potencia y el rendimiento al mismo tiempo que mejora el perfil de sabor y sigue siendo versátil en lo que respecta al cultivo en exterior. La Alaskan Do-Si-Dos está destinada principalmente al cultivo al aire libre y en invernaderos. Las plantas crecen altas y prosperan en climas fríos, templados, cálidos y secos, al mismo tiempo que se desempeñan bien en altitud. Esto no impide que se cultive en interior, pero estas plantas grandes necesitarán mucho espacio. Las plantas muestran una resistencia moderada al moho pero, si se cultivan en interiores, hay que tener en cuenta que son RUIDOSAS, por lo que se beneficiará del uso de filtros de aire de carbón. En exterior, en latitudes septentrionales, la cosecha está prevista para finales de septiembre, mientras que en interior las plantas tardarán entre 8 y 10 semanas en completar la floración. Los rendimientos en exterior son muy altos y pueden superar fácilmente los 750gr/planta, mientras que en interior los rendimientos son elevados, hasta 600gr/m2. Los cogollos maduros tienen una densidad media y mantienen un color verde medio. 🌻🚀 Consigue aqui tus semillas: https://www.seedsman.com/eu-es/alaskan-do-si-dos-feminised-seeds-sman-aldsd-fem 🍣🍦🌴 Xpert Nutrients es una empresa especializada en la producción y comercialización de fertilizantes líquidos y tierras, que garantizan excelentes cosechas y un crecimiento activo para sus plantas durante todas las fases de cultivo. Consigue aqui tus Nutrientes: https://xpertnutrients.com/es/shop/ 📆 Semana 9: El engorde de los cogollos está prácticamente terminado y solo falta que maduren un poco antes de ser cosechada. Gran trabajo por parte de mis colaboradores, estoy bastante contento con este grow, el próximo tendré más atención en la etapa de crecimiento, la cual es muy importante si quiero obtener una cosecha de calidad. A partir de ahora agua hasta el fin.

Esta variedad se recuperar muy rápido de todas las técnicas de cultivas, empiezo a aplicar super cropping a las plantas que crecen demasiado rápido, al final de la semana añado una maya scrog al armario

semana de crecimiento de tricomas, ademas las flores presentan un crecimiento muy bueno, ya están madurando de verdad, el próximo cultivo lo documentaré con fotos mas claras, he aprendido mucho de tenerlas en hidroponia, me gusta y lo voy a seguir usando y explotando

They are growing well and smelling good! I defoliate quite often, as it is dense in the tente. They look healthy :) all good