Started off week 2 with heavy defoliation // they took it like champs // they instantly started to fill the space again // back right corner is still a bit behind but the rest of the canopy looks crisp 👌🏼 End of week 2 // kolas starting to form up // currently 27° at 60% // gonna lower the temp to 25 very soon // also collecting the water every day and then water them daily // gonna start using green power phosphor booster in the next week

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

hello guys, second flowering week. i put one big fan for my flowering period. and some small stigmas coming slowly. i put more BH,BG and BB. 😀👍

🍁gorilla cookies

The color of the leaves begins to turn purple and orange...

is getting bigger and bigger, I made some toppings and continued with lst, out of curiosity I measured it, it occupies a space of 60x60cm impressive how fast it grows, this week I raised the ec to 2000, I think next week the I move 80x80cm to another box and make it bloom 🤩💪🏼

Plants are doing way better then any grow I've done in the past. Trying something because of what I seen on growboss, I defoliated the blueberry but didn't Defoliate the stone cold diesel he states I will get more dense nuggets on the the plant I don't Defoliate so let's see what happens, so far the blueberry started budding way faster.

Hello m8 welcome to this journey with me in this diary will have very interesting strains hope u find something useful O.G. Kush Titanium - [ ] 1st week Veg: germinated in substrate lighting very close so it jets medium high humidity after the 3rd day they started sprouting - [ ] 2nd week Veg: this week my ventilator broke down and as the temperature stayed very warm nothing developed much - [ ] 3rd week Veg:fortunately this week i had fixed the ventilation and the temperature has go down a bit allowing the little plants to develop and reinforce - [ ] 4th week:very good developments in this week I already started feeding a bit two times but i didn’t have to…once was enough - [ ] 5th week Veg:this week they were very strong green i only had to water them good and keep the ventilators going no stop .They have good hight already ,but as i have to strains together. I want to transplant them when the hight of the other one have stretched… I’m thinking to transplant next week if not the next one - [ ] 6th week Veg: this week it went great fortunatly i dont have pests that eat my buds i’ve givven a fed once the substrate is very rich already the plants streached very well i will transplant today so be ready m8 i cant wait to show you the progress - [ ] 1st week Fl:they started stretching and looking very healthy just transplanted - [ ] 2nd week Fl this week I’ve been away i had a friend taking care of them they stretching very well i hope that she starts putting energy into the flo - [ ] 3rd week Fl: - [ ] 4th week Fl - [ ] 5th week Fl - [ ] 6th week Fl - [ ] 7th week Fl if this was useful please like and follow

I was so excited to see some weed leaves pop out. Everyday the plants got noticeably bigger. I’m making sure their environment stays as consistant as possible. I did encounter my first issue. I went to refill my humidifier turns out the water had turned green. I emptied the tank into a glass you can see in the pics. Washed it and ill make sure to do so more frequently. I’m guessing it was stagnant for too long and algae grew? Has this happened to anyone? What cause it?

Analisando com lupa 60x,80x,100x, está próximo o grande dia mais 3 dias e faca

Beautiful strain, very very purple intense color, will make content on her by the day, can't really show very well the plants at night but I had to update the diary so, sorry about that. Very citric aroma just like her sisters, wonderful strain to grow and harvest fast. And she makes your garden look more colorful. I love this auto strain guys very recomended.

- LAS PLANTAS SIGUEN CON EL MISMO PLAN NUTRICIONAL - NO SE VEN CARENCIAS NI EXCESOS - el hps de 600 MANTIENE MI AMBIENTE SIN MAYORES INCONVENIENTES -NO SE VEN PLAGAS NI MAYORES PROBLEMAS

Entering the 9th week things are going Splendidly, I had to adjust the lights up a bit as NLA#1, Suffered a little bit of what looks to be Light Burn, Other than that, The Girls are filling out nicely, and the aroma is kicking in good. I also decided too go ahead and start using Fox Farm Bembe, which to my understanding is a Molasses backed with Microbes for the Root Zone, That and I've Heard it's a natural sweetener as well. Thanks everyone thus far for the views and likes, One Love...

I harvested part of it! I had a problem with this plant until 3 weeks of flowering It messed up the whole plant. 😣😒

Day 4 - sugar feed. Stop fertilizers from today. Defoliate large fan leaves and HsT large stems

Week 6 started with more growth and more LST 😁 🌱👍🏻 ------ Day 38 Amazing how beautiful they are, and until now I'm really satisfied with my first grow 😁🍀🌱

Added some nutes. TPS one is great!

After locking them out for close to a week , I managed to get them going again. Just waiting for some Amber trichomes to show up now.