Hello friends! Our purple girl moved to a 5 liter pot. I hope she quickly adapts and continues to grow! ahead of her are Topping, and LST))

Day 99: New Week We've decided against using additional nutrients and have completely stopped fertilizing. The light cycle has been reduced to 11 hours, and we're already starting to give them cooler water. Starting Monday, I will be watering with ice water to stress the plants further, aiming for higher yield, more terpenes, and increased frost. The adjustment to the light cycle should also help the plants ripen evenly. The lights are hanging about 20 cm above the buds, which are getting thicker every day, soaking up the light intensely. In about a week, most of the plants should be ready for harvest. We plan to stop watering them for about 100 hours before harvest. During this period, I'll place ice cubes on the soil to shock the roots one last time. 48 hours before harvest, I will turn off the lights, giving the plants two days of darkness. After this period, the plants will be cut and hung to dry.

Day 141 (week 20.1)

Tiene unos cogollos bien duros y compactos,son muy pegajosos y los pistilos son de un naranja radioactivo,tiene un aroma muy rico como terroso y mentolado

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

This is the last week for white widow's and I'm really happy about results, the plant are very quick, and the smell is insane. Can't wait to smoke that 😀

Day 165 14/10/24 Monday De-chlorinated tap water pH 6 with calmag today Starting to see new growth showing no signs of new seeds!! She is spitting out new pistils again, I may run nutes for this week then flush , as trichomes are looking clear still with only spots of cloudy. Picture's (over exposed to light) 📸 Day 167 16/10/24 Wednesday Feed today 😁 using de-chlorinated tap water phd to 6.3. Her pistils keep maturing rapidly, but then I check twice a day and each time I check, they look either orange and almost showing finished signs... Then she slaps out another round of pistils and trichomes are coming cloudy still. She may well be a 12 week flower. I'll keep feeding till I see majority cloudy. Picture and video update 📸💚 Day 168 17/10/24 Thursday (End of week) Damn!!! Found two tops, overnight turn brown hairs, and sugar leaves yellow and dry. Needless to say two tops had been attacked by mould. After a heavy detailed inspection of plant, it is only these two tops. So I have removed, bagged and hoping now no new mould is spotted 🤦‍♂️ Rest of the plant looks and smells fantastic 💚 I have update pictures and a video 📸💚 Day 169 18/10/24 Friday Damn, she has lost another 2 tops due to mould. I'm gutted, so to stop any further disappointment, I am chipping her tonight before lights on 💚✌️ Note to self- lesson learned when doing Scrog, Lollipop MORE. I have left too much on and it has reduced airflow causing humidity to stay above 62%.

WOW WOW WOW looking nice this is better than i could of imagined {PLATTER} {MEZZAY}{DISH]OF GG4-GOLOSA-ELEVEN-ROSES-,CRITICAL-MASS-BLUEBERRY and OG. Without the scrog/spacers this would have been a mess but with the spacers i was able to train all the plants to which direction i wanted them to grow As you can see the media is full of flower heads now and all have enough space to blossom. The reason for this project is to consume the small space i have and to fill the media with enough plants to give me the best yielding weight possible. All the main colors are fat and thick for plenty of bud to grow..?? Where i would normally only have 1 plant in that space i would never get the same amount of bud as i will with this unit. Who wants the blueprint? At least 16 main colors to come plus a bit more because 8 were topped/L.L.O.G training WATCH THIS SPACE- watered 5ltrs feed

Started the flush this week. She started fox tailing a lot with excess heat with 100 degree summer days. I am updating my extraction fan after this grow. She grew good under the Spider Farmer SE5000 light, in New Level Hydro buckets. Next update will be harvest. Thank you New Level Hydro, Spider Farmer, and Amsterdam Marijuana Seeds. 🤜🤛🌱🌱🌱 Thank you grow diaries community for the 👇likes👇, follows, comments, and subscriptions on my YouTube channel👇. ❄️🌱🍻 Happy Growing 🌱🌱🌱 https://youtube.com/channel/UCAhN7yRzWLpcaRHhMIQ7X4g Www.amsterdammarijuanaseeds.com SE5000 https://amzn.to/3qFpAML Spider Farmer Official Website Links: US&Worldwide: https://www.spider-farmer.com UK: https://spiderfarmer.co.uk CA: https://spiderfarmer.ca EU: https://spiderfarmer.eu AU: https://spiderfarmer.com.au Coupon Code: saveurcash (is stackable in most cases) Www.newlevelhydro.com Www.hygrozyme.com

🔵⚪️🔴 Passer de 25cm à 80cm en deux semaines c'est fou, je suis un peu surpris ^^'. Changement de tout l'eau, passage aux engrais de floraison. J'ai construis le bio-filtre, j'attends que le silicone sèche et je le mettrais entre les deux cuves, connecté à la pompe de circulation. 🦅​🇺🇸​/🇬🇧​🦁​ Going from 25cm to 80cm in two weeks is crazy, I'm a little surprised ^^'. Changed all water, switched to flowering fertilizers. I built the bio-filter, I'm waiting for the silicone to dry and I'll put it between the two tanks, connected to the circulation pump.

Every plant in garden day 56 Noticed yellowing mid week 7 don’t think it fade having some ph issues my run off is 7.2 after flush then watered again still up at 7 so hopefully going to water at like 6 6.1 from now till it goes down growth continues tho some buds getting big ☺️

And like a Clock this gir at day 30 or so began flowering, she is a beast , a big beast and a tall one, non so ever she is beautiful and her grown so fur have been nothing but outstanding, very curious to see were these one is going <3 <3 <3 And as the week passes the room starts to get full and in need of some urgent defoliation, and these girl is no exception in there and she is asking for a new air cut As always thank you all for stoping by and for supporting me on this journey, i am super passion about growing and fell blessed to have you all with me on this new journey <3 <3 <3 Genetics - Fast Buds Tester 2311 Ligth - LUMATEK ZEUS 465 COMPACT PRO 
Food - APTUS HOLLAND #aptus #aptusplanttech #aptusgang #aptusfamily #aptustrueplantscience #inbalancewithnature #trueplantscience #fastbuds #dogdoctorofficial #growerslove With true love comes happiness <3 <3 <3 Always believe in your self and always do things expecting nothing and with an open heart , be a giver and the universe will give back to you in ways you could not even imagine so <3 <3 <3 
All info and full product details can be find in can find @ https://2fast4buds.com/ wen released 

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This week we increased the quantity of fertilizers and transplanted it into a 5 liter container. Next week we will start LST. The total height decreases due to the transplant. We use mycorrhizal fungi (Mykos) in the transplant.

Look what I can doooooobie

Jus trying to make the best out of a bad situation....when is not pouring rain...got excessive heat warning but still gonna pull tru with something....girls are smelling lovely and got that sticky feel to dem leave you fingers wet jus by passing over...harvesting is the upcoming week jus to prevent any further damages.

Going steady this week! Gonna go a couple more weeks and then flip to 12/12. Added 2 new clones to the tent as well, 2x Indian Rhino x The Matrix. Curious to see the differences between strains and also differences in growth between seed/clone. I won’t be keeping track of those 2 in this diary though. Thanks for reading, happy growing!

FBA2502 Week 3 April 13-19 Veg 2 This week I introduced nutrients to the watering schedule. My planned feed schedule will be to feed, feed, water each week until the time to flush. , adjusting nutrients per the growth cycle. Hopefully this will keep from overfeeding and reduce salt build up in the soil. Nutrients: I will be using General Hydroponics Flora line at ½ feed rate and Cal mag throughout this grow. My tap water measures 8.3-8.5 so even after adding nutrients, I have to PH down my feed solution. Regarding nutrients, I’ve tried Fox Farm, TPS1, Plagron and now General Hydroponics. What I am looking for is organic, ease of use, minimal individual bottles that will yield large, dense sticky buds that hit hard in effect. Plants range in height from 5-7” except #1 which has been pinned to the soil. I will try wrapping her around the perimeter of the pot. Since she leaned over, I pinned her down and have been anchoring along the rim, twisting the stem so the node is on the side or top rather than underneath. I don’t think she likes training since the stems are a bit floppy. They are all still in veg, bushy with large indica leaves. I’ve been tucking the large leaves under the bud sites to give more light under the canopy. I’m tempted to top one of the bigger plants to have a comparison on resistance and final yield. This week I made a short video for each 2502 tester and a pic or 2. GH Flora Micro ½ tsp /gal Gro ½ tsp /gal Bloom ½ tsp /gal Fox CalMag ½ tsp /gal PPM 573 & 715 when I added Plagrons Royal Rush 4ml. PH 6.7 Temp 65 Your likes and comments are appreciated. Thanks for stopping by. Growers love 💚🌿 💫Natrona💫

Day115 25/03 4lt ro water -8ml BloomA -8ml BloomB -6ml FinalPart terra, Total 790 ppm, ph 6,1 Drain 500 ml, 950 ppm. Day117 27/03 4lt ro water -8ml BloomA -8ml BloomB -6ml FinalPart terra, Total 790 ppm, ph 6,1 Drain 1100 ml, 1150 ppm. Day119 29/03 RinseOut Day 4lt ro water -4ml sensi cal mag extra, Total 200 ppm, ph 6,0 Drain 1000 ml, 1040 ppm.

Final Flowering week, will be cutting on 09/19 Feeding straight water as of Day 131-61, One gal per plant, first time I got run off to test since I up-potted to 5 gal fabric, Insanely high PPMs from 1880 to 3150! with a average pH of 5.2, so I assume uptake was marred, next time I will REALLY need to keep a better eye on this, in consideration I think I made out pretty well for a first run, gonna start a second as soon as these are hung.