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@S4nchi
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The poison girls are in no hurry, apparently. More flowers appeared but they‘re still very tiny. Once again, patience is the virtue of every gardener. The upcoming days are expected to be very warm and sunny, yay. They get their weekly mix of 3:3:3 and molasses and that‘s it. Cya next week.
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She is undergoing pre-flower period. Still growing leaves. Fertilizing now with top bloom to give necessary nutrients for flowering. Very soon she will start flower period officially.
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@Zannabis7
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Day 35 – The Girl Scout Cookies is just starting to throw lots of pistols from the tops of her flowers. She gained about 4” in height this week and it seems vertical growth is continuing. Continuing to feed the Nectar for the Gods nutrients and have added Triton’s Trawl (liquid fishbone meal that is rich in calcium from fish cartilage and is designed to deliver flavor, aroma and color to the finished product) and Aphrodite’s Extraction (a rich blend of sucrose, fructose, chelated nutrients, and organic acids necessary for enzymatic activity, and a complete balance of vitamins A, C, D, E, B1, B6 and B12, which are essential to a plants’ biological growth processes). These two additions are known to increases oil, resin, frost, and terpene production in flower. Continuing to add Recharge as a soil amendment to establish colonies of beneficial fungal and bacterial microbes. Temperatures are consistently between 74° - 78° and humidity between 30% - 45%. Soil pH is 6.5 and PPMs at 321 which is perfect for the Nectar for the Gods nutrient line. Added a homemade Co2 generator to boost carbon dioxide levels and to improve overall plant growth and health. – Zannabis7 Day 36 - Fed the Nectar of the Gods nutrients as indicated above and in photo. Added Recharge to the nutrient mix for microbes and to aid in the breakdown and uptake of nutrients. - Zannabis7 Day 39 - Fed the Nectar of the Gods nutrients as indicated above and in photo. Again added Recharge to the nutrient mix for microbes and to aid in the breakdown and uptake of nutrients. Also did some very light defoliation and more leaf tucking to expose flower sites - Zannabis7
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Puffing finished on tops.. popcorn catching up. Hairs turning all brown on tops. Starting to get a little amber now. Had planned on 70 days to chop, but we shall see.. fuc8ng mites too btw...
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Been another smooth week. A few of the plants are starting to show signs that they are moving towards the finish line. Seeing some swelling, pistils starting to brown, and some beautiful purples coming out in some of the buds. Been debating on giving them a dose of dry koolbloom, but I will probably just keep them running on the maxibloom until flush since they look pretty happy. This blackcherry punch is just impressive. I love her purple buds, decent size colas, and dank skunky aroma. She has swelled up a lot the past week. I'm thinking she might be the first to ripen. Will probably move her to the front of the room sometime this coming week so I can start watching her trichomes.
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@Jofflepov
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I planned this grow in advance. It was fun to setup. This autoseason has some disadvantages, lots of rain and wind so I decided to give this batch an indoor start. Feels a bit as cheating but all for the buds. 10 seeds are budget auto lemonhaze. 2 seeds are RQS', they came up the fastest, in 24hrs from being put under soil. I want to grow these plants around 3 weeks under the lamp before going outside and start last batch of outdoor auto's in the tent :D
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Seeds are coming in lovely (see nxt diary for growth) clip the branches that I had breed first gonna allow the main colar a few more days....can't wait to see what's it like.....it got scent n looks let's see what the thump is like 🤔
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Happy Holidays! Week 4 flower and not much to report. Didn’t do anything special, just water from drip, about 1 gallon over 24hrs. Drip turns on 4x during lights on. Light seems to be hitting everywhere fairly even. 2x TSW 2000’s are at about 75%, 20-22” from canopy. I might turn them up to 100% and see how they react for the final push, and then turn them down again nearing the end. I will also top dress again soon for the last time. Fungus Gnats are around but I wouldn’t say it’s an infestation, just got to put in a few more traps and I think the “Grub Grenade” is taking care of the soil. There is a 2” layer of straw mulch to help keep them off the surface comfortably. Gorilla Glue #4 genetics from Blimburn are strong, average size branching, frosty, sweet smell right NOW, nice internode spacing for light penetration yet stacking near the top, required less defoliation. Thanks for the view! Keep calm and grow on!
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Welcome to Veg Week 3 of Fast Buds Blackberry Auto I'm excited to share my grow journey with you from my FastBuds Project . It's going to be an incredible ride, full of learning, growing, and connecting with fellow growers from all around the world! For this Project , I’ve chosen the Feminized Auto strain Blackberry : Here’s what I’m working with: • 🌱 Tent: 120x60x80 • 🧑‍🌾 Breeder Company: Fast buds • 💧 Humidity Range: 60 • ⏳ Flowering Time: 9-10 Weeks • Strain Info: 23%THC • 🌡️ Temperature: 26 • 🍵 Pot Size: 0.1 • Nutrient Brand: Hy-Pro • ⚡ Lights : 600W x 2 A huge thank you to Fast Buds for allowing me to try my Best with this amazing collection from Automatic and Photo Strains they managed to Sponsore . Big thanks for supporting the grower community worldwide! Your genetics and passion speak for themselves! I would truly appreciate every bit of feedback, help, questions, or discussions – and of course, your likes and interactions mean the world to me as I try to stand out in this exciting competition! Let’s grow together – and don’t forget to stop by again to see the latest updates! Happy growing! Stay lifted and stay curious! Peace & Buds!
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@TTerpz
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Start of week 9 4/9/25 4/10/25: was fed with the nutrient dosage above 4/12/25 : watered with plain ph’d water
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They are looking real good. I think I may have gotten some nutrients on one plants leaves and it caused some yellowing and leaf curl, I’m hoping it straightens out.
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@Naujas
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She is much prettier than she was a week ago :) I remembered that I have my first grow light, which is more compact and it will give me more space, so I changed my light, now the girl's side branches get light too:) I add a lot of video memes, because I really want to win Iphone16 pro ;) and those who don't take risks don't drink champagne:) good luck to everyone.
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@ChiTaN
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I am very proud of this girl ! Despite the fact that she is younger than the rest by two weeks, she caught up with her friends in height and even surpassed them :) The giant fan leaves are surprising 😃
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Not much to do with Autos. I take a handful of leaves everytime I'm in the tent. Veg thru 2-3 weeks of flower.
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67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.
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@Allancmwa
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After a while, felt like I had to cut her. From 20/01/26 to 24/04/26 She had been only working with water for the past week, and yet refused to even show a slight green (I mean, a little bit on the bottom) She got fried with some UVA (Spiderfarmer UV30) which gave her a more dark look on the top part. Meanwhile the center, without light and UV has some purple, pink shade that looks incredible. I didn't properly weigh her : But my hand hurt after holding her a while, I was fkn high just from her smell. edited this for the roots, they look absolutely INSANE.
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I am very happy how these beauties are growing. It's exactly 1 month today from planting seeds. Plan for this week it's simple. Training, leaves tucking and watering. Will keep updating progress of this week every couple days 22/08 increased nutes sligltlhy to 1ml of each per 1 ltr of spring water. Light power set on 75%. Watering increased to 400 ml per 24h. 25/08 girls are adopting to scrog very well. You can notice grow by an hour. Planning to defoliate a bit tomorrow to improve allround airflow + lollipop technique under netting. 26/08 i have defoliate from big leaves and lollipoped under the net. 27/08 Girls this morning looking very well after all this stress yesterday. They will recover in no time :) It's the end of the week 5 Will keep ya all posted Peace ✌️
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@Eddjack
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Come è questa settimana ?....non saprei sembra che si sia fermata ho fatto troppi errori ripartiremo da capo tra qualche giorno con qualche altro seme intanto vediamo come finirà questo ciclo. poca ma buona . Dajeforte growers.
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Start of week 3 and she is bumpin, big growth, I keep moving the lights up every 2-3 days. Next week she should slow down. She is definatly a stinky gurl too. Clone is being a clone. I will be applying the colloid solution for the next 9 day to her nodes where pre-flowers grow and to the bud sites. Because I veg'd her for only 1 week before going into the flower tent, she will stay small.