I have got a whole crew of four Bubble OG plants, and they're all doing really well. These plants are like quadruplets – they all look super similar, with the same strong smell that's kinda like a putrid skunk. They're all uniform in height and have the same spacing between their branches. It's like they're all following the same blueprint. Happy late turkey day grow diaries world!!!! It's now day 24 from seed for all the seedlings I have going. The past few days the plants have really started to take off. There roots have really started to dig in. Every other water I am still giving 2ml per gal of fox farm grow big. I keep having to tell myself not to add any more nutes other than that. I don't want to fry my plants but I also want they to start jumping. I'm quite excited for the coming week, I think the next 7 days or so is when the plant really starts to transform and look more like a pot plant than just some random little green thing. A few days ago I decided to move the plants from under my 55w cheep amazon light to under my spider farmer 100w newer version light with the good leds in it. The plants will hopefully be ready to up pot them here soon and get them in the large tent. Sometimes when growing multiple different strains it can be really hard to balance giving to much or to little light. You don't want the faster growing plants to get to stretched out waiting on the slower plants to catch up I spend Thanksgiving day morning transplanting the plants into 2gal pots. I am useing spme promix potting soil it's my 1st time tring this soil. It is actually doing really well the roots were all white and nice looking. I think next time I'm going to add some worm casting, kelp, granular mycos, and a little bit extra perlite. I just didn't have the money with christmas coming to splurge for all the extra stuff. I got rid of 2 plants 1 of the bubble og and 1 skunk apple runtz. There is only room for 10 pots in the 2x4 tent. I will peob only bring 8 of them to flower, always good to have back ups. Yesterday I also stuck the plants back under the 500w medicgrow mini sun 2 in my 2x4 tent. They did great under it the 2nd half the day I was happy they didn't get stressed. I had put them under that light a little early about 10 days ago or so. I am expecting in a week these plants will ge going crazy with growth

Hey everyone :-). The last plants were also placed in the bloom chamber kammer. Everyone has made great progress this week 🙏🏻. There is not much to say about this week, I think videos and pictures say more like words 🙈😎. I wish you all a good start into the week :-) Stay healthy and let it grow 🙏🏻👍

Day 64 - Day 17 - 9/16 - 18" today - 483 ppm @ 6.0 ph, gave 4000ml, runoff was 600 @ 6.0ph. - Added Power buds, slf, and royal rush to this batch Day 65 - Day 18 - 9/17 - 19" - Gave a calmag flush today. 4000ml of RO and 2ml cal mag, 190ppm @ 6.1 ph. Runoff 550ppm @ 5.9ph. Day 66 - Day 19 - 9/18 - 20" tall! - 493 ppm @ 6.0 ph, Runoff after 4000ml is 617 ppm @ 5.8ph. - Still stacking, guess I'll go back down on the ppm Day 67 - Day 20 - 9/19 - 20.5"...only a half inch...whaaaat?! - 422 ppm @ 6.0 ph. Gave 5 liters! yeah...a lot! Runoff 575ppm @ 5.8ph. Day 68 - Day 21 - 9/20 - 21.5"....an inch! Whooo - 411ppm @ 6.0ph, 3000ml, runoff 48 ppm @5.7 ph. - Still needs lower... Day 69 - Day 22 - 9/21 - 23"...yes!!! - 409 ppm @ 6.1 ph. 4000ml, runoff 527ppm @ 5.8ph - closer....still needs lower - Week 4 starts today!!! Day 70 - Day 23 - 9/22 - 24" - 386 ppm @ 6.0 ph. 3000ml. Runoff 512 ppm @ 5.7 ph. - Will still go lower tomorrow. **So, the Terra is for nasty-ass dirt LOL, and its running hot in my coco, having a hard time getting it low enough for her. Seems she doesn't like above like 300ppm right now. Will keep lowering. Need to start a bit of Green Sensation soon and she still need a defoil lol. She's pretty bushy. Will get to that hopefully Sunday. August Midnights is being his typical adorable self! Always wanting to play! Love this kitty soooo much! He was meant to be our baby. A year ago, just 2 weeks into October, someone posted this little black kitty free to good home. I never even get posts from this group on my feed....but for some reason, there it was! Terrified, and in disbelief that someone would offer a free black kitten so close to Halloween, I knew he was meant for us! And...on top of that, he was actually born in August, so the name I wanted for my next kitty was PERFECT, then him being solid black....I had my perfect Swiftie Cat name! August Midnights. Can't believe he's a year old now. He just grew up so fast, crazy how time flies.

Its end of 7 week of flowering..from now on I wiil give them flawless finish 1 week to flash all nutritons from soil, and few days only water. Buds are amazing.for me Chiquita Banana smell most beutifull but we will see in the smoke report

Mother Nature really came through for us this week with almost non-stop sunshine. The plants enjoyed every single ray of it and used that natural energy to full effect. I’ve been continuing with the LST (Low Stress Training) to keep the canopy nice and even, which you can check out in the latest photos. To help her out during these sunny days, I added a layer of pine bark to the top of the soil. This acts as a great mulch layer to prevent the topsoil from drying out too quickly and keeps the root zone cozy. Currently, my watering routine is very relaxed—just plain tap water and a bit CalMag twice a week is all she needs right now. Appearance: She is absolutely thriving! She looks incredibly healthy, vibrant, and continues to put on steady, solid growth. I couldn't be happier with how this beautiful lady is turning out. Be sure to check out my profile to see how the Purple Haze Auto handled a major upgrade this week!

Super excited to see the weight after dry 😬 didn’t weigh any plant when cut !!!!

Week 9 Day 57 (9/11) Things are going well, or so it seems. She looks like she is starting to bulk up at her bud sites. Her pistils are everywhere and I'm hoping to see the buds forming soon. Being a first timer, I have no idea what I'm looking for, but it's still exciting! Temps and humidity have been holding fairly steady. I think I'm to to point of bumping the humidity back some, keeping it below the 60% range. I have a couple VPD charts I'm trying to go by and they give me a range I am trying to keep the temp/humidity in. I fed her last night and she seems happy. Haven't noticed any of the discoloring or anything continuing, so that's good. I added some Alaska Fish Fertilizer to the mix just because I got it for free and wanted to give her a little nitrogen boost because her youngest leaves are kind of pale. I've heard that it's hard to overdo it with it, so figured it was safe enough. It has an NPK of 5-1-1, so I thought the P & K boost might be good too. Day 58 (9/12) Humidity keeps getting a little high, so I busted out a dehumidifier. There is some yellowing on some newer leave serrations, but idk if it is new or I'm just thinking it's new. Day 59 (9/13) Yesterday got a little rough for her! I kicked on the dehumidifier I have before I left for the day, and good thing the wifey was home to check in! Apparently that dehumidifier pumps out some heat! Within a few hours, the tent temp was almost 93F and humidity was nearly below 40%. She was quick to turn it off, crank the exhaust fan, and get the window opened to cool it off. When I turn it on in the future, I'll have to be sure to keep an eye on the room temp. I feel like she is a long way off from being ready, really doubt she will be anywhere near the 70-77 day grow time. That's fine with me, as long as she's happy and filling out, she'll get there eventually. Most other journals I've seen, they don't chop until week 12 or so. I also felt up one of the forming buds a bit, and the smell she left on my fingers is maddeningly delicious, about knocked my socks off. Day 60 (9/14) Pulled her out last night and tried tucking in a bunch of leaves to get more light to some of the lower bud sites. It's wild how many she has. She probably could have used some defoliation, but being an auto (and my first time growing) I held off. Maybe in future grows I'll give it a shot. Doing a better job at LST would probably have helped as well. She's still trucking, starting to see some start of frostiness. Day 61 (9/15) She seems fairly light in the pot, I'll probably try to feed her tonight or tomorrow morning, it just depends on when I get outta school today. I have surgery today, so I'll be here until late so will more than likely just get it mixed up tonight for in the morning. Day 62 (9/16) I mixed her up some feed last night. She's been having some yellowing on her tips and serrations, likely from phosphorus deficiency. Hoping what I mixed up is plenty to stave that off. I mixed it last night and gave it to her this morning after lights on. Her smell has really kicked in, I'm glad I got a filter and exhaust fan or the house would smell amazingly illegal. I was running late this morning and didn't even remember to get a pic of her this morning. I'll try to get one tonight before she goes to bed. Day 63 (9/17) Some of her lower leaves are starting to yellow between veins, showing magnesium deficiency. I almost put some cal-mag in yesterday with her feeding, now I wish I did. I'll wait it out and get her some next time she gets watered, or sooner if she's gotten worse since last night. I feel like she is just gobbling through her food, but honestly idk. I may be just keeping her right at the edge of deficiencies.

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

All good here, ain't no complaints yet...not that preoccupied by the LST method anymore. Also I'm gonna bloom when the plant is about 12 inches so prolly at the 8th week of veg.

Esa familia, otra vez por aquí, vamos actualizar la séptima semana de esta variedad de sweetseeds. Do sweet dos es una variedad con una floración que anda entre la 9/10 semanas, es algo más le ta pero seguro que al final lo agradecemos, también se están llenando de tricomas, dentro de todo lo malo que paso en este cultivo no está saliendo nada mal. . La humedad esta al 45% la temperatura está entre 21/25 grados , y como siempre el ph , ya que es de lo más importante,está en 5,8/6,0. . AgroBeta: 1 ml x L Flowering black line , vía radicular. 0,2 ml x L Beta shark, vía radicular. 0.5 gr x L mega PK , vía radicular. 0,8 ml x L Terminator, vía radicular. 0,5 gr x L Engordacogollos, vía radicular. 0,3 ml x L Tucán , vía radicular. 0,1 ml x L Betazyme, vía radicular. 0,3 ml x L Tricoma, vía radicular. 0,05 ml x L Gold Joker, vía radicular. 0,2 ml x L Silver, vía radicular. . Hasta aquí todo familia 🕸️ , un saludo y buenos humos fumetillas💨💨💨.

Final week, I think she will be harvested at the end of the coming week. Looking just about done. PH’d water only for the rest of the way.

Hi everyone 🤗 This week the two Kosher Tangie Kush were harvested by Amsterdam Genetics 😍. extremely good phenotypes. The blue cheese pheno 2 and 3 were placed in the darkroom according to the video. These were harvested yesterday, from which the pictures will come in the next update :-). All others need 2-3 weeks. I wish you lots of fun with the diary, stay healthy 🙏🏻 and let it grow 🌱

week 4 and she is filling out nicely. bud growth is on par with a synthetic grow. Smell is wonderful! There is something in the organic soil that makes the weed smell divine. I'll never go back to synthetic nutrients. 4 weeks to go can't wait.

the girl went to the tent on the 69th, they predict very bad weather, which would probably cause her to rot, I will try to finish the growth in the tent, she has 14 days left and will be cut, I am going on vacation, so I am forced to do it a little earlier... In general, the girl is very it's healthy, it barely fit in the tent, so a fair amount of leaves were stuck to the edges of the tent, I've never seen anything like it, that people carry from nature to the tent - and not from it to nature :D it will be interesting to see how it all ends :) good luck:)

Finally! Finally! First indoor grow of my life...feeling tense and so fucking happy!!! Read what there was to be read, got my Sangoma(guru-mentor or whatever you want to call him), need to get all wrapped by the 1st of feb. 2021 before moving to (again) new life. Wish me luck!😁