We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

The buds look and smell amazing

A Special Project from Germany and Welcome to Veg Week 5 of GoodTimesGenetix Blue Cream Haze I'm excited to share my grow journey with you from my GoodTimeGenetix Seeds .Im the First Person outside my Friends Company who got hands on this Strain . He Managed over a long time to Cross these Strains: -Blue Dream (Blueberry x Super Silver Haze - Female) -Ice Cream Haze (Gelato x Wedding Cake x Crockets Haze - Male) They Done a lot of Tests for a Nearly Perfect Stabilisation of this Genetic and Feminized them aswell . This one is Professionell Created In Germany , Growed in Germany and presented To the World on Grow Diaries. Here’s what I’m working with: • 🌱 Tent: 120x60x80 • 🧑‍🌾 Breeder Company: GoodTimesGenetix • 💧 Humidity Range: 60 • ⏳ Flowering Time: 8-9 Weeks • Strain Info: 23%THC • 🌡️ Temperature: 26 • 🍵 Pot Size: 20 • Nutrient Brand: Hy-Pro • ⚡ Lights : 600W x 2 I would truly appreciate every bit of feedback, help, questions, or discussions – and of course, your likes and interactions mean the world to me as I try to stand out in this exciting competition! Let’s grow together – and don’t forget to stop by again to see the latest updates! Happy growing! Stay lifted and stay curious! Peace & Buds!

another resin monster from seedstockers, with a very special scent, full of flavors! grinded it smelled like peppermint, and vaped it has a great sweet creamy taste!

Day 60 from germination. I defoliated it at day 60 as I just came home from a weekend holiday. The orange sherbert is really slow to flower and I suspect it is its many side shoots and heavy but small sized foliage. I grew it once and I enjoy its citrus favour. Im pleased with it all in all compated to how little i had to work for it Im aiming for 130 - 150 gram of dry weight per plant and 15 gram per clone. Totally 500 - 600 gram. I have: 30 liter pot x4 6 liter pot x2 I water the plants when the grow medium starts to feel a little dry with 3. 5 - 4 liters for the big pots and 0.5 - 1 liter for the small pots. Always water with nutrient. I never skip nutrients. I try to water with a water temperatur around 17 - 18 degrees celcius

The Lavender by Seeds Mafia had some difficulties at the beginning otherwise it would have become even more super, I was wrong but the plant is still nice and produced about 25 grams dry. We like main colas and the cannabis has a nice texture. https://seedsmafia.com/en/ https://www.mars-hydro.com/

La 3 semana de crecimiento las niñas están en su máxima potencia comprobamos que no tienen falta fe ningún nutriente están super verdes con unas hojas muy grandes

Yeet yeeet! Everything's looking great! Still trying to use up this Nitrogen in this soil b4 I flip... Bc I haven't fed ANYTHING other than plain distilled water... I need to flush and re water with correct nutes b4 flipping to flower

Check out YouTube video SuperSmoker for more! At this point the plants were mixed up

This was a fun project that was a few years in the making and a year later to see if they would last a season for this upload to happen. Before any of this I would bike aorund town grabbing up all the old Ikea solid pine bed slats that I could find and storing them in the basement. I have a lot of wood down there, any size worked as long as I have enough of them. The hot days to find them were the first and last of the months because that's when people where moving in/out. I also kept an eye on the free section on local online classifieds as well. The entire purpose of this was to recycle as much off the streets as I could before buying anything to finalize the project. In the end I only bought sealer, screws and some takeaway/beers. All the wood was 100% free and salvaged off the streets of Toronto saving it from the dumpster bin. After collecting all the slats for about 2 years I was playing aorund with them on how I wanted to make this work. I had previously done a little project like this before but I messed it up and the boxes where crap. did not last longer then 2 seasons, they where thin and shallow as well could not grow much of anything in them. I Was talking to my friend who is renovating their house and we brainstormed some ideas on the boxes, I found some designs I liked online and said lets make something like this out of what I have here. We tossed out a few of the design features when looking at them as it would have been wasted wood and extra work not needed. If I had more wood them maybe it could have been an option but simple was the name of the game. They taught me what I needed to know like how the miter saw and sander worked, plus all the other tools I was using. They did help out with a table saw and creating the triangle support joints in the corners, They used some pine left overs they had while making a staircase indoors. I did not feel up to the task of using a table saw given all the relatives I know who have lost a finger to them. In the end we decided the design would be three boards high and take an alternating pattern on corners. layer one short, layer 2 long, layer 3 short. Went with a galvanized and painted deck screw so it can take the weathering. Ran into some problems like making everything level as some of the boards were warped and other ones had undesired aspects like knots and tacky sticker goo I could not remove. So I used them for the base that will not been seen so much. Clamped everything down and called it a day. Once it was all done and over with, I then brought them back home from my buddies work garage and started to seal them. I went with a boiled linseed oil as its a food safe option should the wood degrade into the soil I will plant in them. I will need to reapply it to the boxes year after year but the main coat is the most important one and I put it on 3 layers with a good dry in between coats. the inside of the boxes that where coated did not degrade at all as the sun did not hit them so it will not need a new coat just the outside. Overall the end result was very impressive for myself, I've never taken a woodworking class ever and It was a near perfect outcome for me. Heavy Duty Planter Boxes for all my gardening needs. I made a last min decision to add in a plastic liner to preserve the wood even longer and stapled that into the frame. it has held up quite well and may need replacing end of 2nd or 3rd year out in the sun. Used a thick moisture wrap plastic with UV protectors in its formula. Lets see what I can grow in them this year! m0use's haus of projects - garden box edition

She's grown perfectly with mainlining and lst methods. Very big bush this pheno #1 has been thw most productive and still had 2 branches that broke off because of tje weight so pretty happy with this one, this plant is not only quantity but quality too, very sweet and tropical fragrance coming from this buds

Sorry for long period! I was busy doing my super very cheap grow box, i will show it later with my new grow! I already started, but ok. Now my plant looking good, small, but i like how she react to new light and 18 hours of light. She's slowly growing. On day 30 i accidentally broke 1 leaf and i decided to smoke it, damn even now even this was a little bit potent, i am expecting good shit now

Day 15 Both plants didn't show any stress after transplant. Started with a light feed to introduce nutrient schedule.. Day 21 they look super healthy.

~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_ 08/21/21: 🐱 Week 6 is here!! The new growth is coming in a little limey, we insist on reusing Promix so PH is always a bit of a rollercoaster lol.. no sweat, usually a gallon each PH'd to 5.5 with 5ml/gal N solution will get them back to baseline..we seem to have the same issue with most plants grown in our basement during summer, I'm sure the super high humidity and low evaporation rate has something to do with it... if they don't come around after the adjustment, they'll spend some time under the HIDs, this always straightens them out..we topped the mainline for the last time today for 8 mains per side, as well as another full round of toppings on the x2 LST plants... thanks for reading if you made it this far and happy growing everyone!!! ❤️🐱💡🌱 ~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_ 8/22/21 🐱 Quick update, the mainlined plant is showing signs of calcium deficiency which is odd, with our routine we almost never have Calcium or magnesium issues..its really only noticeable under the florescent lights on this one but we'll have to make changes.. they all have plenty of calcium in their media so I'm wondering if the PH has gone screwy in that pot.. we reuse promix which gets really acidic sometimes and we add lime to buffer this but we guess a lot and may not have used enough (or waited long enough)..I know when our media gets around 5-5.5 calcium deficiency is a huge issue..ill add a little more calcium to be sure and will try using water PH'd higher (6.5-7) and see if this helps anything. Thanks again for reading growmies!! ~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_

Corleone Kush is right on track doing great sucking up all nutrients I can give it I feed every other watering as for the strawberry gorilla still no flowers but it looks like it’s ready to start the preflowering. It’s just a fat big fat plant. They say I have nothing a time just time for these plants, but I think I’m running out of time I don’t I don’t know. I was gonna run until it’s finished. See where it ends up. It’s a fat plant. It takes everything I thought of it. Light feed.

Getting close every week crossed fingers hope to find something worth keeping.

Going into flowering is always a special moment and we prepare to do it in the best way to make the plant understand that it is time to become a woman and speed up the start of the formation of buds. We start with 24 hours of darkness this to give a strong break and sign of change to the plant that understands the change of time and prepares to go into flowering. Our Test # 3 is doing very well for now, it has an average internodal distance and responds to topping very well. Its buds are quite well aligned and we expect a copious flowering. Another thing that gives the plant the signal of the start of flowering are the flowering stimulators we friends of Plagron use Power Buds. The start of the flowering program includes the same additives as the vegetative phase Power Roots, Sugar Royal, Pure Zym and adds the flowering stimulant Power Buds. Now the basic fertilizer is Alga Bloom specific for flowering. The shape is very very beautiful as the structure of this plant, I definitely love plants with short internodal distance. Elegant, to see, to photograph, to grow. Green Sensation will arrive as the hero of the end of flowering and at the same time it will be time to remove Power Roots and a week later the Pure Zym enzymes. It is recommended from the 4th week, if the plants flower fast I start at the 3rd depending on the size of the bud. Try a seed of this strain that drives us crazy.. -------- Strain Coming Soon! Try another Zamnesia Masterpiece instead Zamnesia Description // Strain Coming Soon! Stay Tuned! All the best that mother nature can offer is on ---- www.zamnesia.com