We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Looks great can't wait to see what she smokes like if it is a she!

It is awesome plant with huge yield! I didn’t expect that the strain was so much yielding with full of taste and strength!!! Thank You Barney’ Farm for such a high quality product!!!...

This was a solid week but my PH keeps dropping. PPM dropped from 780ish to 560 so I know she's eating. Buds are forming nice and compact for their first week of actually forming. Other than the PH problem that I'm correcting daily until my fresh res change, my tallest stalk in the back grew into the light so hopefully those buds don't bleach! Open to constructive criticism btw!

Day 92 Pink Cookies 102 cm: Nothing to do today. Day 93 Pink Cookies 102 cm: Nothing to do today. Day 94 Pink Cookies 102 cm: Nothing to do today. Day 95 Pink Cookies 102 cm: Nothing to do today and we are getting closer to harvest. Day 96 Pink Cookies 102 cm: I turn off the AutoPot System and the lights. She will be harvested soon. See the pics of the trichomes from mid to top buds. -------------------------------------------------------------- 🙏 Thanks for visiting and follow for daily updates 🌱

9/22/2024 Added 80W LED lights below the canopy. Tilted the other 200W fixture to point into the canopy. Relocated circulation fans to keep air moving through the bush! Great flower development is continuing. The stretch is almost complete, but it is still stretching. Super cropping may be right around the corner. With one bucket removed from the system, the new system volume is right around 7-8 gallons. 9/23/2024 Forced to do a water change after a massive spike in PPM up to 2400. Cycled the system with about 5 gallons of pH water and pumped off about 4 gallons. Replaced 3 gallons containing appropriate nutrient concentration to get PPM back to 800 -900 range. Increased lights to 85%. Super cropped some of the lanky main stems that were growing right at the lights. Light directly over the plant is pretty much maxed out on height at this point. Looking to increase intensity by the end of this week to 90% and then to 100% by the end of week 5. Continuing to defoliate larger fan leaves a few per day. 9/24/2024 Plant is looking incredibly healthy even after the water issues. Some trichomes starting to develop on sugar leaves and flowers. There are tons of flower sights, I am excited to see how they continue to develop!!! 9/25/2024 Moved the light up to its last hanging position. There are only a few more inches of adjustment left. Trying to avoid late supercropping if I can. 9/26/2024 Pruning large fan leaves and fan leaf overgrowth. Looking to leave a lot of the smaller leaves for sugar trim collection if possible. Humidity is not an issue yet, but working to maintain 50-60% is getting close to maxing out my setup. Continuing with light defoliation will hopefully help in managing humidity. 9/27/2024 Have been adding pH-adjusted water as well as reduced nutrient concentration to keep PPM 800-900. Prioritizing bloom nutrients and keeping small amounts of micro and grow in the mix, diamond nectar at around 4mL/gallon.

Wie lang das wohl noch dauert, bis die erntereif sind? Und warum werden sie nicht lila? Ansonsten sind sie wirklich sehr hübsch. Wachsen nicht mehr, aber die Buds werden immer dichter. Sie durften angenehm fruchtig. Manchmal wie Fruchteis, abends eher süß aber nie penetrant.

11/27 She’s not getting enough of the light. I’m working on another grow space so she can get more light penetration. Considering I let her stretch so much and not getting adequate light. She’s looking pretty good. Buds are already looking dense.

Moved this week so mostly just fed them. Switched to just water.

Impressive guys, is outstanding the root growth, this little pot of 1,5L only lasted 3 days, was already root bound and I had to moved them to the final pot, as you can see I left quite a lot of space for the future top dressing. She looks slightly smaller then the wedding cake even if she started bigger and stronger but the early topping slow down her a lot. She’ll recovery I am sure. Enjoy fellow growers. ♥️☮️

D29 Did top dressing with bone and kelp meal as well as worm castings. D31 Performed a little more LST, a few more days and I will let her do her thing. D32 More LST exposed lower nodes and evened out the canopy. D33 Removed all bonsai wire and rolled down the rim of the pot to even it out with to soil, more airflow. D35 Not much growth but overall looking pretty good. Heatwave last couple days keep temperatures higher than desired.

Je laisse pousser un peux les apex pour faire des boutures a la prochaine coupe apical, je laisse que 2 bourgeon par branche ,pour faire une formation a 16 colas a la fin

Hello fellow growmies 👌🏻 week 7 of vegetive stage - most of the in house genetics & Zake by ripper seeds, have been repotted into 20litre pots. Few are starting to get over the lack of grow as I’ve upped the grow last few feeds to 2ml Biobizz grow. I’m just feeding at 1ml now and it should be enough since the Biobizz allmix is heavily pre fertilised so it should balance them out. I’ve taken clones of most of the in-house and few others hopefully they root. If not al be flipping these girls into flowering within the next week 🤙🏻 Thanks for having a look and happy growing 💪🏻🍁

Accidentally "topped" her by hard LST... Way she goes. I top dressed this week with 50/50 Gaia green 4-4-4 and 2-8-4... 😊😊 Things seem to be looking great! Can't wait for flower to come on hard!

Vhq starin , strong one. Easy for many techniuqes . 💯 Just Grow it

Beginning of eight week, buds are very heavy and dense. Smell is incredible. Very sticky! One of top buds broke because of the weight and dryed. So i got it to smoke and its incredible tepene. Its fruit gas, very complex. Now its one of my top 3 strains.

So I had a few issue. I over watered early on, took them out the seed tray early, started feeding them a week or two late, no humidifier yet but they recovered well.

This is my first grow had to take the scrubbing it off was too hard for me to work around being that this is my first time decided just to leave the Scrog net off it’s a lot easier to deal with the plant

Ladies and gentlemen, as you can see, this is going to be the easiest post harvest to date... it's crazy how the buds are able to grow with how little leaves there are for photosynthesis.. Anyway, she is a very it's different but in a good way smell..terps are awesome thank you again @Grow4Releaf... God bless and happy growing 🙏