OK NOW I HAVE A GOOD START 😅🙏 I restarted because the first attempt was chaotic with the broken spider farmer g12 and the very poor cotton substrate , second one I does a mistake with the temperature it was too cold ❄️ , now the third one attempt , everything is good

This week im off I've been debating on keeping up with the diary 😅 😩 just typing away sucks we any ways .5 in growth nothing to bad another update tomorrow promise

Genética muy estable, floración rápida, hermoso color y bastante generosa 💚❤️

Throughout the week, I give compost tea, and fermented plant juice once each ^^ Hope you guys have a wonderful day today ^^v *** Please Like, comment & share *** Highly appreciated -----/-----<@

Day 23 The third week of flowering is complete. Most of the height growth is finished. Time for a radical defoliation. The girls look great. Unfortunately, Kush has formed hermaphrodites on the flowers in the shade. I hope that I have removed them all. The lamp will be raised to 100% output in two stages.

En esta semana se puede apreciar que ya se sale de la pre flora y entramos de lleno en semanas de engorde de cogollos, he aumentado un poco más los nutrientes y se ha notado el aumento de masa de las flores. Al abrir el armario ya se nota un poco más el golpe de olor, muchas ganas de probar estás Tropicana poison 😋

Top dressed with 1.5 Tbls of Terp Tea Bloom and Microraza. Watered in with rain water, blended aloe leaf, & Fish Sh!t. 1/2 gallon each, no runoff.

Week 15 Day 99 (20/11/2020): Unfortunately did not have time today to take pictures or check them because have been quite busy. Day 100 (21/11/2020): Woow day 100 today, which seems a bit crazy but I think the girls just need another month and they will be ready for harvest. It has been a great grow so far and although 100 days seems like a lot, the girls have definitely come really far. Day 101 (22/11/2020)💧: Measured the pH of the girl today before watering and it was at 5.78 which means it needs to be increased slightly. I wonder why it keeps dropping because apparently the BioBizz soil is supposed to maintain the pH pretty well but I guess she is quite big and must be taking in more nutrients. I also keep noticing that there still seems to be quite a prevalent Calcuim deficiency even with the CalMag and since the pH is not that low I will also be increasing the CalMag for this week to see if the spots on the leaves improve. So I watered with the usual 1.5ml of BioGrow, 4.5ml of BioBloom, 1.5ml of TopMax, and now 4ml of CalMag. And on top of that I gave 0.75ml of pH+ to increase the pH by 0.5 points. The buds are definitely fattening up more and the trichomes are looking much more dense as well. I also can’t get over the smell, it is so sweet and citrusy! Day 102 (23/11/2020): Not that many updates today actually, just happily growing 🌱 Day 103 (24/11/2020): Every time I come to check the girls I just cannot get enough of Sweet Zkittlez’s smell. It definitely lives up to the “Sweet” in the name. It is so incredible and super sticky as well! I absolutely cannot wait to see how this one tastes, I really think it will be super unique. Day 104 (25/11/2020)💧: Today I watered the girl with 1.5ml of BioGrow, 4.5ml of BioBloom, 1.5 of Topmax, and 4ml of CalMag. I really don’t think I can do much about the yellowing leaves at this point. I think it is just getting closer and closer to harvest and is withdrawing all the nitrogen from the leaves. I won’t correct for it now and just let it do its thing, I think I am feeding it enough nutrients 😅 Day 105 (26/11/2020): Managed to take some lovely pictures and a video of a close up of those beautiful snowy trichomes. This girl will definitely be a hard hitter – all the trichomes are so densely packed. Amazing progress from last week and the flowers are definitely fattening up.

This strain is so potent u can even smoke the fanleaves 😆

Salut les Growmies, l'installation du filet à 80 cm fait des merveilles. Les plantes sont toutes ultra vigoureuses. Le stretch va être difficilement géré. Mais comme un enfant j’attends avec impatience le résultat de cette chasse. Demain soir je lance l'opération Clones et sauvegarde des phénotypes. 11/01/2026 Derniers jours de la deuxieme semaines depuis le switch en 12/12. Je viens de decouvrir que la Tiger Paws #1 a créé des couilles . Je lui laisse une journee de chabce et je vais voir commznt les choses évoluent sinon la Tiger Paws #2 et la Velvet Cream #1 sont juste magnifiques et tres vigoureuses Sincèrement

Hey All! These seedling dome vents have been fully open for a week, and are now ready to go under a veg light! I cleaned out my 2x2 today and set the light to 60% power Happy growing!

Last few days for plant number 3 😇 Only water this week

Fed/watered with 1 gallon of the above listed nutrients, every 3 days. (when the growing medium becomes 95% dry) Gave her a light selective de-leafing, to open up the inner bud-sites to more light. The timelapse shows me why I won't be transplanting like this again. (Slow growth/lost time from constricted root mass)

Unfortunately, I had to find out that my account is used for fake pages in social media. I am only active here on growdiaries. I am not on facebook instagram twitter etc All accounts except this one are fake. Flowering day 35 since time change to 12/12 h. Hi everyone :-) . We got lost in the middle of bloom. The buds are developing really well 😁. The scent gets stronger every day when you open the tent . I watered it twice this week with 1.2 l each time (see table for nutrients). Almost every leaf was examined for animals and diseases. Everything looks great 👍. I'm really looking forward to the coming weeks and I wish you all a lot of fun until the next update. Stay healthy 🙏🏻 You can buy this Strain at : https://www.exoticseed.eu/ Type: Herz Og ☝️🏼 Genetics: Larry OG X Kosher Kush Indica 60 % / Sativa 40 % 👍 Vega lamp: 2 x Todogrow Led Quantum Board 100 W 💡 Bloom Lamp : 2 x Todogrow Led Cxb 3590 COB 3500 K 205W 💡💡☝️🏼 Soil : Canna Coco Professional + ☝️🏼 Fertilizer: Green House Powder Feeding ☝️🏼🌱 Water: Osmosis water mixed with normal water (24 hours stale that the chlorine evaporates) to 0.2 EC. Add Cal / Mag to 0.4 Ec Ph with Organic Ph - to 5.5 - 5.8 .

Day 15 22-11-23 No Action Day 16 23-11-23 Water PH 6.4 + Chemrich Core + Chemrich Grow (750ppm) Day 17 24-11-23 Water PH 6.4 + B-Start Vitamin B-1 (270ppm) Day 18 25-11-23 Water PH 6.4 + Emerald Goddess + Honey Chrome (470ppm) Day 19 26-11-23 LST + Water PH 6.4 + Sturdy Stalk (480ppm) Day 20 27-11-23 Water PH 6.4 + Chemrich Amino Acid (470ppm) Day 21 28-11-23 Water PH 6.4 + Chemrich Humic (280ppm)

Die Cuts habe ich noch am letzten Tag der MJ für echt nen Schnapper geschossen. Hatte die kleinen Cuts lange in 9x9 abgestellt. Hab sie dann in meinem üblichen Erdmix umgetopt, etwas entlaubt und getoppt.

My Moms newest outdoor plant. i grew it up in my vgrow box(videos). now she is in ~45l living soil, after some time on the windowsil to prepare her for the real sun .😎

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Friends Growth Period about 9 Weeks, Blossoming 10 Weeks, Plant With Great Christmas Tree Structure. As far as nutrition is never said, it's never enough or more, he wants, for the rest any mold problem .... Very sweet aroma requires filter in the cultivating chamber.

💥☄️⚡️🌪️