Day 70 - 2cm taller this week. Flowering stretch all but finished. Flowers are forming fast. The pungent smell is not too strong at this moment.

On day 109, the buds looks beautiful in size increasing at around 15% from last week. Smells amazing and terpene growth as spread to each bud/leaf. I hope to harvest within 2-3 weeks to avoid the fall season.

Another successful week with her stretching and making new leaves. This may be her last week in veg and then I move her to direct soil outdoors.

06.12. Tag 72 Blüte 46. Hi. Niemals aufgeben, dann gibt es sowas. Erstaunlich. 16 h Licht ab jetzt. 09.12. Na gut, ich gebs zu. Ab jetzt macht es Spaß. Denn da hängt doch mehr drann, und in besserer Qualität als ich dachte. Lehrreich war der für mich bisher auf jeden Fall. Ich habe viel zu scharf gedüngt zu anfang. Stellt euch vor, diese weißen Blätter leben noch. Klar wo braun ist nicht. Aber sonst. 11.12. Seht ihre wunderschönen grünen Blätter, eine Pflanze die euch das Wasser im Munde zerfließen lässt. ( Argh ein winziges grünes Blatt. Eines! Ihr dürft gerne selber suchen.) ... ( allerdings, die Riecht guhhht, das ist richtig) Und stark, also stärker als diese Sorte sonst riecht. Ich kenne sie.

The rainbow melon is living up to fastbuds reputation in every way it’s growing fast great leaves great roots it smells like gas already it’s gonna be a powerhouse plant This past week was smooth sailing and I topped all the plants

This plant was harvested approximately ten days before it should have been.But this is because i'm going on vacation for 2 weeks.And I also need some weed for the next week

Welcome to week 6 of flower! Things are starting to shape up quite nicely and some of the plants are starting to get colourful! Its hard to capture on the current camera I'm using but my new one that's on its way should be much much better! Overall really excited to see what this week will bring! I will be checking some of the ladies trichomes to see how far along we are either this week or next week to give me an approximate harvest window! Huge shout outs to @MarsHydroLED for all their outstanding work on lighting and grow spaces that make it fun and easy to grow! Huge shout outs go to @Seedsman , @PyramidSeeds and @GreenHouseSeedCo for all their outstanding work developing genetics that give us that fine medicine! HUGE HUGE shout outs to all my followers and to the people who stop into the diary alike! Keep inspiring to grow! -The Projexx Day#36F Pictures N/A. Ladies are starting to fade but they're still putting on mass daily! Day#37F Pictures N/A. The terpenes an nose coming off the plants its INSANE we got lots of nice and unique smells going hard here! Day#38F Removed some of the leaves blocking nodes, cleaned up the bottoms abit more. Day#39F The ladies continue to put on mass and some of the leaves are really starting to turn purple! Day#40F The ladies continue to cruise along. Fuel D.og#2 is starting to come back to a nice green Day#41F Kings Juice#1 is really starting to show her fade now! Ladies continue to put mass on. Day#42F Water increased to 5L each at 550PPM. Stalks are getting massive! Recap: Things went really well this week, the ladies continue to put on mass on their rock solid flowers! With some of the plants starting to show signs of an open window for harvest Im going to break out the microscope next week to see exactly how far along we are! Over all really really pump about the plants , looking like its going to be a great harvest!

Hello everyone! Welcome back to the Amnesia Grow Diary, Part One. We have officially rolled into week three, and let me tell you, things have been busy in the grow room. This week, the girls got the ultimate spa day treatment. I started with a serious defoliation session, giving them a much-needed haircut to open things up. After clearing out the excess baggage, I gave them a thorough spray down with neem oil to keep any uninvited party crashers away. To top it all off, they got a good, clean flush to reset the system. Honestly, after a haircut, a full-body oil massage, and a heavy detox flush, they are feeling a little overwhelmed by the pampering. They are going to need a couple of days to recover from the stress of it all, but they will be bouncing back stronger than ever. As for the climate control, the environment is staying perfectly dialed in. The humidity is sitting pretty right around 65%. Temperatures are keeping cool and comfortable, peaking between 21°C and 26°C when things warm up. Everything else is looking completely on track and looking okay. Let's see how they are looking next week once they wake up from their post-spa nap! Thank you for stopping by and have a nice day. Best regards, Growfather

hey guys sorry for the absence but in this period I have had a lot to do with my work and I have not been able to bring a good detailed diary, but finally now the holidays will start and I will be able to dedicate myself 110% to a new crop and new ones diaries. having said that, I think I will leave him a week at the most and finally reap the benefits 💚🌳💚🌳maybe my fault the RQS slow release nutrients did not perform as much as the ADVs in my tent, you can see it from the video of 27/07/22 where you can see that 2 out of 6 plants are visually leaner and less compact to the touch , I wanted to try on the same varieties in order to have feedback. I think it could also be caused by the crowding of the tent but with the ADV I have not encountered any problems. I will definitely try them again, giving them much more attention.

Looking good. 2-3 weeks to go. PH is great. Starting to really make resin glands. Smells great

Hell guys 👋 ☘️❤️‍🔥😊 - 1st day of flowering for Lava Cake (26/8) - Expect Critical all the other flowers show their genders with the first white hairs. - New pot 10lt for Ak - Day 24 and LLST (Lazy Low Stress Training) - No nutrients Biobizz at all so far. - 1st day of flowering for Frosted Guava (31/8) Cheers everyone ☘️❤️‍🔥😊

Been a while since any updates here on growdiaries, but now im back! Gonna start keeping progress of my plants here again, so here is the info of this new diary: 11 straberry lemonades from Barneys farm 1 granddaddy purple from Blimburn seeds (freebie) i've been hunting for a special SBL pheno to keep as a mother. 3 of the them have the terp profile im looking for, i'll refeer to them as SBL 1, SBL 2, SBL 3. the other 8 SBLS are not what im looking for. The GDP is looking and smelling amazing too, one of the best looking plants i've ever grown. Plants with 34 days of flower - 31/08/24

Photo from week one and two and three now

This grape is a big frosty beast. I think she has the potential to put off an easy pound if she bulks up the way I think she will. I spread the plants out a little this week so they get better light and air flow. Other than that I haven't done anything besides keep the reservoir full. Still pumping nutrients 1 minute on 20 minutes off. They are getting .5 tsp maxibloom per gallon. Not going to run any boosters this round. They dont look like they want or need it.

Aaaaaa.. 😮‍💨 So In love with my gurls! First week flowering and they have stratched a lot! Beautiful green, beautiful form. So.. I had to buy a grow box for the ladies YES! I did it. We (Bia and I ♥️) Becuz it was realy hard to control the light thing and the umidity lvl is worring me. Full packed now. 🔥 No mistakes 🙌 No mistakes🙌

Week three of flower is here and the pistils are popping out all over the place now. The final tuck was done on day 14, two days ago. From here I am just letting them grow out, the second net is just to support the colas as they develop and pack on weight. Day 16 of flower: Photographed and took a video. More updates to come later in the week. If you are on X, please follow me @Unorthadoxdude

transplanted auto flower day 19 let me know if you guys like videos better

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

This plant grew great and then one of my bigger plants over took it. She turned out so tiny But I will learn from my mistakes