Week 7 of flowering. This girl has gone wild!!! She's got BIG stacked colas with huge buds. In the end I had to super crop her over & set up a scrog/ trellis net to hold her down & support the weight of the colas, which I probably should have done a while ago. As it was more about getting the light down closer to the other plants.

Plant is way heavy i dont do a trim when wet so i dont weigh it when its first chop. Will weigh when dry get a good weigh in. This stuff has a strong lemon smell but also tries to take ur breath with something else. Will be interesting cant wait must be patient. Do my drying in 60°f and 60% rh for 14 days or close to. Looks so juicy like disco balls!!!

Se realizó una defoliación en la parte más baja y en las 2 hojas más grandes de la parte superior para que pudiera entrar de mejor manera la luz a los brotes más pequeños. Se aplicó Voodo Juice para las raíces y Top Bloom para la floración, ya todas tomaron de buena manera el cambio del fotoperiodo. Seguimos 👽 ...

Started to worry about space in my tent, so flip time, especially given the fact I still have other strains that need to fit in here, only decided to document the Dos Si Dos as my other strains are either from cuttings and are very secret lol or they are seeds I received as samples.

For LIQUIDS & NUTES ******GREEN BUZZ NUTRIENTS***** organic. Also i’m using their LIVING SOIL CULTURE in powder form! MARSHYDRO ⛺️ has large openings on the sides which is useful for mid section groom room work. 🤩 ☀️ MARSHYDRO FC 3000 LED 300W 💨MARSHYDRO 6” in-line EXTRACTOR with speed-variation knob, comes complete with ducting and carbon filter.

Well into flower, not stretched much at all quite small but will be a couple of big colas because of topping,.. won't be topping next time I don't think, will stick to lst and tie down method,... looking good tho, roll on next week 👌

Sehr guter Abschluß : Original White Widow IBL hat mich auch outdoor überzeugt .... Sehr gut zu trainieren ! Zum Schluss alles als Fresh Frozen eingefroren und verarbeitet ... : Sehr lecker duftendes Produkt - Toll !😊 Ergebnis ist ein kleiner Temple Ball hergestellt mit der Technik von Frenchy Cannoli ...😎

Hello everyone! Welcome to my Tent-X Ultimate Grow Challenge diary. 💪 I'm germinating 2 seeds from every of the selected cultivars on paper towels: 👉 Strawberry Cough (Dutch Passion) 👉 Mimozz (Perfect Tree) 👉 Slurricane (Advanced Seeds) 👉 Cherry Atomic Sledgehammer (Welcome To The GrowTent) Did not have much success this time - germination rate was just over 60% - my worst in years. But still - I'll get enough plants for my tent - I always try to sprout 200% of what I really need, for ocasions like this one. 😎 After they germinated I moved sprouts to easy plugs - which is wher they normally start they life (I usually ommit paper towel step and go straight into plugs). First time in years I'm really having problems with germination. The one Slurricane that did germinate seems to have broken growth cone or something - it is no growing at all. Mimozz seems like it wants to die so it probably will... I did drop one more seed just to be sure I have at least 4 plants: 👉 Grandpa's Cookies #6 S1 (ETHOS Genetics) More updates coming soon 👋 Thank you, come again! 😅

06/09/2020 Red Sky #2, #3, 4 are male, #1 is female #5 not showing yet. Males seem to be developing quickly, She will get two buds selectively pollinated by, male #3, and male #5 I'am growing

12/05 start of a new week.

So far nothing to complain about buds sites are putting on some size....clone piece is holding up pretty good....hoping she get some roots this upcoming week...never really clone before

Dit is een lekkere soortje met een sterke geur. Krijg veel klachten van een sterke wiet geur.... 😅😅🙈 Dus goed werk daar in Spanje 00seeds. Me respect leuke soort dit wie je als kweker niet teleur stelt. Ik ben volgens mij te vroeg begonen met uitspoelen. Maar als moet geef ik ze gewoon ietsje voeding. Tot nu toe gaat het mooi.

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Week 7

This is a amazing autoflower. She grew very well under the Medic Grow Mini Sun-2. She has some big huge colas on her. She smells great, and has a great frosty resin over her. I didn't have any major issues during the grow. looks like a excellent auto, and I am gear to test her. Thank you Medic Grow, and Seedsman. 🤜🏻🤛🏻🌱🌱🌱 https://www.seedsman.com/?a_aid=Mrsour420. This is my affiliate link to seedsman. Thank you Thank you grow diaries community for the 👇likes👇, follows, comments, and subscriptions on my YouTube channel👇. ❄️🌱🍻 Happy Growing 🌱🌱🌱 https://youtube.com/channel/UCAhN7yRzWLpcaRHhMIQ7X4g

Que estirada de mi lemon-ak 😊 se ve hermosa y sana sin ninguna plaga! Hasta el momento todo muy bien y sin ningún problema.. Sigo regando día por medio con fertilizantes top crop una base de la. Floración(top bloom) y el Plato de mi auto (top-auto)... Charly grower 👨‍🌾

Yoyo 🤙🏽 I've been away for a while, but the next update of the project is coming, after some minor problems with the lamp settings, I gave the bushes a little over 2 weeks more veg to regenerate and recover, which made my veg much longer, but oh well... the selection is over was also done and only the prettiest and strongest plants remained, already 11 liters of pots, it's getting dense, so today I change the light to 12/12 and let them start blooming. Apart from that, everything is fine, the girls are nice and healthy. Day 53 Varieties: 1x Dosi berry from @theoutlawseeds 1x GMO Cookies from @panpestkapl 1x Persian Pie from @greenhouseseeds_ 1x Forbidden Fruta Cake from @narcosseeds 1x Hardcore Mac from @nashageneticsofficial 1x Black Apple from lovecannabisseeds Light - 18/6 Day/night temperature - 28°C/23°C Ph - 5.9 EC - 1.2 Box - @spiderfarmerofficial Lamp - spiderfarmer SF4000 Soil and nutrients - @bac_online_nl @sr_organics_ And living soil More updates coming soon 👊🏿😁💯