Just tap water in the past 14 days

She grows up fast and eats well. I think she's probably starting to lack micronutrients tip that starts to yellow. 😐

Skywalker OG — Harvest / Trim / Cure Part 1 — The Giants Begin First of all, we want to apologize once again for dividing this harvest series into multiple parts. But honestly… there was simply no other way to do this properly. This Skywalker OG run became massive. Not just in terms of plant size and harvest weight, but also in documentation, photos, observations, and the amount of details we wanted to properly share with everybody following this journey. So instead of rushing everything into one overloaded update, we decided to divide the: * harvest * trimming * drying * curing * and smoke review into three, maybe even four different reports. Mainly because we are dealing with: three huge plants all with slightly different expressions, structures, and personalities. And honestly? These girls deserve proper attention. ⸻ Quick Recap — 12/12 From Seed This entire run was done: 12/12 from seed with almost no training at all. No topping. No aggressive manipulation. No heavy canopy control. Mostly: * gentle leaf bending * small adjustments * minor defoliation * and simply opening light paths where needed The rest? We allowed the plants themselves to decide. To grow naturally. To express themselves freely. To shape their own structure. And what they became honestly surprised us. ⸻ Legends Of The 12/12 Galaxy These plants did not become extremely tall. Instead… they became monsters horizontally and structurally. Massive production. Heavy flowers everywhere. Dense stacking all across the branches. Everywhere you looked: * colas * side branches * swollen flowers * branches collapsing under their own weight Support or no support… it honestly barely mattered. These girls were simply too heavy. The branches kept bunching, leaning, and dropping from pure flower mass alone. Exactly the kind of “problem” growers love having. ⸻ The Fade One thing we absolutely loved during the final weeks was watching the senescence develop naturally. Toward the end, these plants received mostly: * water * enzymes * patience And they faded beautifully. The yellows. The pale greens. The autumn-like transitions. The dying fan leaves surrounding swollen flowers. It gave the room this incredible “end of season” energy. The plants truly looked finished. Not forced. Not rushed. Just naturally reaching the end of their cycle. And visually? Beautiful. ⸻ The Flowers Honestly… these flowers are ridiculous. Huge colas all over the plant. Top colas. Side colas. Lower colas. Everywhere. And dense. Very dense. The kind of flowers where even holding them lightly leaves resin on your fingers instantly. You can see it in the photos too: our hands next to the flowers almost look small beside some of these colas. And we don’t exactly have tiny hands. The stacking came out incredibly effective too. No wasted structure. No airy towers. Just thick, compact, greasy flowers from top to bottom. Exactly the type of structure we hoped Skywalker OG would give us. ⸻ Harvest Day So finally… week 14 from seed arrived. And it was time. We harvested the first giant. And honestly, carrying this girl into the studio already felt surreal. Huge branches. Massive colas. Beautiful fading colors. Trichomes absolutely covering the flowers. Most of the trichomes sat exactly where we personally like them: * mostly cloudy * a touch of amber * and still a few clears remaining Because honestly? It is impossible to have every single trichome perfectly identical at once. And this specific harvest window gives us the balance we personally enjoy most: * potency * terpene expression * complexity * and overall effect balance Not too early. Not too late. Right in that beautiful middle ground. ⸻ Charas & Resin One thing that immediately stood out during harvest was how absurdly sticky these plants were. Simply removing fan leaves and touching flowers started building resin layers onto the gloves almost instantly. And naturally… we started collecting charas. For people unfamiliar: charas is a traditional hand-rubbed cannabis resin made directly from fresh living or freshly harvested plants. Unlike dry sift or ice water hash, charas comes purely from physically collecting the resin through contact and friction. And honestly? We absolutely love this type of medicine. There’s something incredibly old-school and ritualistic about it. Sticky. Greasy. Dark. Aromatic. Almost alive in texture. Very different from the finger hash we’ll later collect during dry trimming sessions. Fresh charas feels softer, oilier, richer, and incredibly expressive terpene-wise. This Skywalker OG produced beautiful charas too. Easy to collect. Very greasy. Very resin-heavy. Exactly the kind of resin that instantly tells you: “This plant is loaded.” ⸻ Full Plant Drying After harvest, we decided once again to dry the plants whole. Entire plant hanging. All of them. We personally love this method because it slows the drying process slightly and helps preserve: * terpenes * moisture balance * aroma complexity * and overall flower quality This first plant will now dry roughly: 7–10 days under: * 18–20°C * ~60% RH Although during the first couple of days we intentionally lower humidity closer to: ~45% RH mainly because these plants are extremely large and dense. And with flowers this thick, we prefer removing the initial excess surface moisture a bit faster to reduce risks of unwanted issues like: * trapped moisture * stagnant humidity pockets * or bud rot After that initial phase, conditions stabilize again for slower drying and proper curing preparation. ⸻ What Comes Next The next reports will continue covering: * the remaining Skywalker OG plants * their individual structures * harvest observations * drying progress * trimming sessions * cure * and eventually full smoke reviews All while still staying within this same harvest week timeline. Because honestly? Each plant deserves its own spotlight. And each one brought something special to the room. ⸻ Thank You Huge thanks once again to everybody following this journey. To the growers. To the silent viewers. To the curious minds. To the old followers. To the new followers. To the skeptics. To the lovers. To the people stopping by for just a few seconds. To the breeders at Zamnesia behind these genetics. To Plagron for the nutrients. To Future Of Grow and Lumiflora for the LEDs helping drive this jungle. To everybody creating the gear, tools, and spaces that allow growers like us to keep learning and sharing openly. And especially to the growing community itself. Because without growers sharing knowledge with growers… none of this culture survives. From grower to growers. Skywalker OG harvest series officially begins. 📡 DELETED @ 1K Please stay tuned.we never quit https://www.youtube.com/@TheDogDoctorOfficial NEW 🙏 Thank you for your patience and continued support. FOR DISCOUNT CODES AND MORE JUST FOLLOW THE LINK https://website.beacons.ai/dogdoctorofficial 📲 Don’t forget to Subscribe and follow me on Instagram and YouTube @DogDoctorOfficial for exclusive content, real-time updates, and behind-the-scenes magic. We’ve got so much more coming, including transplanting and all the amazing techniques that go along with it. You won’t want to miss it. GrowDiaries Journal: https://growdiaries.com/grower/dogdoctorofficial Instagram: https://www.instagram.com/dogdoctorofficial/ YouTube: https://www.youtube.com/@dogdoctorofficial Deleted by Youtube - https://www.youtube.com/@TheDogDoctorOfficial NEW Vimeo : https://vimeo.com/dogdoctorofficial Under construction stay tuned ⸻ Explore the Gear that Powers My Grow If you’re curious about the tech I’m using, check out these links: 🔆 Lighting & Environmental Control • Future of Grow — Advanced LED lighting technology https://www.futureofgrow.com/ DISCOUNT CODE: DOG20 • Lumiflora — Under-canopy LED lighting https://lumiflorade.com/ • TrollMaster — Environmental controllers and automation gear (past collaboration) ⸻ Genetics • Zamnesia Seeds — Genetics used in this project https://www.zamnesia.com/ ⸻ 🌱 Soil, Substrates, Boosters & Root Support • Plagron — Substrates, bio mixes, and supportive products https://plagron.com/en/ ⸻ 🎒 Storage, Curing & Preservation • Grove Bags — Curing and storage solutions https://grovebags.com/ ⸻ 📸 Photography Equipment & Tools (Not sponsors, but part of my creative toolkit) • Sony A6700 • Sony full-frame macro lens + few more • Stacking photography workflow - learning • iPhone (for behind-the-scenes shots) We’ve got much more coming as we move through the grow cycles. Trust me, you won’t want to miss the next steps, let’s push the boundaries of indoor horticulture together! As always, this is shared for educational purposes, aiming to spread understanding and appreciation for this plant. Let’s celebrate it responsibly and continue to learn and grow together. With true love comes happiness. Always believe in yourself, and always do things expecting nothing and with an open heart. Be a giver, and the universe will give back in ways you could never imagine. 💚 Growers love to all 💚 📸 P.S. – The Eye Behind the Lens All photos in this diary (for now — except for the ones showing the camera, which I took with an iPhone) are taken with a Sony A6700 paired with a Sony full-frame macro lens and a few more. Photography is part of the story — it’s how we share the fine textures, the glow, and the quiet details that words can’t always capture. I’ve also started experimenting with photo stacking — a technique where multiple images, each taken at a slightly different focus point, are layered together to create one perfectly sharp image from front to back. It’s not digital enhancement or AI; it’s pure photography — a way to reveal the plant’s beauty in microscopic depth, from trichome to petal. You’ll even see a few shots of "ghost me" capturing the shots — camera, lens, setup — because every grow deserves not just to be cultivated, but documented like art. FOR DISCOUNT CODES AND MORE JUST FOLLOW THE LINK https://website.beacons.ai/dogdoctorofficial NEW DISCORD - Official Server Invite Link : https://discord.gg/ksjAkA5T74

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

She's doing OK, certainly not jumping up in height though.

Booommm! Llegó la hora tan esperada Farmers nuestras flores llenas de resina acabandose de formar, la verdad que estas genéticas ayudan mucho al desarollo del cultivo espero que os guste!! Un banco seguro y confiable para una locura de olores y terpenos!!💚

***** Week 5 December 20 to 26, 2020 - Days 29 to 35 from germination ***** Going into the first full week of flower/transition. She was definitely going through the start of transition last week but I left it as a veg week and will call this the first flower week. She is not 100% and will not be but she has all of the signs of being a nice girl. She grew hard to start and she can take the nutrients levels, leaf colour is very good and she has grown evenly, nothing odd with growth. You just can't make up veg time with autos as they don't stop😞 For the first four weeks I end up staying so focused on making sure the autos are happy everyday and for the full day if at all possible..........as opposed to the first four weeks of a photo and I am a lot more relaxed and feel there is time to correct anything......its all good😂😂 This girl has obviously not been happy about everything in life over the first four weeks. She was put on a riser this week to help get her closer to the light. I still don't know exactly what I have done but suspect it was a combination of things in veg to slow her down. I feel she likely wants a quite dry media so the roots can breath more........I was not "soaking" the coco with the volumes of moisture but it was wet. Possibly could have cut watering volumes in half to see. Been battling pH drift though so I have it in my thick skull to give a good runoff amount........which can lead to a "soaked" media and that my have been part of it??? I also took four large fan leaves up higher on her, early on right after the first LST and think that pissed her off as well........I knew when I did it and thought I would "roll the dice" and take them but maybe should have left them.......cant go back but at least aware of it😀 Pulled her out this week and looked closer at her to see the bottom better. Her branches are soft so silica is increasing now that we are in flower. Colour was good below and not spotting or deformities. When tying down the branches, she pulled her self right up around the ties again easily enough by the next day. At this point I just want to get all the extra leaves out of there and let the air flow so I removed a number of fan leaves on her lower half, not too crazy but enough that she felt it I am sure.......she is already stunted so screw it and help give her a chance to get more light and grow taller was my thought😁👊 Little more detail..... Dec 20/20, Day 29 - Dry out day after heavier feed yesterday. Dec 21/20, Day 30 - need to add some moisture - 1.5L watering with Magnificat @ 2ml = 200ppm and 5.7pH - more of a watering today with some CalMag added because RO water being used. Dec 22/20, Day 31 - dry out day today. - going to let her go and feed in the morning tomorrow. Dec 23/20, Day 32 - Feeding day today. Continuing with first weeks flower feed of 2ml/L. - 2L feed with Micro, Bloom, Magnifical, AstroFlower, VeloKelp, Natures Candy @ 2ml = 800ppm and 5.8pH. Dec 24/20, Day 33 - dry out day again. Still fair bit of weight in the pot compared to the other autos. - pull out tomorrow and clean up lower growth and check runoff numbers. Dec 25/20, Day 34 - 2L full feed again with the same 2ml/L feed as earlier in the week for all the autos. Added AN Rhinoskin as well for silica. - 1150ppm and 5.9pH going in.........pots were really dry and perfect pretty well. - Runoff was 1075ppm and 6.0pH.........I can live with that at week 2 flower😁😁 Dec 26/20, Day 35 - 1L full feed again. Had mixed up 12L yesterday. - Added 2ml/L of Microbial Mass and Piranha = 1200ppm and 5.9pH. - She needed her microbe allotment as we are at the start of flower. - Bacteria added to help keep some of the nutrients in the media as she finishes. - next watering is more of plain water and add Terpinator. Nice girl Sweet Seeds.......I have messed her up but learning from her.......we will get one to smile about😬😬

Was able to train her a little more hopefully it isn't too late to make a difference. She's very frosty and sticky all positive signs, she developed some mites but I believe I got to it early enough.

04.09.2025 – 10.09.2025

This week, my Titans are sleeping in a cooler dark room until harvest. So for your viewing pleasure, I've loaded some videos made of the Titans during there time with me. I'm wondering what to serve at my Queens Tea Party... I made some butterscotch pistachio bars and modified the recipe for less sugar. 😋 We experimented with topping the bars with black cherry spread, orange marmalade and a mango jelly. All are very tasty as the bit of sour/tart enhances the butterscotch sweet. A few solar eclipse pics.

They are still growing nicely, continuing to bush out since LST. A healthy green & what will be a bunch of future bud sites keep showing up daily.

Week 9

SWISS DREAM ROSE 🌹 CBD AUTO ORGANIC GROW KANNABIA From seed to harvest this plant was easy to grow she didn't have any issues she made up for lack of height with dense buds down her stem her beautiful purple color offset by green leaves just looked amazing as she was finishing up. Thank you to KANNABIA as always for your great genetics and support!!! Thank you to FOOP!! I appreciate your support with this grow!!! FOOP is doing great things with your organic nutrients!! Thank you to the grow community who has committed, liked and viewed this diary!!

05/10 - Coming into week 4 and the ladies are thriving - Had a little yellowing going on but they have since recovered amazingly - Did a little defoliation on the bottom growth to remove any sick sites - Both will be transplanted into 5 gallon pots later this week. 😎😎😎😎😎

It's the last week according to RQS... This fresh citrus smell is so good... Trichomes are not ready yet...

Auto Northern Dragon Fuel is growing really well. The only issue is I need to go to twice a day with water. She has been drying out she is drinking, and absorbing a lot. Everything is growing great. The colas should be developing more very soon. Thank you Medic Grow, and Super Sativa Seed Club. 🤜🏻🤛🏻🌱🌱🌱 Thank you grow diaries community for the 👇likes👇, follows, comments, and subscriptions on my YouTube channel👇. ❄️🌱🍻 Happy Growing 🌱🌱🌱 https://youtube.com/channel/UCAhN7yRzWLpcaRHhMIQ7X4g

Buds are fattening and smells sweet. I love her color. In a few days will begin flushing. I am EXCITED!

Consider 14 weeks the flowering process itself at when i report i cut it also forced me to do the taste to something too fresh - ? So Consider this a final thoughts post as i wanted to show i slashed them,all at once as i was noticed that were on their limits on time range for a balace between not over ripe the g13 and not let mature enough santa bilbo chamos , it can be very easy to reveal what where each one as they were fuck very stable between them, that uniformity com from very stable bank indeed so fuck i eager to report & fly on some old school shit itself , and shit, this is fuck a sativa and indica differences so clear and by their own simple yet remarcable smell punch from dope lemon demon & sweet og hash ou that are refining from what stated last week & outperforming my own personal previous growof them personal SUCESS & SOPA DE MACACO & BIG GAS LEAKS N BIG DICK ENERGY 👌 . STILL A LOT TO IMPROVE HOMIES & I WILL DERIVE TO OTHER GROW TRY / FAIL / REPEAT & REPORT AF AS I CAN BE FOND OF THIS TIPE OF JOURNAL as on my time, were useful when searching from some previous insight on some grow experiment , or smoke reference as well, every shit can help even and sweet bless of autotranslate as well !