Plants are flowering and their height stays stable. I noticed that their leaves are really dark and smaller compared to other strains that I cultivated. 2x Night Queen Automatic : 41cm and 47cm (same as last week)

Man I just can't seem to catch a brake with this strain. Both plants are looking a bit wilted but there still growing strong. I moved my SF-4000 light up a bit to see if it would help. I was really hoping g to have all the issues sorted before flower but that wasn't the case. They were looking good them wham wilted... oh well I'll just keep a really close eye on them. Temperature and humidity have been stable for the most part. Was having g issues with my dehumidifier tho for a few days. I believe it was over heating a bit and was auto shutting off. So the my humidity would spike up to 75-80% but luckily it was during lights off and I was home when it happened. After moving a few things around and turning it off for a hour it seems to have corrected itself. Good caz I don't really want to have to buy a new one yet lol. For my nutrients I'm slowly bring it up. By the end of week 2 I should have it closer to 1000 ppm. I also stopped using airstones in my tank because I was having a few issues. Now I'm just using a water pump on a timer. Turns off when lights turn on and the back on a hour before the turn off. I've got most of my fans now running at 100%. Only ones that are still only running at 50% are my two lower section fans. With them set to that I find the temperature and humidity at all 4 corners of the room are close enough that I should have zero issues. Well that's all for now so keep growing everyone!!!

The germination i forgot to take pictures so i just have a video of the first 3 strains i started before the other seeds arrived. I used the same metod for all of them 24h in the glass of water after that 48h in the cotton pads in the zip lock bag with 3 sprays of water on the cotton pads and 1 spray when inside the zip lock bag is closed untill 80% leaving a small gap for them to breath. I decided to plant them after that in the final resting pot for this strain in a 5 gallon fabric pot. I used the following media on the bottom of the fabric pot i used 10% of Goldlabel HydroCorn after filled up with Ecothirve coco (70% coco 30% perelite) and i made a hole for my potting soil where i used Advanced Nutrients coco cultivator (50% coco 30% perelite 20% pebbles) and i mixed on the media some Azos , Mykos and Great white. The light schedule for the first 5 days was 24/0 and after that i change for 18/06 schedule. Just water the plants on the 15/06 i think all my seedlings are stuned because my light is too strong for them and the light is dimed to 25% waiting on my new seedling light the Spider Farmer SF1000EVO LED should arrive just on wednesday. And my light meter for lux is saying i have 8600Lux converted is 148 and my dli on meter from the phone is saying 150 so its 3x times more the recomended i just dont understand if this phone app is working correctly. Update on the order from spider farmer from Ebay (Order the item on a thursday and the order was not updated on ebay on the following Monday so decided to contact them to understand when i am gonna receive my order i was told true ebay that my item as been shipped and i will receive an update within 1 hour to tell what time the item will be delivered. So never received any message giving my time slot delivery. Never received the item and at 21pm the tracking updeted on Ebay saying delivered so i contected them next day to be told that the courrier actually lost my order and that they will reshippe the order again but was told i need to wait 2 buiness days for the warehouse to processe my order beacuse they are busy what i replied that why should be me the costumer that needs to wait 5 or 6 more days for the order to arrive to me that they should send me the item on the same day and send me with one day delivery. The ansewer was they could not do it so i cancell the order asked for a refund and never more use their products appailing costumer service)

17.08. Dos Si Dos 33# 1# Day 114# Dos Si Dos 33# 2#Day 114# 2 days ago it was the end of the 16th week for the plants They are getting close to flowering Photos and videos are from yesterday Stay High and Keep Growing!!!

good fattening of buds during this week, strain stable and very strong. increase in Flavor, Biobloom and Top Max, 55 days of flowering. plants continue to put on weight well. I'm loving this genetics from Original Sensible Seeds. Happy Growings to all 🌴🌱🙏

I let the soil start to dry after a week of just water, hung them upside down for 14 days 18-26°c 60%RH. The tremors got higher than I would like during drying but it is summer!

Hello everyone week 3 of flower has passed for this Vanilla Latte auto 🍼 Same feeding schedule Mars hydro FC-E6500 75% have a great day and wish you all happy growing 😎👨‍🌾🏻

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Week 10 - The Plants has shown so much growth within a week those buds are really now starting to form and pack on a scent. I have cut out using the formulex.

Enfin ma première récolte de fini. Je suis assez fière de la qualité des bourgeons et de l’arôme des plantes. Je vais finir le curring gentiment mais je suis très satisfait de la Sweet tangerine tango auto

flowering officaly started now for the blue cheese aswell

From the looks of it. I am in early stages of root rot. Plant is not growing as fast as it was at all. It can be a few things. Light penetration into the bucket. My water temps are around 70f. So I think that's okay. I had some extra mylar from a grow I did years ago. Cut pieces to go over the kids hopefully that helps. I took out all additives besides CalMag. They were fouling the rez as usual. Dropping the Ph as usual. I think it's also the cause of the root rot. I have sprayed soaked with h202 and have added it to the reservoir after a cleaning and a water change. Looks a bit better. I'm located in Canada and I cannot find hydroguard anywhere. Which kinda sucks. Any alternatives would be great. Thanks

Seconda settimana di fioritura...anche la Apple strudel sta bene.inizio a sentire dei buonissimi profumi di fiori di ganjah 😂😁😉💪💚💛 Stanno entrando nella 3 settimana di fioritura

Gray half of the week. Probably at least another 50mm of rain..still.cold most of the time low 20ies most of the time & nights dropping as low as single didgets but mostly around 14degrees. Everyone of them seems to love this weather. The wolverine is budding nicely. Gonna try to give them another dose of fish/seaweed solution with dish soap, Epsom salt & molasses. Gonna be the last feed for the wolverine.

Took the 3 other plants out side, 2 out in the country one in my backyard. So she has full range of the tent just switched from 14-10. So the stretch should start soon :) oh and I dont water it daily just when it drys usually 2days.

Hello, my wonderful green-thumbed friends! Welcome to the Week 5 veg report for our fabulous P.C.R.s. This week has been all about new beginnings and meticulous care, as we continue to nurture these beauties towards their full potential. Let’s dive in! New Home, Sweet Home This week, our P.C.R.s made the big move to their new 3x3 tent, and boy, do they love it! Under the bright and consistent light of the ViparSpectra P2000, these plants are set to thrive. The P2000 is a game-changer, offering a full spectrum that mimics natural sunlight, ensuring our plants get the best light for every stage of their growth. It’s like bringing a slice of the sun indoors! Leaf Love and Clones We also took some leaves and cuts this week to encourage bushier growth and to propagate new plants. Each cut was carefully treated with Clonex Gel, a rooting hormone that gives our clones the best start. Think of it as a nutrient-packed smoothie for our cuttings, providing all they need to develop strong, healthy roots. To keep our new clones happy and hydrated, we used Clonex Mist, which is like a gentle rain shower, supplying essential nutrients and promoting robust root development. It’s all about giving them the TLC they need to become the next generation of thriving plants. TLC and Maintenance With the move, I made sure to maintain the optimal environment inside the tent. Our TDS is holding steady at 410, with a pH of 5.8 and a temperature of 21°C for watering. These parameters are crucial for nutrient uptake and overall plant health, ensuring our P.C.R.s have everything they need to flourish. Why We Do What We Do Understanding the importance of each step is key. The ViparSpectra P2000 not only ensures our plants receive the perfect light spectrum but also helps in energy efficiency, which is great for our environment and our energy bills! The Clonex Gel and Spray ensure that our clones have the best possible start, reducing transplant shock and speeding up root development. Keeping our grow space clean and organized also helps in preventing pests and diseases, creating a safe and healthy environment for our plants to thrive. It’s all about setting the stage for success and letting nature do the rest. In Conclusion Week 5 has been all about setting up our P.C.R.s for success. From the new tent setup to taking care of clones, every step has been filled with excitement and careful planning. The journey is just as important as the destination, and I’m thrilled to see these plants grow and flourish. Shout Outs A huge shout out to @aptusholland, our main sponsor, for their incredible products that keep our plants thriving. Another big thank you to @artgenetix for creating the phenomenal P.C.R. strain. And to the wonderful community at Grow Diaries and all our followers, your support and enthusiasm keep us going. Let's continue to grow together! Until next time, happy growing, and may your gardens be lush and green! Genetics - P.C.R. @Art_Genetix_Team https://artgenetix.world/ Nutricion @aptusholland https://aptus-holland.com/ LED Power @Lumatek and @viparspectra As always thank you all for stopping by , for the love and for it all, i fell blessed to have you all with me for one more love journey Thank you Thank you Thank you , you guys are great and have been amazing , thank you for everything ! #aptus #aptusplanttech #aptusgang #aptusfamily #aptustrueplantscience #inbalancewithnature #trueplantscience #dogdoctorofficial #growerslove
 With true love comes happiness , Always believe in your self and always do things expecting nothing and with an open heart , be a giver and the universe will give back to you in ways you could not even imagine so ! Growers love to you all