Coming soon

Ok 👍 belle le mie banana Purple punch auto FastBuds Pronte in poco più di 2 mesi in tutto.. e poi bel raccolto totale come quantità. Tolgo le ultime 2 in fondo perché stanno cominciando a buttare altri pistilli nuovi, credo sia stress da calore. Controllo i Tricomi ma ho intenzione di averli opachi non ambrati , perché ho provato la stessa varietà e tende a farti venire sonnolenza I colori variano dal verde al viola e le cime sono piene di resina e simili a pepite come compattezza Anche la quantità mi sembra piuttosto consistente perciò direi di essere soddisfatto dalla vista e non ho dubbi sulla qualità

10/19 - 1 week since transplant so for no issues - removed some of the dead growth underneath - running humidifier at 80% with temps at 85 degrees.

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Blüte geht voran. Die Raubmilben Amblyseius (Neoseiulus) cucumeris sind schnell da gewesen 🙏 Ich hoffe, sie halten den Thripsbefall bis zum Ende der Blüte unter Kontrolle. Bisher kann ich noch nicht viel zu den Terps sagen, sehr dezent alles. Zudem haben die Pflanzen die Tage zum ersten Mal einzeln einen Fermakor-Hydrolysat als Blütenbooster in sehr gering konzentrierter Dosis erhalten. Danke geht hier nochmal raus @yan420 Ich verspreche mir durch die direkte Verfügbarkeit der Nährstoffe P und K und den Aminosäuren einen metabolismischen Boost. Bin auf die Endergebnisse wie immer sehr gespannt.

Permanent Bluez putting a permanent strain on the carbon filter 😍😂chunking up nicely, smells sweet and sticky as . Gonna be a decent sized yield in a few weeks no doubt . She hasn’t missed a beat growing, smooth grow that’s gonna deliver. Not long now till I get to smoke it all

11/4/20-Day 29- watered #1 300ml, watered #2 200ml 11/7/20-Day 32- watered 300ml #1. No water for #2, possibly some shore flies in soil, gonna let it dry some. 11/10/20-Day 35- watered 300ml #1, no water for #2. Lowered lights to 12”, beginning to notice preflowers

Vigorous plants.. i like them so far, lets hope they yield good💪

Bought at 4x4 tent so I'm out of my closet plants seem to be happier in fox farm soil so still just water ph 6.2 zittles auto is in first week of flower smaller than I thought but looks good will probably never grow an auto again there more expensive where I live than photo periods also won some auto flower pollen so im pollinating the zittles with kush von stich

the second week off 12/12 plants are totally bond down with copper wire for the lst method there growing fine thanks to team Plagron the seeds are good stabile seeds thanks to team Zamnesia i build my own lightmodule 450 watt dob chips 4 x 3500K 4x 6000K 1x full spec the plants are looking healthy en happy with their new sun shining up to a fantastic harvest greetz from me Dr.Greenthumbz420 a.k.a Boris Groen

Day 39 of flowering 🌺

Sindsygt smæk på gorilla original fra fast buds og på alle andre daktisk os de nye kannabia og weedseedexpress piger har det godt ✌️

Looks like this will be her final week! She won't last long. Maybe 10.5 weeks of flowering in all. Smelling nice. And finally starting to get that beautiful lavender/chocolate color of her father (although, a little too late).

Hello to everybody, we are at the end finally. The plant gave me 29.2 gr of dry flowers. Not a bad result for such a little plant. Overall was quite easy to grow it, no major problems. The smell is truly amazing! The main buds are thick af but the little ones are very airy and empty. My target was 30 grams so im super happy of the results. The plant dried for 10 days and today after dry trimming the material was jarred together with some Boveda 2-way humidity pack. At 62%. I believe i dried a little bit too much my buds unfortunately, let's hope the pack will mitigate a lil the issue. Overall im satisfied, now the buds will cure for about 1 month or 2 and then I will smoke the shit out of it ahahhaha. Today I will smoke my first gram not cured, I saved 2 grams for a trial. I will smoke one gram in the joint and one gram inside the Volcano. I really want to try it properly. Thanks for the company on this journey. Now full focus on my new grow. Thanks. The Holy Herb.

🌅🍨​Bereitet euch auf eine weitere tiefgreifende und farbenfrohe Untersuchung des pflanzlichen Wachstums vor. Dieses mal Sunset Sherbet Go Fast, gesponsort von den geschätzten Züchtern von Kannabia Seeds. Unsere bewährte Methodik der fast täglichen Bilddokumentation und sporadischen Videoanalysen wird auch bei diesem Exemplar, fest verwurzelt in unserer einheitlichen Haussubstratmischung zum Einsatz kommen. Wir werden Zeuge der Entwicklung einer Pflanze, deren Name bereits eine optische wie geschmackliche Abenddämmerung und damit ihre – sagen wir mal – 'exotische Anziehungskraft' verspricht. Verfolgt mit uns, wie sich dieses 'tropische Sorbet' entfaltet und welche farbenprächtigen Herausforderungen uns Borberads bei seiner Kultivierung erwarten. ​Sortenbeschreibung: Kannabia Seeds Sunset Sherbet Go Fast ​Genetik: Sunset Sherbet Go Fast entstammt einer hochkarätigen Erblinie, die die Genetik von Sunset Sherbet (Girl Scout Cookies x Pink Panties) mit einer ausgewählten OG Kush Auto vereint. Diese genetische Meisterleistung resultiert in einem 70%igen Indica-Hybriden, der extrem beschleunigt blüht und dennoch das komplexe Terpenprofil seiner prominenten US-amerikanischen Wurzeln bewahrt. ​Größe: Hier erwarten wir ein handliches Wachstum. Indoor bleibt die Sunset Sherbet Go Fast in der Regel bei äußerst kompakten 80 Zentimetern, was sie zu einer idealen und platzsparenden Kandidatin für unser Set-up macht. ​Farbe: Die Farbpalette ist ein hypnotisierender Mix. Während der Blüte entwickelt sie eine dichte Struktur in intensivem Perlmutgrün, das im späten Stadium von wunderschönen violetten Tönen und tief orangefarbenen Stempeln durchzogen wird – ein Anblick, der voll und ganz an den namensgebenden Sonnenuntergang erinnert. ​Geschmack: Das Profil ist eine tropisch-fruchtige Explosion aus Mandarine und Waldbeeren, gebettet auf eine cremige Sorbet-Basis. Beim Ausatmen offenbaren sich oft noch feine, minzige und dezent würzige Nuancen. ​Eigenarten: Mit einer rekordverdächtigen Blütephase von nur 49 bis 52 Tagen macht sie ihrem "Go Fast"-Titel alle Ehre. Trotz ihrer Schnelligkeit liefert sie einen THC-Gehalt von bis zu 22 %. Die Wirkung gilt als perfekt ausbalanciert: Ein mentaler, euphorischer Auftrieb, der sanft von einer tiefen körperlichen Entspannung geerdet wird, ohne zu beschweren. ​Rechtlicher Hinweis: "Abschließend sei wie immer angemerkt, dass dieses Growtagebuch die dokumentarische Begleitung eines privaten und legalen Anbauvorhabens im Rahmen der jeweils gültigen Gesetze darstellt. Tag 1 Entgegen unserer gewohnten Vorgehensweise nutzen wir kein Tauchbad mit 1% H202 zum Quellen der Samen sondern lassen den Samen vollständig im von Kannabia freundlicherweise zur Verfügung gestellten Sproutly Keimen. Tag 2 Nach 36h wurden der Sproutly das erste Mal geöffnet und zeigte gekeimte Samen mit ca 5mm langer, weißer und gesunder Wurzel. Also rein in die Vorbereiteten und zuvor temperierten Anzuchttöpfe, anstelle der in letzter Zeit üblichen Easyplugs. Tag3 Warten Tag 4 91 Stunden nach dem Start des Quellen waren die kleinen Keimlinge dann schon ohne Helmchen ins Licht gewachsen. Tag 5 Die Keimblätter sind entfaltet und die ersten echten Blattpaare öffnen sich. Ein gelungener Start...🌱 Tag 6 Zack, da steht sie! Evt. sogar schon etwas zu lang. Sie wird daher etwas näher ans Licht gesetzt. Tag 7 Sie lässt nicht auf sich warten.

This weeks video is not to trick anyone or deceive anyone. These plants are tough and if you start them young at higher EC values they will adapt. Never feed them to the point of harm…if you start to see burnt tips on the leaves then back off the EC. I hope all my videos helped someone along this journey. WEEK 7 TIME TO FLUSH FOR 2 WEEKS NUTRIENTS USED THIS WEEK PH’D WATER 5.8 It’s the end of week 7 and all is well. I will defoliate slowly over the next 2 weeks. All the major fan leaves will come off and any sugar leaves will be left in tact. Temps will be lowered, especially nighttime temperatures. Shooting for 66 degrees and 40% humidity at night. Daytime VPD will stay consistent at 1.4. CO2 will stop sometime this week. Really I am just looking to harden the colas not grow them any further. This weeks video is about EC “stacking”. I think it’s a good one and blows some people’s misconceptions about EC build up in the substrate. Just like you can train your plants with trellis netting, so can you train them with high EC. YOUR ENVIRONMENT MUST BE RIGHT BEFORE TRYING THIS. High CO2 levels and warm temps are a must for this to work and maintain rapid growth. Good luck guys and see you next week!

Well here we are in week 7 from sprout, still growing tall. 1 of the girls had to be flushed as I was led to believe I might have an Ntox causing one of the girls to delay flowering. Flushed her good and gave her a very diluted feed of 1/4 the listed nutes.

This phenotype is growing strange…maybe it’s my eyes, time will tell.

Test