Day 51, 4th of November 2020: The 3rd day since the lamp switched to be 12/12... I raised up the nutrition intake as it can be seen above only the BioBizz family 2ml/l and removed some LST because the plant remains in shape or just set a bit but nothing significant.... She looks good....strech is on the way..... 😅 Nothing really to report there is crazy 2-3 weeks from now ;) ;)

these are 6 clones from the critical HUGE PHENO in the rdwc, i want to keep 1 clone as an motherplant with my autoflowers. april 11: all rooted / transplanted and show color and healthy growth. feed em around 400ppm

Pretty easy so far haven't feed any nutrients just plain water and great white mycorrhizae mixed with molasses. Gonna be moving them by next week to my tent and start training and topping them by the fifth node so soon 😁.

So far all good.

She's starting to chunk up a bit and sugar leaves are appearing! New growth is not showing the deficiency as some of the older leaves did which I'm very happy about! Thanks to the community for the helpful hints! Took of some of fan leaves that were blocking light from the lower bud sites and a few lower ones that were blocking airflow/not getting any light. I also switched over to CaliMAGic.

Alright guys so last time we went from 1400 to 900 ppm only adding plain water She is doing great, developing more new buds and fattening those small pop con buds you get below where lights wont get thru with that much intensity.... Smells wicked good and should taste awesome once its dried and cured Im still going to week some more weeks I dont know if is the region but my plants over here since is always spring and SuMMer they tend to produce and last longer i just noticed because even tho we at week 15 they still growing new buds which is kind of amazing I still got one gorilla girl xl This one is going to grow using only LST / HST and defoliation at the latest Otherwise it will slow down production Learned the hard way with this strain My first one died the second one got eaten by a worm go figure and this third seed made it so far and when she was flowering I accidentally main line her, good thing duct tape was near me so I could help her heal and with so much caring she was finally up again and did not lose any buds but that took too much energy while pre flowering did not create many spots but good dense fat buds full of crystal and at least you get to see those impressive colors Thanks for giving me support Likes and comments are always welcome You can also suggest me things as well I am all ears brothers happy growing Follow me for more at the Instagram @cannagrowersiriuz Have fun P. S. ADDING MORE CONTENT AS IT GOES! Enjoy the videos and my thoughts about Gorilla Girl XL from sweet seeds At week 15 from seed Schedule 18/6

Lamp Brightness: 100% @ 16" - estimated 914 PAR (GMO 2 tallest plant so top of this is used for 16" light distancing) Feeding schedule once-a-week, other waterings strictly water-only Watering volume varying up to 3/4 gallon per day Day after feeding, soil is given a sst + fresh organic kefir whey 4oz+ per gallon (kefir grains grown in local organic grass-fed milk) IPM once-a-week visual inspection - no foliar applications note: lowering humidity this week, beeswax coated hemp twine used to tie up some heavy branches on GMO 1

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Seedling is doing well, trying not to over water and keep the RH high around 68-70%. Changed the light schedule to 18/6 mid week. Seems to be doing ok with the slightly colder temps at night. Happy Gardening 🇨🇦👊❤️

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Ein wunderbarer aber auch anstrengender Grow geht zu Ende. Erstes Mainlining, erste Photoperiodische im Zelt… Qualität, Resistenz, Geschmack 🤩super Habe bisher nur einen geraucht, THC hat mich gut weggehauen, hätte ich selbst nicht gedacht

Siamo all'inizio della 3° settimana di fioritura..si iniziano a vedere o primi pistilli cazzilli😂😉💪🕉️💚 forza belle mie....

they are all thriving, growing exactly as i want them to. sucking up everything i give them and they are on daily feeds. some of the autos are starting to flower, but im gonna stretch out veg for atleast another 4/5days for photoperiods. they are ranging in height between 45 and 75cm. west coast OG auto from fastbuds been the tallest at the mo. dinafem cookie strains showing preflowers now and everything going fine. no problems as of yet in the slightest. daily updates.

Chopped on day 82, and dried for 8 days. Produced 27.9 grams (1 Oz) of flower. The yield isn't great, but it's my fault due to stressing and transplanting the plant. I had to fix her and by time she was back on track, the yield was severely impacted. However, the quality seems great. Now time for curing.

привет ребята,все идет хорошо , это от производителя и я так и не понял он цветет 6-7 недель или всего нужно Цветение 42 - 49 дня ??? Генетика Hulkberry x Diesel Auto Харвесты 500 г/м² Цветение 42 - 49 дня 42 - 49 дня вот такая у нас температура , нет денег нет условии,но не проблема стараюсь как могу )))))) ??? я нечего не трогаю,хочу увидеть полный потенциал )))))))))))))

Week 3 (27-11 to 3-12) What's good everyone? We started this week off with removing the 2 bottom shoots. The next day Santa came early 😁 Got 2 new clip fans and the AC5 Power strip from Spider Farmer. The power strip has 5 outlets you can control in the app, they can be turned on based on a time cycle, humidity or temps. It comes with a sensor that monitors light, temperature, and humidity. And a soil sensor that monitors soil moisture (VWC), temperature, and electrical conductivity (EC). It also has a light adapter to connect 2 lights, that can be controlled in the app aswell. The app shows the current VPD, i try to keep this around 1.0 In the middle of the week we topped her aswell. The next day we increased the light intensity from 30% to 35%. LUX: 13.000/13.500 to LUX: 15.000/15.500 This week's growing conditions were 17.9°C to 22.4°C with a humidity of 55.5% to 67.6% and watered 2 times with 0.5L. See you next week!

So liebe Community 💚🍀 heute war es an der Zeit die Sunset zu ernten. Die Pink Sunset von Silent Seeds feat. Sherbinskys ist ein echtes brachiales Prachtstück! Sie ist von den Konditionen des Klimas zwar nicht sonderlich Anspruchsvoll. Dafür legt Sie einen immensen Stretch hin und Mann muss sie ordentlich bändigen. Die Blütedauer liegt bei ca. 9 - 10 Wochen, was sich aber definitiv Lohnt. Dies war mein zweiter Anbau der Pink Sunset und es hat sich definitiv erneut gelohnt. Ihr Aroma ist zwar etwas eigenartig, dumpf und nicht richtig in eine Richtung zu beschreiben, dennoch sieht sie einfach wunderschön aus. Sie hat eine sehr gemischte Blütenstruktur: Die Buds sind richtig dick und kompakt, ziehen sich dann aber doch ein wenig in die länge und es ist ein leichtes Foxtailing erkennbar. Sie wirkt definitiv richtung Ende ihrer Wachstumsphase definitiv wie ein sehr dominanter Sativa Typ. Stay Tuned!💚

Alaskan Purple auto is growing great under the Medic Grow Mini Sun-2. She is starting to bulk. She has been drinking a lot. So far she is doing great. I have done some selective defoliation in center, but not much. Everything is going great. Thank you Medic Grow, and Seedsman. 💪🏻❄️🌱 Thank you grow diaries community for the 👇likes👇, follows, comments, and subscriptions on my YouTube channel👇. ❄️🌱🍻 Happy Growing 🌱🌱🌱 https://youtube.com/channel/UCAhN7yRzWLpcaRHhMIQ7X4g