10-1 Day 2 of week 3 flower. Ztrawberriez starting to dry after flush, looks ok. Kosher started to show signs of burn, so I figured I over fed her too. Turns out ppm was 8900. Flushed to 1600 ppm. Shoulda did 2 more liters, but we'll see. Run off ph 7.1 Balance her out I hope. 😁🤘 Oh removed couple messed up leafs. 10-2 Ztrawberriez water 500 ml. ph 6.3 10-3 Water Z 500ml ish again. brought from 22% to 36% (ecowitt). made a gallon of water with recharge, kelp 10 ml, yucca. cal/mag 5ml ph 6.4. also recalibrated my PH pen, never hurts! Kosher should be water time tomorrow. 10-4 Watered K with the same goods Z got yesterday! Regular cal/mag water for Z 10-5 Watered both .2 mg epson per liter water. Cal/mag, yucca 1k ml each approx. Maybe closer to 900. Both growing great and smell great! Z is a bit tall and head long. K is more compact but fatish? Anyways, doing great! Tea next day or 2 or 3. 🤣 10-6 1/4 cup poo, 3 tbs buildaflower, scoop of connect. Both! . .

Final day of veg flipping the flower today I’m excited to see how these tests go I have lots of hope for the ones and I may only create s1’s

Hallo zusammen 🤙. Sie wächst sehr schön und macht keine Umstände.

Tag 49, es geht in die Blüte 😎

Alright I've updated this postmortem and cure just to give an idea of what I was up to during the dry and cure weeks. This grow was a ton of work and I'm very please with the results. I learned a ton about soil and environment control and really feel like I'm gaining confidence and coming into my own as a cultivator. I've been playing a lot with ice water hash and rosin and have set some neat goals for the future like hunting ice water hash cultivars, going perpetual and expanding the amount of canopy I can work with by building a network of remote-operated satellite flower tents in friends' and family's abodes . I'm not sure I'll go through all this effort of documentation here again, but please follow along on my instagram, stay in touch and chill out with me sometime @Fullmeltalchemist.00 All in all, I was running 1000w of quantum board across three tents and pulled just over 1100 grams, which was a big goal of mine. Thanks for all the advice and love growmies! And thanks growdiaries for the platform. It's been coo.

Vamos familia, actualizamos la segunda semana de floración de estas Panty Punch de Seedstockers, salieron 3, que van creciendo a buen ritmo y tienen un color espectacular, veremos cómo progresan. Empezamos añadiendo varios productos de la gama de Agrobeta para la Floración. Temperatura y humedad dentro de los rangos correctos. Ya realizaré el trasplante correspondiente a 7 litros. Vamos viendo cómo avanzan estas próximas semanas. Agrobeta: https://www.agrobeta.com/agrobetatiendaonline/36-abonos-canamo Hasta aquí todo, Buenos humos 💨💨💨

Seedlings are doing well! The 1 that is about 4 days older is showing good growth. I’ve been able to keep the humidity high enough and haven’t overwatered them yet! They are getting about a cup of water, starting with the outside rim and working my way in. This is about every third day or so. Not much else, it’s been an easy week. Happy Gardening 👊🇨🇦❤️

awesome strain, fat resinous buds with an awesome scent and great yield! both plants grew very evenly and almost looked the same, would grow again any time!

Satisfecho pero voy por mejorar los parámetros en la siguiente para ver algún cambio, como también cambiar de banco de semillas a uno nacional (Chile) y serán Fem.

Flowering week 10.

Everything's going well here they drink minimal 1 liter per day almost. I did a light defoliation yesterday. ( I also turn on my dehumidifier I run around 55%rH) I started with Bloombastic, which Atami kindly gave me a few months ago. I hope to be able to participate in the contest with my various journals. I plan to use Bloombastic and a little Rokbaztic for the end on each of my next grows, which I still have left over from an old gift from a grow shop. Top ! 👍😎☮️

welcome everyone to my Strawberry Tent GrowOFF I will be showcaseing 6 diffrent starberry autoflowers from 6 diffrent breeders, we will see what ones win the superfichal awards of: Best In Tent, Best Smell, Best Buds, Best Yeild, Best Taste, Best Form and Best High. 6 plants and 7 awards, I have a feeling some of the strains may take 2 or 3 of the awards and a few of them may not make it to fruition. The tests will be blind and then matched to a key at the end to find out who is who to avoid as much bias as I can given that I some of my firends will be the sole judges for most of these catagories. + [Best In Tent] = Over all best plant in the tent. + [Best Smell] = The best smelling plant based of my sences fresh & cured will be raited + [Best Buds] = The best looking buds visually, colour, density and frost will be raited + [Best Yeild] = The heavyist yeilder of them all, total grams/OZ will be raited + [Best Taste] = The tastyist tasteing buds, peronsal prefrence based on the gunipigs I outsouce to smoke/vape the buds. + [Best Form] = The best growth pattern and form out of the plants, nothing to strechy or compact. + [Best High] = The best feeling buds from getting stoned, peronsal prefrence based on the gunipigs I outsouce to smoke/vape the buds. I would like to extend a big thank you for all the sponsors of this grow. From Lighting to Nutrients to the Seeds themselfs. #1 Medic Grow LED Lights, I will be useing 2x 240w MiniSun2's dimmed to aorund 60-80% at peak flower. https://medicgrow.com/ https://growdiaries.com/grow-lights/medic-grow #2 Metrop Nutrients, They have sent me a starter pack that I will use to grow these ladies out. https://metrop.net/ https://metrop.store/products/startbox #3 all the brands who donated to the cause, in no pictular order: Exotic Seeds, Pure Instinto, Seedsman, Original Sensible Seeds, Fastbuds & *Barneys farm* **indacate the seed was gifted to me from another grower and the breeder did not choose to partiscapte in this growOFF but are part of it anyway. https://www.exoticseed.eu/products/strawberry-cola-auto https://pureinstinto.com/product/strawberry-shortcake-autoflower-cannabis-seeds/ https://www.seedsman.com/us-en/strawberry-cheesecake-auto-feminised-seeds-sman-strchcake-auto-fem https://originalsensible.com/original-sensible-seeds-strawberry-pie-auto~22096 https://2fast4buds.com/seeds/strawberry-pie-auto https://www.barneysfarm.com/strawberry-cheesecake-auto-569 I will be growing these in a coir/perlite medium with liquid hydrophonic nutrients. The pot size will be 2 Gal each for 12Gal total medium in a 2x4 tent under a potentinla maxium of 480W via the 2x Medic Grow Mini Sun 2's LED Lights. Germination methyod will be the same, soaking seeds in water then into the final pots medium. They will be getting a 18/6 light scheulde from start to finish and a PH of between 6.2-6.5 for the entire grow. I will be useing some root incolulents to help the plants form a strong and healty realnship with the medium. From what I can tell this should go smoothly without many issues. I have a few good friedns on here who only grow in hydro so if I run into any issues I am going to hit them up and learn some new things. Good Luck to all the brands competeing. I will host a question poll to see who thinks what one will susceed the most. and Maybe open it to eveyone to help rate the best looking buds catgory. One thing to note is I am mixing all my nutrients into a massive pail that is about 2Gal and I mix it till it hits a desired EC point, so the measurements of ml/l is a bit of a guesstimate. I know its in the ruff ball park area of what I added but it could be off by a bit. m0use

23.2.25: I watered with approximately 1.5 ltrs per plant. I mix 6.5ltrs of dechlorinated water PH'd to 6.4. This time, I only added Ecothrive Biosys to the water because I have just top dressed the soil. Adding anything extra right now would probably be overkill and result in toxicity from too many available nutrients. I defoliated minimally mostly Do-sì-dos, Watermelon, and Pink Mist. Due to the scrog net, it's about all I can reach 😅 I've moved the plants to increase space for Gorilla Cookies 🍪 and Bubble

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Nella tenda Iniziano a sentirsi odori floreali e alcune delle signorine stanno prendendo colore sulle foglie della parte apicale 💜 Sto innaffiando le piante 🌱 a giorni alterni perché ho diverse tabelle da seguire, le Gorilla 🦍 di RQS e Zamnesia sono a circa 1.9 EC mentre quelle di Seeds Mafia a 1.8, le altre 2 di Anesia invece sono a 1.7 e andranno ad aumentare a 1.8 alla prossima settimana…cerco di cambiare ogni giorno posizione a farle girare nel box perché almeno riescono a prendere luce da tutti i lati…sono molto soddisfatto della SF2000 di Spider Farmer sta facendo un ottimo lavoro e le bollette non ne risentono come pensavo 😆 oltre che avere un ottimo spettro che aiuta le piante a essere in salute il più possibile 😎 Ci vediamo con altri aggiornamenti tra qualche giorno!

Alles wird Gut =) First day. Clones.

29/10 - Paper towel method, all seeds germinated 30/10 - Planted into their first pots 01/11 - Sprouted 03/11 - Watered with PH 6.2 water 06/11 - Watered with PH 6.2 water and 10ml of Seasol

Parece que tienen una deficiencia de potasio ,hoy he regado con Monster bloom y floración de boom nutrients y Candy boom ,el problema ha sido que en la segunda semana se me pusieron las hojas amarillas y pensaba que era nitrógeno ,añadí nitrógeno y era potasio la cagué !! Ahora no se si es falta de potasio o la he torrado con nitrógeno y tengo que lavar raíces ,que opinais