Week 4 and the EthosGenetics doing amazing. The auto gelato from Nirvana seeds I'm pretty sure are duds. They aren't growing any sort of branches and don't show any signs of trying. I think they are coming down this week to make more room in the tent. I have some fastbuds seeds I just received that will be very happy in there lol

Day 50 from seed and these BCN criticals have a lovely citrus smell. When i open the tent, its the first thing i smell. Theyre all healthy and running. Lights are still on 20/4. Bit of redish/amber hairs showing up. When i loom at other pictures its just the genes of the genetic. I Cant wait to harvest this! Ive started adding more biobizz as it states on the chart. And then i water with normal tap water every 2 days! I will post an update for week 8 next week! One love!

Esta semana seleccionamos las plantas más adelantadas de nuestro cultivo, para colocarlas bajo la nueva luminaria Led LazerLite Pro 720 de The Pure Factory, con la potencia ajustada al 50%. Miramos de que las cuatro variedades estén representadas bajo el led y bajo las lamparas HID, de esta forma podremos ver las diferencias entre los dos sistemas. Seguimos con nuestra rutina de fertilización para la fase vegetativa Grow Soldier + Green Mystic by JUJU Royal y CALMAG de BioBizz. Al final de la semana, cambiamos el ciclo lumínico para pasar a 12/12 Floración.

This week was mostly about maintenance, balancing the canopy, and keeping the rhythm steady. The lighter green pheno keeps drinking well and is building buds consistently. Growth in biomass seems to have slowed, which is fine — she’s clearly channeling her energy into flower production now. No new leaf mass, but steady bud development. The darker green pheno, on the other hand, required real work this week. She had become very dense and bushy, so I carefully defoliated her, opening the canopy and removing shaded bud sites that would never reach proper light. I was mindful not to overdo it, giving her just enough space and air without stressing her further. The result is a much more open structure with better airflow and a cleaner look. The PPFD increase to 1000–1050 µmol/m²/s from the week before shows no negative effects — both plants are handling the light intensity well. They’re responding steady and healthy, which gives me confidence to keep them at this level. Overall, the tent is vibing steady right now. The darker pheno got a fresh haircut and is breathing again, while the lighter one keeps cruising, stacking buds even if she’s not pumping out more leaves. Light levels are up, the girls are chill, and I’m just letting the ride flow. It feels like the darker pheno might even catch up and outshine her bright sister. For now, I’m keeping my hands off as much as possible, letting them finish strong so I can roll into the next project. 🚀

These are part of week 12

Flush week with pure tap water

Start of week 6 and she is 2 days into flower. Gave them a good feed. Ppm are at 970's.the extra 2 light have done a good job at filling in for side lights. Just sprouted HSO: PURPLE TRAINWRECK. Super stoked....The Barnes farm vanilla kush didn't germinate Evan after 5 days and some finess so....dud...the Banana has become a bush of a plant, bud sites everywhere.

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

seeds mafia iz looking good'

Frostbangers are doing really well as the buds are thickening up she smells so good.They are starting to produce some heavy trichomes.I have begun to add 2ml Plagron green sensation every feeding now.The light intensity is set at 70 percent on the Se7000 which they are taking well.

2018-04-02. Week 3 day 1. It was time too upgrade the 0.1 liter pot too the 1 liter. Did the transplant today. They are a little bit overwatered but i will let them dry out now. This is the newest release from DinaFem seeds. And i will veg her under a Apollo 10 led and flower her in Growroom Nr2 under a 600 w Hps on a light mover. Its a organic grow and i will be using BioBizz nutrients. Strain information. Purps #1 is a feminized indica dominant strain with outstanding parents, high THC content and with very beautiful flowering. It is the result of crossing between Blueberry and PAK. The plant demonstrates purple and autumn-like colours and produces very intense fruity aromas during blooming. It develops a typically indica structure with wide leaves. It grows up to 1.3-1.5 m tall. The harvest comes after 7 weeks and brings 500 gr/m2 indoor and 600-800gr/plant outdoor. The smoke provides a pleasant feeling of relaxation and very unique bouquet of flavors. The amazing mix of fruits and berries with pineapple notes brings unforgettable senses. Gender Feminised Genes Mostly indica Genetics Blueberry x PAK Harvest 500 gr/m2 Flowering 9 weeks

2024-07-28 2 Opium Plants remain in my Outdoor Garden. One sits in a 75l container, and stands near the house the other Plant sits into 30 l container , in a corner in my Garden Die Outdoor Girls are starting to flower, still in stretchmode the Plant in the 75l container looks super impressive the 30l girl gas a good spot to go on lets see. for any reason the system dont let me do another updates, so iam forced to do all updates at once in one week 2024-08-16 The Plants are stretching and building sweet flowers Temperatures became perfect, with lots of Sun and warm weather. 2024-08-23 The Weather continues to stay very warm and sunny, the Girls drink up to 10 liters daily, and they get some feedings with organic more PK, because they need the Energy 2024-08-30 Both Girls doing fine, the Plant in the 75l Growbag, is very thirsty and develops sweet Floweringsites. the Girl in the 30l pot, has grown into the open Ground. she was sticking her roots out of the holes from the growpot i was wondering why she looks so fresh and green without getting nutrients, now i know why, she is sucking all good stuff out of open ground clever, clever. 2024-09-07 In the meantime we had some heavy rain and Wind, i had to stabilize both Plants the Girl in the 30 l Container was stretching so massively , she was growing one meter!! in short time but she was blown the most, i had to tie her and she is leaning onto a bigger treee i kinda forgot to save her from winds. but anyway, shes safe and goes on The Girl in the 75l is safe for the moment she shows already massive buds, next week i have to take pictures from above her 2024-09-13 Weather truned for summerly and hot, to autumn and raniy and cold so i have to watch her closely, and hope for more warm / dry days, for her to finish up. It weather continues to stay rainy- and she starts to mold, we will harvest instantly.

this is probably week three of flower. grow diaries doesnt give me the option to select week one of flower it skips automatically to week 5. glitches still persiat with this site that im not happy about. also upload times for a 30 second clip takes really long and i have good internet. i have to cut it into two 30 second clips to make it worth uploading

Day 57 - flowering very well with 201 watts of light. a. these buds are very sticky, the smell is intense b. keeping the DWC full after 5L is gone most days c. will be taking the ppms up slowly increasing bloom to 3ml/L and others proportionately d. uploaded video Day 58 a. steadily consuming 5L of nutrient solution a day b. the ppms are at 750, before bed last night, the ppms were 900, hungry beast she is c. she has finally stopped growing her branches taller, and the buds are all expanding everywhere Day 59 a. growing so well, the buds expand noticeable each day b. she likes the nutrients gradually raised, nice strain c. up to 1010ppm, she love Day 60 a. growing well, 5L in 24 hours b. buds are swelling up, getting larger, still at only 201 watts of light c. gave 5L of spring water PH 6 to keep ppms in the 800-1000 range Day 61 a. growing very well b. buds are noticeable growing exponentially daily Day 62 a. expanding everywhere b. debating on starting Ripen next week Day 63 a. what a week of growth this has been b. her buds calyx's are becoming very swollen with resin, very stick on the fingers c. the pistils are about 60% orange and pink d. when adding 5L to the DWC today, I add full strength bloom, ppms in DWC 1150

Stoned

Thirsty girl drank 3/4 a gallon plain water,gonna brew some AACT, tonight, then add veganic special sauce after brewing 12 hours, and unleash my microbial army. Moohaha!😈

Max 3 Pflanzen

Middle 2 plants stretched a lot week 3 of flower. They were growing slower in veg so I flipped to flower as soon as their canopy reached the net (barely LST these 2 plants with the net given their slower growth). Then week 2-3 of flower they took off. Did some defoliating to expose bud sites further down with the intent to increase yeilds.