What a champ! She didn't even blink an eye at the massive defoliation I did... she's eating and drinking and going to give me a pretty good harvest I think. Just amazing! Going to bump up the EC today to 1.2 and keep it there for the rest of her run... Honestly, I'm so impressed with this little lady, I can hardly believe her... and to think there were so many times I was going to throw in the towel and start over... I'm glad she wasn't able to read my thoughts! 10/27 - She continues to humble me... her persistence makes me ashamed of my earlier pessimism... each bud site is stacking - there will be few, if any small single buds (not talking "popcorn" but rather decent sized but still single buds)... She's plowing through the water and the nutes .... I've got the lights up as high as they can go unless I end up having to rest them on top of the top crossbars of the tent (which I may have to do!). I may try to eliminate or at least mitigate that problem with some creative LST efforts... she won't mind... she hasn't really minded anything I've done.. Also going to do a little bit more defoliation today... 10/28 - EC and pH are both nice and stable... she's gone through about 1/2 gallon since yesterday so will top up the reservoir. Didn't get the defoliation done yesterday.. heading in to do it NOW! :-D 10/31 - Haven't been terribly attentive to this part of the diary - but there's been little to say! She's doing really well, drinking a lot and handling a LOT of defoliation like a champ... And tomorrow, she turns 8 weeks old... I'm thinking she's going to run for another 5 weeks or so... Buds are rather slow growing at this moment in time but again, I'm not worried about her at all ...

Raising the structure brick by brick and looks like I'll need to add more. Brewing our own banana / lactic acid flowering serum to use in the upcoming weeks.

I pumped up the bloom nutrients a little. As it’s my last week before I go into the flower stage. My lights will go 12/ 12 shortly. I added a wooden support system because the plant was slanted a little bit. I also removed clones yesterday. And the plant is healing very very well and fast. Lots of new baby nodes growing! took out the strongest two plants to keep as mother plants. And I continued LST as the plant keeps growing steadily!

It was my first grow and I really screwed it up a lot, but it resisted all my beginner mistakes, pests, stress, being without irrigation, irrigation without measuring PH, revegetation, etc. I love her, really, in love with this strain. It is a genetics with a very relaxing effect, recommended for those who cannot sleep at night. shoutout for trimix, very good prices for begginers> https://www.trimix-pro.com/

Čusan tak proběhl sekec mazec. Mam rad spíše energii model tak jsem to sklidil bych řekl tak akorad. Na nějaký kouř tam bude za me spokojenost. Je cítit taková sladká zem, hodně intenzivní. Těším se mega na ochtnávku

Bueno

She grew great. A few problems but all on my end. Everythig was great responded to topping well. Alot of puple leaves and orange hairs. the buds look lovely and smell like mashed blueberries. not incredibly strong but i imagine that will change after a bit of cure. Super happy with the way she turned out. Dry weight coming soon. will definitely be growing this one again soon.

Will Update you guys when it’s fully Dried. Harvest on 20.12 : Lob#2 and BBC 22.12: Lob #1 ChemD still going

So I had a few issue. I over watered early on, took them out the seed tray early, started feeding them a week or two late, no humidifier yet but they recovered well.

Fed and defoliated to start week 7. The plant looks good, with a bit of yellowing, but the buds are on point and look as expected at this stage.

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Crushed it this run!🤯🙏

Ola growmies! O gráfico dos nutrientes corresponde à alimentação do gorila real # 1 (a mais desenvolvida) foram misturados em 2,5L de água. (25/07/2021). Alimentação Royal Cheese 1 e 2 (4L): E.C 0.63 /pH 6.3 BioGrow - 3ml; BioBloom - 1.5ml; TopMax - 4 ml ; BioHeaven - 3 ml; Activera - 3ml; CalMag - 0.5 ml --------------------------------------------------------------------------------------------------------------- Alimentação Royal Gorilla 2 (adicionei pela primeira vez o BioBloom) (2L): E.C 0,60 /pH 6.3 BioGrow - 1.5 ml; BioBloom - 0.5 ml; TopMax - 0.8ml; BioHeaven - 1.5 ml; Activera - 1.5 ml; CalMag - 1.5ml - meti mais que nas outras por causa da sua aparencia estranha, não sei o que fazer para melhora-la.. 27/07/2021 - Quebrei outro ramo sem querer da RGorilla #2, o ramo era fraco mas tinha uma folha grande. 27/07/2021 - Retirei algumas folhas secas e amarelas, especialmente na Royal Gorilla 1 e na Royal Cheese 2 --------------------------------------------------------------------------------------------------------------------- 29/07/2021 - Alimentação Royal Gorilla #1 (2,5L): E.C = 1,02 ; pH - 6.3 - BioGrow - 2,8ml ; BioBloom - 2ml; TopMax - 2,5ml; BioHeaven - 3ml; Activera - 2ml; Calmag - 0,6ml Alimentação Royal Cheese 1 e 2 (4L): E.C = 0,84; pH = 6,2 : BioGrow - 4ml; BioBloom - 2,5ml; Topmax - 5ml; BioHeaven - 4ml; Activera - 4ml; calmag - 0,7ml Alimentação Royal Gorilla #2 (2L): E.C = 0,80; pH = 6,2 BioGrow - 1,8ml; BioBloom - 1ml; TMax - 1,5ml; BioHeaven - 2ml; Activera - 2ml; Calmag - 1,5ml ------------------------------------------------------------------------------------------------------------- 31/07/2021 - Tirei algumas cabeças pequenas que nao iam desenvolver e tirei mais umas folhas amarelas das quatro. (as mais secas)

Blütetag 58 Hey Freunde, ich hab heute spontan geerntet (leider etwas zu früh), aber jetzt kann ich mich auf Weihnachten konzentrieren und die Trichome waren fast alle milchig, also halb so wild. 🤓 Für den ersten Run nach über 10 Jahren bin ich relativ zufrieden, vor allem in der kurzen Zeit! 🦊 Die Bilder sind Leider nicht wirklich gut geworden, war ohne Lampe leider zu dunkel, aber ich mach nochmal welche wenns getrocknet is! Ich wünsch euch und euren lieben schöne Feiertage und frohe Weihnachten! 🎄💚

ºDay 44 (21Dez) - Did some "plant work", moved upper bigger leaves under the colas that were developing below so they get more light. ºDay 45 (22Dez) - LSTing the rest of the colas, 13th watering (1st vegNute); ºDay 47 (24Dez) - LST on other colas, 1st and 2nd videos; ºDay 48 (25Dez) - 14th watering (2nd vegNute), broke one of the colas on accident... ºDay 49 (26Dez) - End of week 7;

Second week of the flowering period 😻😻😻 This week on DAY 8 of the flowering period I started replacing the wooden sticks with bigger plastic plantsticks. 👌 The plants grew like crazy the rest of the week 😵😵😵 And they drank a lot of water 😱😱😱 I did a bit of pruning this week; I removed some lower and smaller branches. 👉👉 My ceiling slopes from left to right, so on DAY14 I moved the largest plants (Triple G) on the left side. 👍 On DAY14 I also reattached the branches to the plant sticks 👌 and again bending (LST) of the branches to get a flat canopy. 🙌 👆 Largest plants = Triple G = 90cm 👇 Smallest plants = Wedding Gelato = 70cm

I switched my nutrients to Nectar For the Gods because I didn't have the funds in the beginning to do so. I got their spartan regiment with the extras. Photo-plus and SLF-100 which I use separately and not during feeding. Im watering everyday and feeding every other day. Water days I use SLF-100 and the next water day I use tea with Photo plus. my tea I use bloom by cultured biologics organic easy bloom and compost worm castings from my personal vermicomposting bed. alternating water days with the slf and photo plus was a massive growth in buds. They dense' nd up and just started putting on trichomes. brilliant brand- Nectar! OCGFAM for life now. Feeding is a pain but damn its worth it. Pricy but worth the investment!