unbelievable, the performance of her in the still mixed weather in germany is awesome. the buds are starting to smell and are getting thicker. i'm a bit afraid that if the weather continues like this, mould will form. fingerscrossed that it doesn't happen. i give her a mix of biobizz root, grow and bloom every two days. I have removed the LST. from time to time I cut off the large leaves.

Mid week last week I cut down the inferior PGC. I needed some and it looked done and wasn’t responding to water really. Anyway the buds looked good and get me kinda high. About 1oz smokable buds. This was in 2 gal so not very big. Curing will help. I pressed some into rosin at about day 6 of drying and turned out pretty well. The plant still alive is much better imo and buds should be fire , prob won’t press it

This grow was stressful and very informative. I learned alot about what the plants want/need. Love having grow diaries to keep track of everything in such detail. I will definitely grow more Humboldt Apple Blossom in the future so I can see what the strain can really do.

Week 8 (5-8 to 11-8) 5-8 Temps: 22.1 to 27.8 degrees Humidity: 42% to 60% 6-8 Temps: 22.5 to 28.1 degrees Humidity: 52% to 65% 7-8 Temps: 23.8 to 27.7 degrees Humidity: 41% to 64% Watering: Both 1500 ml. Defoliated the plants and did some mainlining with wires. Dry weight #1: 2.5 kg. #2: 2.5 kg. 8-8 Temps: 21.7 to 27.9 degrees Humidity: 41% to 64% 9-8 Watering: Both 1500 ml. Dry Weight #1: 3.0 kg. #2: 2.8 kg. 10-8 No info. 11-8 Temps: 22 to 28.1 degrees Humidity: 50% to 63%

So this plant is phenomenal with her recovery abilities. At this point, she recovered from her previous topping only 7 days ago, and grown the final 2 inches I was waiting for. As of 4/26, she is now on 12/12. Additional nutrients will be added to her for her flower period. Time-lapse again had an error, this time, I swear, it was not me. Looks like the camera and server stopped communicating until both were restarted. So as a reference, this plant is now 10 weeks from seed. She has been topped 3 times for a total of 8 crowns. I expect harvest to be approximately 10 weeks from now. But we all know how far expectations can take us.

Woche 9 nr.1: Ende Woche 9 (Tag63) die Blüte hat gut zugelegt, einige Stempel sind braun (ca 1/3), die Fächerblätter fangen langsam an zu verwelken, ein paar habe ich abgeschnitten Trichome habe ich noch nicht unter dem Mikroskop begutachtet. werde ich in Woche 10 machen. bald wird sie reif sein nr.2: mitte Woche 9 (Tag59) die Blüte hat sehr gut zugelegt, kaum braune Stempel, wächst noch, Fächerblätter fangen langsam an zu verwelken, ein paar habe ich abgeschnitten gute Trichomenproduktion momentan bin ich shr zufrieden über meinen low budget balkon grow Düngung: nr.1: tag 63: 0,5 Liter Wasser + 1,5 ml Mairol Blütenwunder nr.2: tag 59: 0,45 Liter Wasser + 1,35ml Mairl Blütenwunder tag 60: 0,5 Liter Wasser + 1,5ml Mairol Blütenwunder

9/18: New week...fed with Boomerang and Kangaroots 9/19: Applied Axiom harpin proteins and boomboom spray 9/20: Fed full strength TPS One...decent growth on everybody. The big Amnesiac is so sexy..prolly gonna be too big for the garden, but I'll figure something out... The baby LCK is coming along nicely, and I won't feel too badly switching her to 13/11 with everybody else... 9/21: Tucked a few leaves and took some photos and a video. Looking good. Just a couple more days of 24/0... 9/22: Switched out the 560w of 5000k CCT lighting for 720w of 3000k CCT lighting and set the timer for 12/12. Decided against 13/11 with emerson effect...trying to save a few bucks on electricity. I'm keeping the lights at 30" from the tops for a day or two. 9/23: The girls loved their first night of sleep...so perky!

Hello Growmies, Our journey with Epic Buzz by Anesia Seeds, which began with germination on the 20th of January, has quickly progressed to an exciting stage. Just three days into the seedling phase, which started on the 21st of January, the seedlings are already showing promising signs of vigorous growth and health. Each seedling, displaying a lush green hue, stands uniformly in both color and height, indicating a healthy and robust start. Their growth over the past three days has been remarkable, reaching heights between 5.5 and 6.5 cm. This growth spurt is a clear indication of their strong developmental potential. The transition to their next stage of growth was marked by a careful transplantation process. As soon as the first tap roots appeared at the bottom of the easy plugs, we moved them to 1-liter airpots. During this process, we treated the easy plugs with Great White, aiding in their root development. The airpots were prepared with Biobizz Light Mix, providing them with the necessary initial moisture. Since then, we've refrained from additional watering to let them settle into their new environment. Lighting has been a key focus in their care. We've set the light intensity to a gentle 15-20%, which translates to about 150 PPFD. This level ensures that they receive enough light for growth without being overwhelmed, which is crucial at their current seedling stage. In other exciting developments, the Tent X Controller has arrived. Although it's not yet in the same tent as our Epic Buzz seedlings, its presence is a significant addition to our setup. We've shared an unboxing video to showcase its features and setup process. The controller is now operational, tracking data efficiently. Its performance has been flawless, and any queries we've had have been promptly addressed by an incredibly responsive and helpful support team. As we look forward, our focus remains on the seedlings as they continue to establish themselves in their new environment. The Tent X Controller, set up in a different location for now, signifies an upgrade in our overall growing setup. We will continue to closely monitor their progress, making adjustments as necessary to ensure they receive the best possible care. We're also eagerly anticipating integrating the Tent X Controller into their environment in the future. Stay Lifted Salokin

Another 420fastbuds genetic winner.. I can already tell after all the stress this girl has been thro left and right ahe is still banging .. I have a perpetual tent so i have time to grow and i stalled her out for a few weeks.. started feeding her again and booooommm!!! Look at her .. GG4SHERBERT FF get u some!!! Only_dankzz4200 On Instagram And if u need seed anmt a good price 15%off https://2fast4buds.com/?af=281965

Upped the nutrient levels a little this week and she is starting to show crystals on the leafs :)

Wahrscheinlich vorletzte Woche! Messwerte der Bilder sind aus dem durchgelaufenem Wasser (Drain).

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Left tent is a week ahead. Fair amount of stretching this week. This time I’m paying close attention to keep flower sites high up. My experiment with bottom lighting did not went so great. I had a record yield but the quality was really bad in about 30-35% of flowers. Weak density. I’m definitely going to try again from the beginning but not this time. I have to pay attention to not let any plant get to big of a dryback in veg. It really influences the later stretching and make the plant too compact in sensitive cultivars.

420 Fastbuds Week 5 Gorilla Cookies Auto Hello grow fam. This week has been good but got extremely cold a few nights down into the low 50's. Plants seem to be OK all in all. Flower sites seem to be maturing nice, plants not showing any major signs to worry about or try and fix. I did do a defoliation on most the the major fan leafs and light lollipopping on some of the lower nodes. So far so good. Happy Growing

This is my biggest and healthiest plant I've ever had! I'm so incredibly amazed by Deepwater Culture that I'm thinking about not growing in the ground anymore and instead setting up 6 DWC systems in the tent. Tody i defoliate the plant :)

Eccoci di nuovo qui!!! Super eccitato per questa nuova collab con Kannabia Seed Company, team davvero al top, che mi ha dato l’opportunità di testare questa nuova genetica e di condividere i progressi con tutti voi!!! Ma che colori ha?! Sono rimasto colpito da lei fin da subito e mi sono ritrovato tra le mani la migliore genetica del cultivo, seconda solo per sapore, odore e strato di resina devastanti, colori incredibili e una fattanza micidiale.. RESA ECCEZIONALE PER VASI DA 11L... SUPER CONSIGLIATA A TUTTI!!! Davvero senza parole complimenti TEAM!! Grazie a tutti per il supporto ❤️🍀🔥

The little ones are developing well, unfortunately there are a few minor nutrient problems in the direction of Calmag with the Morello Cherries and also slight signs of this with the TerpyZ Punch. I counteracted this with a foliar spray. The pH value of the hydrosystem has unfortunately dropped a little to 5.5, which I have equalised with ph up from Plagron. The plants are currently getting light between 800-900 ppfd and as soon as the stretch starts, l'll increase this to 1000 ppfd. Both ladies are slowly starting to smell.

After defoliating both Barbarian (=AK-47 x Barbara Bud) plants after week 11 they now develop more and amore flower clusters, since the light can penetrate deeper int the canopy now. The plants are producing trichomes like crazy, even the bigger sugar leaves are covered in them! VERY FROSTY PLANTS! The flower clusters clearly form colas now along all side branches and both plants fill up nicely. The smell is now strong and sweet with a clear peach aroma to it, it makes me smile every time I look into the tent. The plants love the Advanced Nutrients feeding schedule and are getting the recommended dose every watering.

AUTO MOON ROCK / DIVINE SEEDS HARVEST WEEK This lady was easy to grow she didn't have any issues during her grow. She produced quality stinky buds just covered in trichomes!! She's a heavy smoke nice and relaxing for both your mind and body. She's a special lady!! Stay Growing!! Thank you for stopping by and taking a look it's much appreciated!! THANK YOU DIVINE SEEDS!!! Appreciate you hosting the grow contest!! DIVINE SEEDS / AUTO MOON ROCK