She is growing well, after a slow start. Light is 17” and the par is 600ish. I am going to make canister with yeast. Having a problem with low humidity and high humidity at night in the 70% range. Still just watering with cal mag, VJ and B-52 about 50-100 ml every other day. End of week update: the environment is doing better. Moved the light a little closer about 700 par. Watering has been 2-3 days about 75ml. Exciting things to come…

They’re still doing their thing so it’s chill time, until I have to chop em because the place I’m renting will be on the market and shown starting Monday. I already have 1 plant in a drying tent on day 4. So it’s candles and candles and hope for more amber by Sunday. HARVESTED!!!!! harvested the remaining two plants on 3/6/21 ill update when I have the answers 3/13/21 Still curing, still hanging, and today I just had to sample a tier 2 bud. Everything seems to be on point.

Weekly update: Crazy how time flies when your having fun. Seems like yesterday I did last week's update. I did some defoliating and lollipoping on them this week and switched from grow nutes to bloom. Wild how fast the preflower sites grow as it looks like they're everywhere. I'm still feeding 16oz per day, some are drinking more then others but overall Happy Growing.

Week 3 – Compact but staying small She's definitely healthy, but growth is staying tight and low to the ground. Very compact structure so far, not stretching much yet. Could just be her genetics, or she's focusing on building roots before taking off above ground. No signs of stress though – nice green color, strong leaves, and new growth coming in steadily. Hoping she picks up the pace soon, but sometimes the small ones surprise you later!

2 delle 4 Bruce banner sono rimaste in po' dietro con la crescita.. una sicuramente dovrò tirarla via

The heads are starting to swell now , the lowers are looking undeveloped still. I might do a little defoliation to let in some more light next week. I’ve noticed the first bit of change in a couple of the old lower fan leaves this week. At this stage I’m not too concerned. Buds are frosty, sticky and dank smelling.

I'ma call her Tracy and she lookin' like dessert She noticin' that I'm stressin' and she asked me, "What for?"♪♪ Feeding 💧 Always foilage with T-rex Shield, MegaKelp+Recharge 25/5 Water 8L+Si 2ml+BioGrow 8ml+TrexGrow 8ml+Calmag 4ml+Whiteroot 4ml ppm530 ph6 27/5 Flush ph6.3 ppm27 29/5 Water 8.5L+BioGrow 8ml+ TrexGrow 8ml+ Calmag 8ml+Si 8ml ppm600 ph6.05

Question time decisions decisions hav put some photo periods into flower yesterday now I am looking at a budding autoflower that’s on full 24 hour light cycle and is flourishing am thinking would swapping her to a twelve n twelve light cycle he now increase the buds am Goni get coz they say a photoperiod buds and produces trichinae n thc in the dark are autos different dae a need tae try this method for maself n find oot the hard way again lol

Such a beautifull plant i dont know what to say, the buds are so dense and frosted out and soooo lemony

Disconnecting controller cones in handy

I had a bit of a tough 2 weeks in my personal life and forgot to track and post... Things have changed quite a bit and the ladies are in full flower. My next run I am definitely opting for 40 Liter grow bags because the difference is night and day... I have moved them from the small 250w setup to the bigger 720w setup... So let's see what happens in the next few weeks

Will update throughout the harvest, drying, and curing. Great grow!!! I honestly could not have asked for a better first time growing experience. A few little bumps along the road, but nothing these ladies couldn't handle. Very citrus smell topped with a salvating creaminess. Will definitely keep this lady in mind for all future grows. Maybe at least one plant. I can't wait until I can try this girl. Thank you to Fast Buds for these awesome genetics and thank you to the Grow Diaries Cimmunity for all your help along the way. Happy Growing 💚💪🌱😎🌱💪💚

Day 40-47 (May 31st- June 7th) (Day 41) For the first time in this grow these plants are looking halfway decent. Smell is ramping up too. I finally feel optimistic about this grow. (Day 42) The two jacks and the chunky blueberry are showing early signs of N/Mg deficiencies. I know it’s late in flower but since I’m experimenting with this tent, I’m going to give them one final feeding of nature’s pride 2-5-5.5 (tbsp) along with a teaspoon of oyster shell flour and some rock dust. Everything else I’m going to give a teaspoon of rock dust and oyster shell. There is no way these amendments will fully break down in time to be used by the plant but they could at least use the pH buffering and trace amounts of minerals after their recent leach. Everything but the BAOGC is covered in pistils that don’t really match their bud size. I hope they fill into their pistils because an over abundance of hairs drops the bag appeal like crazy. Over the last few cycles, indoor and outdoor, I’ve definitely learned that different strains and phenotypes mature at different times. Sometimes really radically too. (Day 43) None of the plants are fading at all but they’re still looking good. Black garlic I know should be fading but remains dark green and toxed. I popped a developing seed out of the main bud too. I wonder if that blueberry herm branch pollinated it at all. It seems like plants don’t really like that Destiny dark matter soil by itself. I find it works better mixed with coco or promix 1:1. (Day 44) I’m starting to think I might be mixing up the TWOG and BAOGC. BAOGC took forever to fatten up last round and the 2 phenos I suspected already look done. I was thrown off by the similar terps. The beauty phenos are definitely TWOG (Day 45) God these Jack Herer’s smell good. Nothing but fruity funk. Almost like a vanilla or blueberry yogurt. I would say this stuff has the most overpowering smell in the tent now. I’ve noticed they’re starting to foxtail like crazy. Blueberry#1 too. I’m watering a final low strength feeding of seaweed extract on everything. (Day 47) Everything really fattened up this week. Even at the beginning of the week I was saying I didn’t think they would fill out. Jack Herer and BAOGC specifically made some big gains and nearly doubled their density and still have quite a way to go on them too! The smell has ramped up and finally, everything is looking happy and healthy.

Bien aquí esta el día esperado la cosecha, es mi primer cultivo y considero que lo logre. En muchos medios de lectura y en especial en vídeos mencionan que no puedes esperar mucho es tu primer cultivo. En mi caso es falso y lo demuestro ya que si aprendes, investigas por cuenta y lees lo suficiente, obtendrás un alto porcentaje de que los resultados se den. Muy contento con mi plantas y sus tonos morados. Puntos a mejorar tener una carpa de cultivo y por su puesto un extractor de humedad para que baje la humedad preferiblemente a 45 grados Vendrán mejores contenidos y cosechas mas abundantes. Gracias a todos por su vistas y comentarios. Saludos y bendiciones!

Wish the buds would have got a little bigger but feel like that’s particularly my fault for a short Veg but overall I am blow away by the outcome for all the seeds to just be random bag seeds! 2 of the plants are drying now 3rd one will be cut tomorrow & the other 2 got probably 2 more weeks! Will do a taste & smoke report and also give a weight as soon as they dry & cure a little bit but honestly couldn’t be happier with my first grow! Thanks for all the support & help along the way & happy growing friends!🤙🏼✌️🏼🌱 Update on 1st plant - dry weight 42g, still smelled pretty Earthy when I put it in the jar but the smell is definitely coming out now, extremely sticky & frosty buds❄️: 1:🏼🙏🏼 Update - plant 2 Dry weight was 40 grams! Extremely happy with the out come this is honestly some of the best bud I have ever smoked! Amazing to me this came from a random bag seed, it has a very citrusy flavor, smells & smokes amazing! Honestly a 10/10 in my book, wish I could knew what strain this was so I could grow it again!😫❄️✌️🏼🌱 Update - plant 3 Dry weight 34g, smells & look phenomenal, the buds are much smaller & had the smallest yield so far but this is by far the best smelling so far! Will have a smoke update on this one soon, stay tuned friends & happy growing!✌️🏼🌱 Update - plant 5 dry weight was 52g it dried a little faster than plant 4 which I will probably jar tomorrow! Will update again with a smoke report soon, this plant brought my total so far up to 168 off 4 plants👍🏼 Thanks for following friends & happy growing! Also the butter I made from the trim was 🔥🔥

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Solo una semana más. Domingo 19 se cosecha... Plantas muy hermosas.

Три четверти пути позади. Растение стало сильно липким, в остальном все хорошо. 22/04 PH6,0 PPM850 24/04 PH6,1 PPM930 👉Планирую сделать интересный досвет низов по периметру, оставайтесь на связи. Спасибо, что заглянули, и будьте здоровы! 🙏 Продолжение следует ...😶

Here we are. Week 2. On the Day 8 video, I give my method on how I produce nearly zero larf and huge buds. It's easier than most think 😉

Bananas are doing great, very nice, big, fast-growing ladies. Especially one of them has a very peculiar smell, I definitely get it why they are called Bananas :D I flipped them to 12/12 after 47 days of veg. I was a bit afraid that they were getting too large, I hope they will fill up the remaining space nicely.