Looks so beautiful and smells even better, so in love with this strain, has surprised me a lot, I would love to grow her again, very nice plant, maybe not the best in yield but quality is assured. 🤤💎🌱

Well growmies ive been looking forward to the MonsterMash 👻 👻 👻 She was a really nice plant to grow , she did her thing and the 👈 Buds are tight and full of frost 👈 She definitely came with the sweet and sour terps , very sweet like candy but with a skunky terpy smell 😁Couldn't of asked for better Genetics 😉 The smell coming from this girl during the entire grow was just dreamy 👈.. 😍 Would definitely recommend 👌 👉 Big thanks to all my Growmies out there in GD land 👈 Much appreciated 🙏 Thanks To MarsHydro for the TS1000 x3 www.marshydro.ca 👉I used NutriNPK for nutrients for my grows and welcome anyone to give them a try .👈 👉 www.nutrinpk.com 👈 NutriNPK Cal MAG 14-0-14👉 All Weeks NutriNPK Grow 28-14-14👉 Weeks 2 & 3 NutriNPK Bloom 8-20-30👉 Weeks 4 to 8 NutriNPK Bloom Booster 0-52-34👉 Weeks 4 & 9👌👌

Bewässerung: 5000 ml jeden 3 Tag in der zwanzigste Woche pH-Wert: 6,3 EC-Wert: 1,6 mS/cm Temperatur: 20ºC Luftfeuchtigkeit: 65% Schädlingsbekämpfung: Diese Woche haben wir ihr Wasser mit Nematoden gegeben da sich doch vermehrt Trauermücken im Bereich aufhalten. Düngemittel: Sie bekommen ab jetzt Brenneseljauche da sie im Outdoor Bereich ist. Besonderheiten: Der Boden um den still herum wurde mit Holzasche behandelt gegen Meltau. -Tag 130 die Membrana hat an den unteren Colas angefangen dichter zu werden, die Spitzen sind immer noch nicht dicker geworden aber werden langsam was 😽

19th of April day 40 above soil, Plants are looking healthy I broke one branch while low stress training but it didn’t effect the growth it’s still the fastest growing plant in the tent, maybe another week or two veg and then flip to flower 🍁

Seedsman Seeds Germination Report - Run 01: The White OG Journey Kickoff to Germination: The Start of Something Great! Welcome to the beginning of this adventure with The White OG feminized seeds from Seedsman Seeds. Excitement is in the air as we’re searching for strong, resilient plants, and this journey has all the best tools and tips. Starting with five seeds, we’re aiming for a solid beginning and maximum potential. Let’s explore every step in detail to make this grow as robust as it can be! Germination Process: Tools of the Trade TheCannaKan: The Ultimate Germination Gadget I’m thrilled to share my love for TheCannaKan, a little germination wonder! This tool is essential for any grower who wants to start their seeds with precision and care. I noticed rapid results in just 24 hours, with the seeds showing signs of life. At about 32 hours, I transferred them to the Root Riots, which brings us to the next exciting stage. Why I Love TheCannaKan: • Quick Results: Seeds sprouted rapidly, minimizing wait time. • Consistency: Keeps moisture levels optimal for uniform germination. • User-Friendly: Simple yet effective for both new and experienced growers. Root Riots and Their Role in Root Development After sprouting, I placed the seedlings into Root Riot cubes under a dome. Root Riots are fantastic for stabilizing young plants, providing an airy and nutrient-friendly environment that promotes robust root growth from the start. Benefits of Root Riots: • Root Aeration: Soft yet structured, these cubes support root expansion. • Moisture Retention: Holds just the right amount of water for growing seedlings. • Enhanced Root Health: The cubes are ideal for preventing damping-off and ensuring healthy, white roots. Nutrients to Kickstart Growth: Aptus Holland Regulator and Startbooster To give the seedlings a perfect start, I added Aptus Holland’s Regulator and Startbooster (1ml/L each). This mix promotes early root and stem strength, giving seedlings the ability to absorb light and nutrients more efficiently. • Aptus Regulator: Enhances plant resilience, aids in nutrient absorption, and promotes early vitality. • Aptus Startbooster: Adds a balanced mix of growth hormones and nutrients that are ideal for the early stages, encouraging healthy roots and faster seedling growth. Light and Environment: Future of Grow FOG LED with TrolMaster Tent X Controller I’m using a Future of Grow (FOG) LED at 600W, but keeping it dimmed down to around 200 PPFD. This setting is controlled by the TrolMaster Tent X Controller to give the plants the perfect start without overwhelming them with intense light. Controlled lighting helps seedlings to develop without stress, encouraging healthy growth and internode spacing. Shoutouts: • Future of Grow LED: High-quality, efficient LED light that adapts well to seedling and veg stages. • TrolMaster Tent X Controller: Reliable and intuitive control over light, humidity, and more. Perfect for a hands-off, efficient environment setup. Observations: One Seedling Takes the Lead At the end of this germination stage, it looks like one seedling has emerged as the strongest, while the others may need a few more days. Patience and observation are key; some seeds naturally take a bit more time to sprout. I’ll keep monitoring these with hope, allowing each seedling its own rhythm. Grower’s Notes and Tips • Consistency Matters: Germination is all about steady conditions—consistent moisture, gentle nutrients, and stable lighting make all the difference. • Document Everything: Keeping a log of each step (like this one!) helps track growth patterns and provides valuable insights for future grows. • Stay Positive and Patient: Not every seed will sprout at the same rate. Trust the process and remember each plant is unique. Community Shoutouts Thank you to everyone who makes this process smoother and inspiring—TrolMaster, Aptus Holland, Future of Grow, and Seedsman Seeds for amazing genetics and tools, as well as the growers’ community who share insights, tips, and encouragement along the way. Next Steps Now that we’re through germination, we’ll move into the early growth phase. I’ll keep documenting the lighting adjustments, nutrient changes, and growth patterns of each plant, especially that eager seedling leading the way! Growers Love, and here’s to a strong start for the future of this grow! 🌱 DISCOUNT CODE - SeedsmanSeeds - DOGDOCTOR 10% off As always thank you all for stopping by, for the love and for it all , this journey of mine wold just not be the same without you guys, the love and support is very much appreciated and i fell honored and so joyful with you all in my life 🙏
 With true love comes happiness 💚🙏 Always believe in your self and always do things expecting nothing and with an open heart , be a giver and the universe will give back to you in ways you could not even imagine so 💚

 Friendly reminder all you see here is pure research and for educational purposes only 💚Growers Love To you All and remember to keep that smile big and alive 💚

🍼Greenhouse Feeding BioGrow & Bio Bloom ⛺️MARSHYDRO The ⛺️ has a small door 🚪 on the sides which is useful for mid section groom room work. 🤩 ☀️ by VIPARSPECTRA (models: P2000 & XS 2000)

🍪🥜🌰🍬⛽️

Hey! Just back well They are getting better and better soon need to start to flower them. Fertilization happens 3x a week with the mixture of Biobizz family (Biobloom, Topmax, BioGrow, Epsom salt, Gunokalong extract.) They grow as hell. 600W LED, 18 hours on 6 hours off, 200 ml water per plant a day, humidity approx 35 percent. Day 53: They are bushy keep doing LST on them. Day 56: I constantly do LST for them and also some lollipopping so I removed the bottom unwanted leaves especially the yellow ones. From tomorrow I provide darkness for 2 days and then Monday the beggining of the 9th week I will switch to 12/12.

GMO × Triangle Mints BX – Week 15 Veg | Approaching the Solstice She’s turning into a proper outdoor plant. 130cm and the canopy has filled out into a dense, even structure with tops stacked all the way across — the LST work from earlier in the season is clearly written into how she looks right now. Health is solid, colour is deep green throughout, no concerns. Sitting at 17 hours of daylight right now, right up against the solstice peak. She’s making the most of every hour — water consumption holding at 5L per feed, and she’s clearly using all of it. Nutrients unchanged: CANNA Aqua Vega 4ml/l, CalMag Agent 1.1ml/l, Aptus Regulator 0.1ml/l. pH 6.2, EC 1.5 mS/cm. The coming week is looking like the best of the season — mostly dry, temperatures pushing up to 30°C on Tuesday, a touch of rain expected Thursday night, then back to warm and settled. Winds light throughout. If she keeps this pace through the solstice and into early July she’s going to be a serious plant by the time she flips. Updates every Sunday. Stay tuned. 🌿

8th week of flowering is behind us and I stopped giving more nutrients at this point. Harvest will be done in about 2 weeks so from now on i stick to plain water. Again zammy no2 is the one requiring daily adjustment to the supports. Flimsy branches are all bending downward.

This week I have separated the plants into 2 tent, to allow for wider canopy per plant. Day 5 - LST and defoliation needed

The tops are getting pretty close to the light and I can't raise it much more... hygrometer is reading about 31 degrees 5cm from the light so I think it should be ok. Nutrients are the same as last week, not much has changed except the buds are getting fatter :) Letss goooo

What can I saw? I did this plant dirty with the multiple plant dwc set up. Beautiful colors

Plants looks healthy, they are really in good shape and cover aproximietly 1m2 each plant. They looks amazing :)

Hey Leute! Das ist nun der Stand nach Woche 3. Die Blütenstände entwickeln sich allmählich und allgemein macht sie mir einen guten Eindruck. Einige Blätter werden langsam gelb-lila farben, was hoffentlich auf den Fortschritt der Blüte hindeutet und nicht auf einen Mangel. Wenn ihr da mehr drüber wisst bzw. Sagen könnt, gebt mir doch gerne mal ein Kommentar. Möchte nochmal erwähnen, dass ich kein Profi bin sondern dies mein 2. Grow ist. Falls ihr Tipps für Verbesserungen habt oder Anregungen für Veränderung, gerne kommentieren! Habe die Zufuhr von Stickstoff nun angehoben um auf den erhöhten Bedarf zu reagieren, da mir die Blätter etwas zu hell aussahen.

79 days!!!!! and the harvest is already harvested :) The whole growth until week 6 went very well, then the girl got a little worse, (I think it's my mistake, which I described in previous weeks), but besides all that she managed to ripen perfectly, matured stiff flowers, full of shiny sticky trichomes with a very, very sweet aroma ;) 210 gr of wet buds, I also collected a lot of sugar leaves from which I will make bubble hash :) I can't wait to taste it :) this is my first trip with Sweetseeds Looking at the flowers I understand that I will definitely repeat it :) I will leave more feedback after the smoke review:) good luck to everyone.

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.