Week 5 and she smells amaaaziiing haha This is by far the BEST strain u can get I dont touch her orher then feeding and next week starting the ripen feeding for 10 days, then a 3 day flush and cut her down she is so perfect

I'm happy with the way she's turning out.. bud sites everywhere! Starting to smell skunky, but nothing overwhelming!

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

3rd week of flower completed. They got a lollipop cut and a bit defoliation. Besides that I increased the light a bit to 950-1000 umol/m2/s, that’s a DLI of 41-43 mol/day. Nutrients got adjusted a bit. This week was overall a bit more chill because they stopped stretching so hard. I expect still a stretch but it shouldn’t be that much any more. Flowers start to build up more and more and there are already quite a lot of trichomes. At the moment I will push the plant regarding to light and the overall environment. But later on I will go for terp and trichome preservation and will lower the temps. Starting warm and getting colder to the end. Right now I aim for a VPD of 1.5-1.55 kpa. Let’s see how week 4 turns out. Conditions of the Grow: 💡 PPFD: 1000 umol/m2/s ☀️ DLI: 43 mol/day 🌓 Lightcycle: 12/12 h 💨 Humidity: 47-52 % 🌡️ 🌞Daytime Temp.: 23-24 *C 🌡️ 🌙Nighttime Temp.: 19-20 *C 🌡️🌱Leaf Temperature: 21 *C 🌡️💧Water Temperature: 19-20 *C Water TDS: 1100ppm | EC: 2200us/cm 🚰Watersource: Rainwater (TDS: 15ppm | EC: 0.03 us/cm Vegetation Equipment: 🔦 Lamp: Mars Hydro FC-E6500 📤Container: 3x DIY 63L Euro-Box with lid Pot: Netpot 2 inch 💦Pump: M.R.S. Ultimate Whisper Powerpump 22 bar 🚿Nozzles: 12x 0.3mm 🫧Waterfilter: 150 microns 🌬️Fan: 3x Clipfan 🌪️Duct-Fan: AC Infinity 200 mm with Controller and Carbon Filter 🍶Nutrient Brand: Terra Aquatica 🔬Sensors: Waterstation (EC, TDS, Temp, PH, Salt), CO2, Air Temp. & Humidity (VPD), Temperature-Sensor Root Container

So I'm very happy with how this Purple Ghost 👻 Candy 🍬 turned out she's just beautiful . Had no problems growing her and she took multiple topping like a pro !! she's produced some lovely flowers

Absolutely no problems 30.3.25 Amnesia lemon haze 74cm GG4 82 GG4 82 Amnesia lemon haze 888 Og kush 50 Iced peach 101 In house genetic mix 87 Black cherry punch 98 Gmo cookies 75cm Ppfd up to 960

Everything is going well im still waiting the biger plant to recover from the volume of nutriment that i give here

beautiful genetics, except that I left it for a few days too close to led ... and I bleached one or two leaflets! otherwise I can only have nice words for this genetics in cbd. it grows a lot even indoors, makes many branches, and has a pungent smell, the life cycle is almost over, it will be a good harvest

Another week of flower in the books. Plants look great- regular feeding on Saturdays minus a few things. I added some big 6 today; this week will be one of the last few weeks of feed before the ripening stages. Haven’t put the scope up to the trichs yet but I know we’re nearing the end. Lowered the light a notch to help cool the room and show the plant it’s near its life cycle. Ppfd-700 Vpd- 1.4 - 1.5

Welcome to Flower Week 10.amd harvest of Divine Seeds Divine Rapier I'm excited to share my grow journey with you from my Sensi Seeds Project . It's going to be an incredible ride, full of learning, growing, and connecting with fellow growers from all around the world! For this Project , I’ve chosen the Feminized Photo Strain Divine Rapier: Here’s what I’m working with: • 🌱 Tent: 225x150x150 • 🧑‍🌾 Breeder Company: Divine Seeds • 💧Strain Info : 29% • ⏳ Flowering Time: 6-7weeks

Took off excess lower bud sites and removed fan leaves. The plant is looking fantastic and plumping up nicely. Tops are already looking chunky and the light penetration is much better now after defoliating some more. I have turned the light up to 50% and have raised it to its final height. Luckily the stretching wasn’t too bad and didn’t push the light up too much.

Not giving her much water these days; today’s may have been here last. I think one more week, maybe two?

Ya estan todas 🔥🔥🔥🔥🔥🔥🔥

Day 36: Week 6 off to a start. Everything is looking good. Watered with nutrients(1ml SR, 4ml B). Only had 2ltrs ready and got no run off with this amount. Clipped off 5 or 6 of the lowest leaves that weren’t getting light. Day 37: Watered again tonight as the soil felt dry. Same dose of nutrients as last night. Took 3ltrs before I had sufficient run off, she’s a thirsty one. Removed all ties for the moment bar the tie holding the main stem down but I did loosen this a bit. The plant is very wide so I want the branches to move in a bit as the grow up. Day 38: I had to clip off a good few leaves. I know defoliation is a bad idea at this stage but the plant is very bushy and I’m finding damp patches on leaves. Day 39: I put my hand on the pot tonight and I couldn’t believe how light it was. After taking 3ltrs only two nights ago, it took 4ltrs tonight. Watered with nutrients (1ml SR, 4ml B). Day 41: Watered with nutrients (1ml SR, 4ml B). Still clipping one or two leaves each night because it’s so crowded in there. Plant looks very healthy. Day 42: Six weeks old, where has the time gone. I remember it when it was just a seed. 😀. Plant grew 16cm this week.

In dieser Woche geht es ein letztes mal in die Breite. Die abgebrochenen Triebe haben aujjf der einen Seite ein ganz schönes Loch hinterlassen. Das wird sich hoffentlich in dieser Woche noch schließen. Ich habe alles wieder etwa auf eine Höhe gebracht und lasse der Lady jetzt noch ein paar tage ihre Erholung, bevor es dann endlich in den 12:12 Zyklus geht. Näheres dazu in meinen Vegi Woche 6 Video auf Youtube: Coming this afternoon Link zur Lampe (Mars Hydro FC3000-Evo: https://marshydro.eu/products/mars-hydro-smart-fc-3000-evo/?ref=docgreenthumb Gutscheincode für Mars Hydro (3% Rabatt): docgreenthumb

Hello my friends 😇 Purple Lemonade had been flush today !! She looks beautiful that purpul-dark buds are amazing. In next 3 or 4 days I will cut her 😇 Cinderella and Bruce Banner drinking less from a avg. 1.7l/day to 1.25l/day, so end of flowering for this two will be in around 2 weeks. Cinderella looks really good, she should give a good harvest. Update: Day 67 Happy time !! Harvest time !! Finally Purple Lemonade get to the final point. At this moment there is 0% of lemon scents, BUT !! There is a beautiful smell of berries, chocolate and leather in the air. I can't wait to try it All the best, You Lovely Girls Growers 😇 💪 🙏

420 Fastbuds Week 9 Cherry Cola Auto What up grow fam. Week 9 for these girls and from the looks they are getting really close to being ready to chop. The smell is absolutely heavenly sweet. When pulling dead leafs off your hands get sticky as can be so keep some alcohol close by. All in all Happy Growing

06/12/23 - Day 0 Here we go again!! After a successful run of 3 strains, I've decided to pop a 3 pack of MilkyWay F1 from RQS. 3 seeds are in a wet paper towel, inside a plastic sandwich bag, into a dark warm cupboard. Im hoping they all germinate!! LET'S GROW!!! 08/12/23 - Day 2 from seed All 3 seeds have cracked and tap roots have come out, so i've put them in the peat pots. I mixed coco coir and perlite at 70/30. I've also decided to add a teaspoon of DYNOMYCO’s Mycorrhizae in each little pot too. 10/12/23 - Day 4 2 out of 3 have sprouted, the 3rd isn't too far behind. 11/12/23 3 out of 3 are out and thriving!! we're well within schedule and we're off to a very good start!! 12/12/23 - Day 6 I've decided to move all 3 into their final pots today! I'm using Plagron AllMix in 12L pots with a nice big drip dish. Into the tent they go!!!

Aug 05 - Temp(High/Low) 28/19 Rain(mm) 0.0 Aug 06 - Temp(High/Low) 32/17 Rain(mm) 0.0 Aug 07 - Temp(High/Low) 32/18 Rain(mm) 2.6 Aug 08 - Temp(High/Low) 18/15 Rain(mm) 30.3 Aug 09 - Temp(High/Low) 19/14 Rain(mm) 5.2 Aug 10 - Temp(High/Low) 24/16 Rain(mm) 0.0 Aug 11 - Temp(High/Low) 25/15 Rain(mm) 0.0 Cold weather and rain has stunted her. Put her in the gazebo to keep her as dry as possible.

7.14.25. Harvest was 7.13. Glad this grow is over time to finish up! Wet bud was 22.5 grams Bud looks decent sticky and smells pungent! Will starting next grow in month or 2! Thanks for checking out grow!