Looks pretty ripe, what do you think? I wish my camera could capture a clear picture of this beauty. The smell is heavier now. I was tempted to fertilize with mineral fertilizer to "improve growth")), but decided not to do it - I'll check the possibilities of the substrate to the end. What I see, I am quite satisfied.

Week two had some challenges, weather started getting cold, night temperature reaching 17- not good- decided to stress them out with one day of 24 hours of light to adjust the 4 hours night time to be during the day to maintain good temperature thru out the day.. Transplant done into 11 L pot, fed them with plagron grow 2 ml and 1ml power roots and 2 ml vita Race spay on leafs. I will do the same every 5 days from now on. Will top one and Lst the other one without topping just for comparison.

Very pleased with the state of the Chemdawg bonsai, the ceramic cupcake reveal is working nicely. Still need to clean up those roots once they firm up a bit. She's also starting to show pre-flowers now. Meanwhile, the main Chemdawg is looking great, the octo-colas are shaping exactly like I hoped, and she's mostly outgrown the overwatered thing. That said, she's a very fast grower and I'm running out of horizontal room. I'll probably need to top her again just to slow her down compared to her tent-mate (Lemon Tart Pucker, growing in a much more indica fashion). Tent is still holding at 600 PPFD, 82 F (28 C) daytime temps, target VPD of 1.0. Did another Rootwise soak across the tent this week, plants seemed to enjoy it.

Another week passes and it's official.I will never ever know what strain this is smh .. i feel like she has a few weeks at minimum left so I gave her some green sensation in hopes of helping her bulk up .. hope everyone is doing well.God bless and happy growing ✌️

: - Day 1 week 5: just checking how lst is doing, they will be ok - Day 2 week 5: not completely dry to water so I’ll wait for day 3 of week. Did lst to make sure all branches receive as much ligth as possible - Day 3 week 5: watered them with 4ml/L calmag and 2ml/L bio grow ph 6,5 tap water trough activated carbon filter. RHC#2 broke one of the branches, I had to tape it. Not to be worried, she’ll recover from that. RHC#3 is very slow compared to the others. - Day 4 week 5: defoliation so sun enters better and wait. - Day 5 week 5: added 1L of water with 2ml/L Bio grow, 6 ml/L calmag and 2ml/L bio heaven. 1600 us/cm and ph 6,2 - 6,5. RHC#3 suffered of broken branch due lst 😞 still learning about the flexibility of branches. I think she’ll recover hoping not too much stress for her. - Day 6 week 5: RHC#3 looks good despite broken branch. Not much for today just watch temp and humidity, hoping they grow tall so I can cover a good part of the tent.

Day 65: All good they are stinky and getting ready soon. BlackBerry Kush and LSD-25 will be harvested in 2 weeks so I started flushing them. Rest of them need more time at least 3 weeks or 4. Water intake 200 ml a day no more fertilization for Balckberry Kush and LSD-25. 600W LED, 18 hours on 6 hours off humidity is low approx 35 percent.

everything changed on week 4 grow tent and cob led came to show how a good light is important. from now til last 2 weeks, only indoor growing goodbye CFL's, you worked well. + LST and ferts (2ml + 0.25) Defoliation started Removed branches from 1st node

Bueno familia ya por lo menos paro el crecimiento y están empezando a engordar..ya no pasarán más la altura del foco .. bastante bien y cogiendo resina desde muy temprano... La verdad que los fertilizantes van muy bien y me adapto rápido a ellos porque ni carencias ni excesos.. @marshydro_amazonled @130.devin_mars @marshydroled_amazon @coco_pan2022 @marshydro_amazon @co.ol9055 de 120x120x200 con el Fce-6500  con 650 w Con humidificador Dos ventiladores Extractor con filtro y intractor Y controladores de @wifiindoor mediante WiFi desde app movil Todo con la gama mineral de @intensenutrientsspain @lidiacomercial

Sorry about the delay of 11 days work life and sadness from the breeding tent has made me a bit discouraged but we over that shit now what will be will be. But a lot can happen with auto flowers in 11 days boy did she stretch

Flowering has finally arrived, the structure is fantastic, each branch has its own space, and the light manages to penetrate inside. With the help of the fantastic tent-x I can keep everything under control, humidity and temperature are now no longer a difficulty to overcome, and thanks to the LED module I can also control the switching on and off of the LED light. The best thing ever is being able to use the statistics that the device retrieves, calculating the VPD and with a table I can understand if the plant is breathing well. I thank TROLMASTER immensely for giving me the opportunity to test their product! 👽

First feeding and day one of lst. Lst going well so far.

Big week! I got my new EarthBoxes and a bunch of goodies. I picked up the Probiotic Farmer's Alliance kit from BuildASoil, so I also got some EM-1, Kashi Blend, dolomite lime and Malibu compost. Alongside that I picked up Colorado Worm Compost (vermicompost), Gnarley Barley (malted barley, corn and hemp) and Craft Blend (aprox 3-5-2 organic mix). Unfortunately there was a bag of soil missing, so I ended up using my own mix though I am somewhat scared of it being too clay-heavy for the SIP. I inoculated with EM-1 and began fermenting a batch of activated EM-1 to make the bottle last longer. It looks about a week from LST, after that I hope to set up a two-tier SCROG setup and begin growing the bushes. I will begin spraying AEM-1/EM-FPE/EM-5 alternatively once a week for IPM, I will try to avoid using neem this round (unless I find this approach lacking). I also brewed a batch of EM-FPE with aloe that smells incredible, I can't wait to give it a go.

Day 52 - Deep Jealousy Auto from @anesiaseeds Nutrients: @atami_deutschland / @atami.international / @stefan_atami / @daniel_atami Soil: @promixgrowers_eur / @promixgrowers_global / @promixgrowers_unfiltered / @promixmitch LED: @powerlux_spain Tent: @secretjardin_ Thank you to everyone who follows and supports my work 🙏🏻💚 This means a lot to me and you should know you are a part of it and only with you all this is possible, you are the best community 😎 Growers love, love for everyone

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Opening 4th week blooming!! Since I levelled the EC, they are going so smoothly. Live and learning! Once they ate like a monster last time, I decided to increase 10% of the schedule, due last watering it was around 2.7. So I'll work with EC between 3.5 and 4.0 a they are consuming around 2.5-3.0 by 3 days. Removed some specific leafs covering other buds. Even didn't consider as a defoliation. Day 50 - 23/05/2025 🌞 ~900ppfd 🌡️~28°C ⏫💧~55% ⏫📏 45cm distância Mango Cream Watered with 3,5L RO water with 10+10ml Athena Bloom B+A + 8ml of Athena PK + 5ml of Athena CaMg + 5ml of Athena Cleanse EC 3.0 PH 6.0 EC Run Off 3.5 Strawberry Cola 1 Watered with 3,3L RO water with 10+10ml Athena Bloom B+A + 8ml of Athena PK + 5ml of Athena CaMg + 5ml of Athena Cleanse EC 3.2 PH 6.0 EC Run Off 4.6 Strawberry Cola 2 Watered with 3L RO water with 8+8ml Athena Bloom B+A + 8ml of Athena PK + 5ml of Athena CaMg + 5ml of Athena Cleanse EC 3.0 PH 6.0 EC Rum Off 3.7 Day 52 - 25/05/2025 Checking their trichomes, they started to become amber. So I'm supposing that we have more 2~3 weeks ahead. Their bulking phase are going so well and I'm starting to be anxious to harvest them. Day 53 - 26/05/2025 They are bulking very well and the interesting is both Strawberry Colas have different terpenes smelling out. The 1st has more gas terpenes and the 2nd has more citric terpenes. The Mango Cream, as base for Strawberry Cola, also have fruity and gas terpenes. The buds are pretty dense. Their structure are pretty tight and thick, with most of lower buds just fetching between the others, forming a unique bud for each stem. I'm pretty happy with their results. I'm expecting to harvest between 150 and 200g dry. Let's see in the next few weeks! 🌞 ~900ppfd 🌡️~27°C 💧~55% 📏 45cm distância Mango Cream 3,5L RO water with 5+5ml Athena Bloom B+A + 11ml of Athena PK + 4ml of Athena CaMg + 5ml of Athena Cleanse EC 2.1 PH 6.0 EC Run Off 3.4 Strawberry Cola 1 3,5L RO water with 5+5ml Athena Bloom B+A + 11ml of Athena PK + 4ml of Athena CaMg + 5ml of Athena Cleanse EC 2.1 PH 6.0 EC Run Off 3.8 Strawberry Cola 2 3,5L RO water with 8+8ml Athena Bloom B+A + 8ml of Athena PK + 4ml of Athena CaMg + 5ml of Athena Cleanse EC 2.3 PH 6.0 EC Run Off 3.5 This week is working in progress and should be updated asap they growth. Cheers!🍁🤞🏽

Into week 7 and all is good. All are in flower and swelling out very nicely. Ethos OG Kush is frosty and smells like a citrus grove. Barney's Purple is an absolute beast. Her stretch was impressive for an autoflower and she is almost 48in high. Her flowers are swelling nice and she has become much more fragrant in the last week. Fastbuds Zkittlez is frosty and swelling nice. She is also very fragrant, smelling like sweet candy. Seedsman Pink Kush CBD is doing well, beautiful dark purple flowers and leaves. Lights are still 18/6. No nutes. Monitoring trichomes daily looking for changes in color and clarity in preparation for harvest.

Smelling sweet creamy vanilla undertones of gas this the same girl that almost died before she fully sprouted