Day 21 from seed.....looking fantastic.

Getting a little crispy on the tops within 1 inch of the light. But all and all plant is healthy happy and starting to smell wonderful. Looking like a full 9 weeks of flower needed.

In den letzten Tagen zeigten die Jealousy-Pflanzen deutliche Aufhellungen und rostige Flecken an älteren Blättern. Zunächst wurde von einem pH-Problem bzw. Phosphormangel ausgegangen, da die Symptome untypisch und punktuell stärker wurden. Nach genauer Analyse von Düngeschema, EC, pH und dem zeitlichen Verlauf stellte sich jedoch heraus, dass es sich um einen ausgeprägten Calcium/Magnesium-Mangel handelte, verstärkt durch eine Unterversorgung in der Blüte. Ursache war, dass ich mich ab Blütewoche 5 vertan habe und über rund zwei Wochen nur ca. 1 ml Bloom (plus Zusätze) gegeben habe, obwohl 3 ml laut Schema nötig gewesen wären. Dadurch entstand ein schleichender Mangel, der erst verzögert sichtbar wurde und fälschlich wie ein pH- oder Phosphorproblem wirkte. Der pH-Wert lag im Nachhinein betrachtet korrekt im Bereich um 6,2–6,3, der EC war ebenfalls nicht kritisch – die Pflanzen hatten schlicht zu wenig verfügbare Nährstoffe, insbesondere Ca/Mg. Nach gezielter CalMag-Gabe (ca. 0,3–0,6 ml je nach Pflanze) zeigte sich innerhalb von 24–48 Stunden eine klare Reaktion: neues Wachstum wurde wieder grüner, das Fortschreiten der Symptome stoppte. Bereits geschädigte Blätter rosten weiter, was als normal einzustufen ist, da diese Schäden irreversibel sind. Aktuell befinden sich die Pflanzen im Endstadium der Blüte. Die Trichome sind überwiegend milchig, kaum amber, was auf eine verbleibende Reifezeit von etwa 5–7 Tagen hindeutet. Keine weiteren Korrekturen geplant, Fokus liegt nun auf Stabilität bis zur Ernte.

🗓️ 7° WEEK FLO // DAY 43-49 (from switch) // DAY 120-126 (from dry seed) ⚡- Light: 30 cm / 250 watt; ⌛- Schedule: 12/12; 🌡️- 22° C - 65% RH average; 📑- PH 6 - EC 2.3; 🌱- During this week the difference between the two phenotypes became even more evident, despite the environmental and nutritional conditions being the same. Pheno #1 is continuing to swell its buds and it's starting to slowly fade. Pheno #2, on the other hand, is getting darker and darker and its buds are not as big as the other one; 🌸- According to the trichomes stage they still need 2 weeks. 🆕- On week 15 I got the TrolMaster TCS-1 by @TrolMaster_Europe and I started to track my grow box data. I will add these info once I harvest!

At the end of last week, finally flower indicators started to show and these week it went more. Day 32: I sprayed them with Rhizotonic this week. This will be the last week for sprays. I don't like to spray my plants while having buds on it even thought it is organic. Always make sure you spray from below the leafs. They will uptake it better and also spray some above. With the lights off. Did some defoliation again and removed some lower internodes which will be crappy buds anyways. Made a video of my feeding bucket as well, in case some of you wonder how I feed all those plants manually. It is a pump with an gardenhose attached. Thats it for this week, Until next week!

Our Amnesia X3 Turbo Feminized from Seeds Mafia has now reached week 10, and she looks absolutely stunning! The buds are dense, covered in shimmering trichomes, and continue to emit a sweet, fruity aroma that fills the grow space. Her structure has matured beautifully under the net, and she’s showing all the signs of a successful, healthy flowering phase. We're maintaining stable conditions: Daytime temperature: 28°C Nighttime temperature: 21°C Humidity: 50% Light schedule: 12/12 CO₂ is still in use to support final bud development. Nutrient support continues with Xpert Nutrients, helping her ripen properly with all the essential minerals she needs. Huge thanks to Seeds Mafia for the amazing genetics and to Xpert Nutrients for consistently powering her progress. We're now approaching the final stage and eagerly waiting to enjoy the fruits of this beautiful journey!

Día 20!!! Estamos en el punto de comienzo de la 4 semana de floración ! Esa en la que notamos como el cultivo nos da el cambio que queremos y a partir de los dos vemos como Nuestras flores evolucionan de una manera u otra dependiendo de clima,genética,nuestra mano con ella etc.. Vamos a comenzar la media floración bien cargados con la paleta de nutrientes alta en potasio y nitrógeno! Siempre añadiendo también,nuestras mañanas de agricultor. Tuve el fallo de abrir el tupper de lombrices y echarlas a el cultivo y no poderos grabar el proceso. Fue algo rápido que hice con el armario apagado..lo tuve que iluminar por un minuto para añadir la bola de lombrices unas 60!!! La siguiente tanda de flores si empezara a sacarle provecho a estas amigas!! Deciros que el cambio en altura es muy grande no para aún de crecer! Y las últimas están engordando mucho las flores a pesar de el corto periodo se ve que nuestra selección de amnesia haze,es un fenotipo muy especial.. Es de unas 8 semanas de floración y muy buena productora! Día 21 Primer día de la cuarta semana de floración tenemos una escalera Desde la puerta del armario hacia el fondo tenemos alturas que van 54cm/62cm/71cm/80cm Gracias a el control individual en altura de cada luminaria iré trabajando con el control de dividir el área en tres Alturas diferentes,así lo requiera cada planta. Una pequeña planta que está cerca de una rendija de ventilación tuvo unas pequeñas picaduras de tips”. Observaré si no es de un periodo anterior de antes del fumigado.. Si no es así trabajaré un poco de jabón potásico y ajo! De momento el olor es muy sutil. Algunas flores empiezan a producir resina de manera temprana. Dia 22 Va todo sobre ruedas,un verde lima en las hojas,las puntas tensas y bien firmes esperando el regado de mañana! Una humedad de un 55% en el armario,cerrándolo con un 59% una vez echo el seguimiento,inspecccion de este en el día de hoy. Seguimos con una semana de humedad en el exterior del 90% y toda una semana por delante de más lluvias. Seguiremos controlando la humedad como hasta ahora con los riegos. Guardo paciencia en las plantas que aún no llegaron a la red,para poder tener un control visual de todas las puntas! Me alegra ver la cantidad de flores que están produciendo por casi todas partes de la planta y la resina que empieza a producir alrededor de estas,es un gran fenotipo de amnesia haze,con gran rendimiento productivo de flores y resina. Todo un hacierto para quienes buscan genes de sativa bien marcados con un corto periodo de floración. Día 24 Primero felices fiestas y feliz navidad a todos. Mi pequeño jardín de pinos 🌲 jejejej está estos días espectacular,ya comienza a afinar el olor ese toque a madera recién cortada y ese fondo de lima tan característico de las haze,aaag que rico olerá en las siguientes semanas buen fenotipo y no es el más oloroso.. Esta semana la humedad ronda 65% después de un riego que fueron 60litros,más de un litro por planta!. Justo lo que va necesitando para esta etapa de formación y engorde de flores… espero que en los siguientes días vuelva mejor clima también a esta zona ya que estos días de agua fueron nefastos para la interacción de aire de el exterior..no ayudaban a reducir la humedad. Deciros que el riego se aplicó el día 23. Con una EC1300 PH6,3. Una de las 44 en el último riego sufrió un poco de sobrefertilizacion,mostrando está un poco de color en el tallo,rojizo. Solo una quedó más pequeña,siendo esta 52 cm. 🏴‍☠️ Dia 25 Todo perfecto,las plantas están al 100x100 Un color perfecto,las hojas tensas y cojiendo volumen como es debido. Ya solo queda mantenerlas,y que no sufran ninguna carencia nutritiva ni exceso de esta.

👉Alrighty Then👈 So we are at DAY 49 of Flowering with the Sugar Larry 👈 And she's doing fantastic 👍 😀 decided to showcase pheno #2 , definitely has different traits then #1 very interesting 😀 thoe both are killing it 👈 Except for some slight watering , ive been doing some defolation as well as some LST manipulation to pull branches to the side 👌 👉I had to Top her during the middle of 4th week 👍 Happy Growing 👉Soil Provided by ProMix.ca 👉Nutrients Provided by Agrogardens 👉Lighting Provided by MarsHydro.ca Thanks my friends for the great support over the years 🙏 Happy Growing

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67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Flower Week 2

Was so happy to finally get to harvest day, I had a lot going on at this stage of my life, almost 2 years ago now this grow was. Times did get better and I did heal from things.

This week I repotted into 2 7gal and 1 5gal. I substituted the bio grow for root juice and dropped the cal mag. I also removed some lower leaves to make more room for watering. Feed 1 4ml root juice 1ml top max 2ml bio bloom (1.5L) Feed 2 1ml acti vera 2ml bio heaven (1 L) Feed 3 Alg a mic 4ml (1L).

The ladys got topped a few days ago. They are still doin fine. My Favorite so far is pheno #2

This hybrid is the result of crossing an automatic Critical Mass strain from Sweet Seeds´ R&D Department, chosen for its fast flowering and agreeable, intense aroma, with a selected strain of very fast flowering SWS25 (Speed Devil #2 Auto®️).

I had to travel this week, I had no way to control the ph. As the tips of the leaves are yellowed, I don't know if it changed or lack of iron. nevertheless I gave calmag. and you will control this week before the wedding, does anyone have any tips? will I do another defoliation? I did last week but she grew a lot this week THX

*WEEK 1 DAY 6 OF FLOWER* Flipped the light to 12/12 6days ago and started scrogging I also gave her quite a huge defol 5days after the switch for better light penetration and airflow, for the first week everday ill be checking on the canopy any tops that are growing too tall compared to others will be trained underneath the scrog net, resulting in even light penetration throughout the whole canopy giving lower buds better light and of course the main reason - keeping the plants small :) started to implement the boost additives to boost K intake and i have also added a exhale co2 bag above the canopy to hopefully boost the co2 levels and promote faster, better growth! the deficiency i mentioned in the last week of veg, is not looking to get worse or worsening hmmmm strange effected leaves have been removed and overall she looks great! i dont wanna get to ahead of myself yet! as we still have a long way to go, but for my first run as from up to know i am pretty happy with myself and the growth of plant, i see so many growers with basic and even really bad deficiencys/diseases from early growth! even throughout there whole growth cycle... yes i have noticed a few weird things throughout the cycle but nothing extreme no NPK deficiencys so i am really pleased with this run! roll on the next ;) Wish me further look guys, Lets Grow!

T- 23 days

First week in water.