The plants are doing well. Got the tent up. They've nearly doubled in size even though you can't really tell from the pics. They're bushy so a defoliation will be coming soon. I've topped them twice, all but GDP3 aka Elle. She seemed weaker than the other plants and kept growing out misshapen leaves, so I only topped that one once. Overall tho they're doing well. I think I'm getting to the point where the nutes in the FoxFarm soil have been depleted and it's time to start giving them nutes in their watering. We'll see. I'm happy. 😍

We are officially in full bloom. The have been enjoying 6-7 hours of sun light per day for about 4 days now, then brought back in under the cobs. The girls are all exploding with growth and stacking what I expect to be huge buds.

At the end of week 3 I topped one of the strawberry cough they are all looking good and starting to veg I’m all caught up with the grow diary’s and will add at the end of every week. I’m in Australia and did start a little late into the season but hope to get a decent grow in they will be at my brothers once transplanted and he has a few aswel that I will add into the grow log nothing but sun and water only use a little thrive that’s from Bunnings that I get from my pops shed. They will be in a nicer cleaner soil when transplanted into veggie beds and will have chicken poo as a nutrient source first time ever using chicken poo so see how it goes. Will keep the grow log updated and hopefully everything goes all well for the travel and transplant for the plants in the next few days

Day 169. Visited my friends garden and his Royal Cookies + RQS RC looks amazing, stil packing , despite cold air in UK. My forest Hermie project goes to the end, hopefully next Wednesday and Thursday I will chop them down. Happy Growing !

Hallo zusammen 🤙. So das war es für sie. Sie riecht so schön nach Fanta richtig lecker, ich hoffe das der Geruch so bleibt. Wir sehen uns in 3 Wochen. Sie erhalten 25 Prozent Rabatt in unserem Shop Mindestbestellwert beträgt 75 Euro https://greenbuzzliquids.com/en/shop/ Code: GD42025 https://seedsmafia.com/de/

It was another good week for our ladies. Tote a or the biggest ones are almost done. There is a few amber heads on the trichomes. They smell pretty strong and are taking a gallon of water a day now. We are decreasing the nutes this week for these girls. I had over fed them a week ago so the discoloring was my fault but they look better this week and the leaves quit curling and dying. Tent a is under the mars hydro light. The girls got so top heavy I had to put a net up. Tote b or the second tent is flowering a few weeks behind tent a. It’s under a viperspectre light. This tote is also getting co2. I just want to see if it will add weight or flavor to the girls. My second diary I did in dirt and this run is just clones of that run but in water. Gotta find out what works and what don’t. I haven’t flowered any under this light yet also , so this will be a chance to see what it can do. Tote b is 2 plants of white widow. The one on the left is tiny compared to the one on right but the buds on it are huge for the size. It’s so cute looking. Tent 3 is also white widow. They are under a spiderfarmer light. We will flower them also under this light. So far it’s still vegging but the node spacing is super tight. Light is at 80% power. We are going to start training it and give her a hair cut this week before we flip it. All in all a good week. I tried to make a video after watching kittens and colas video. Not good with the effects like her, but I tried. Yes We are stoopid heads! If you see a way to improve let us know or just say high! We are. Love growing. Love you all. Keep growing everybody!

29.07.24 Blütewoche 10 und Blütetag 63 und gleichzeitg Erntetag! Momentan kann ich nicht viel sagen, die Pflanzen haben die letzten 48h bei Dunkelheit verbracht und mussten Dursten. Heute morgen gab es den Großen Cut und ab gehts zum Trocknen! Updates Folgen.

W16 (15-5 to 21-5) 15-5 Temperature: 27.4 degrees (lights on) 21.2 degrees (lights off) Humidity: 58% (highest) 43% (lowest) As its very hot outside i decided to turn down the light's strength to 50% so the temps will not be so high anymore. Opened the reservoir for a couple of minutes. 16-5 Temperature: 26.7 degrees (lights on) 20.5 degrees (lights off) Humidity: 60% (highest) 47% (lowest) Dry weight: Chemdog #1: 4.2 kg. Chemdog #2: 4.6 kg. 17-5 Temperature: 26.4 degrees (lights on) 21 degrees (lights off) Humidity: 60% (highest) 51% (lowest) No pictures. 18-5 Temperature: 26.7 degrees (lights on) 22.6 degrees (lights off) Humidity: 56% (highest) 43% (lowest) No pictures. Dry weight: Chemdog #1: 3.5 kg. Chemdog #2: 3.7 kg. 19-5 Temperature: 27.5 degrees (lights on) 19.2 degrees (lights off) Humidity: 59% (highest) 42% (lowest) No pictures. Opened the reservoir for a couple of minutes. 20-5 Temperature: 27.8 degrees (lights on) 21.8 degrees (lights off) Humidity: 58% (highest) 44% (lowest) No pictures. 21-5 Temperature: 27.4 degrees (lights on) 21.2 degrees (lights off) Humidity: 58% (highest) 47% (lowest) Dry weight: Chemdog #1: 3.5 kg. Chemdog #2: 3.8 kg. Opened the reservoir for a couple of minutes.

Very good. Decresing the humidity to 45 %

What a difference a week can make! This week, the plants have been improving day after day. At the end of Week 6 and going into this one, I continued feeding with: -Biobizz Bio-Grow (1ml/L) -Root-Juice (2ml/L) -Bio-Heaven (2ml/L) -Alg-A-Mic (2ml/L) They’ve definitely started to perk back up and are growing much better again. I’ve also been doing LST every day, just minor adjustments to keep the canopy nice and flat. The branches bounce back quickly and orient themselves toward the light with no issue. Speaking of the light — I realized it had been too close for a while (only around 30 cm…), and I was seeing signs of light stress and tip burns. So I raised the Spider Farmer SF2000 EVO to 50 cm and kept it at 80% power, which gives me around 510 PPFD according to the Photone app. Since that change, the leaves have returned to a healthy green and overall posture has improved even more. Big thanks to all the growers who helped out — your tips have been super helpful and honestly saved this grow. I’ll keep things stable now, as the plants finally seem to be back on the right track!

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Some more photos. ✌️

All ok, the production of trichomes is incredible

Grew in freezing temperatures my tent was barely 16 celcius,

Day 57. Statement : Even with hard beginning - thats my best run ! Zamnesia is AMAZING !!! With veg hiccups, they still bushout to really nice plants in less than 7 weeks. Now Blue Dream is targeting my roof, Kalini Asias are thick as f@ck. Runtz very dense plants, thought they would be a bit bigger ... They drink every 36 hours, hard to keep up with work, but i do my best not to screw up with them ;) This week : feed, water, water. Defoliation too !!! Day 59. That game - "who will reach sealings" - I don't like !!!! Moved lights two days ago ... Soon i will need axe for my roof !!! ;)) That Monster Blue Dream is insane !!! Hope will do heavy defoliation in two days, maybe this will shock her ;))) other plants keep up with her and canopy is even without all three Blue Dreams. Huge plants. Day 60. Video is showing how less space is left, but they just keep climbing !!! ;)) Day 61. Thinking to defoliate all girls tonight, but maybe i will do it after next watering. Had to reposition them, loads of branches need to be chopped, some didn't see light for last two weeks( Curly, looks like sh$t, will never reach light). Girls are too big for my setup and i really hope it will be enough light and HEIGHT for them... And so Defoliation has started !!! Hope everything will go fine !!! All done !! With the thought " WHAT HAVE I DONE !!!!??????!!!!!" i go to try to fall asleep ;))) Happy Growing !!!

One more week completed, transplanted on the last day of week to a 7L..

Decided to stress her out at first. But due to anxiety I wouldn't allow the stress to continue for long. She's growing substantially and the stalk is getting thicker and thicker. The flowering came very quicker. I wish that I stressed more, that way I could produce more yield instead of one main cola. Wish me luck. Any recommendations would be great.

End for this SLH ! Dutch classic I must ran ! Never forget the first time I smoke it in Amsterdam XXX !

Day 30 of flower. Do sweet dos strain. Plants in front right. Roughly 30 days left to go in flower. Lights 1212 par value roughly 1000. I keep lowering my light no signs of light burn yet at 19 inches. Day temp 21-26 night 17-21. Rh% is set to 45-55%. Watering every third day. 4L per plant . No runoff. Every third water I give technaflora nutrients at 1400ppm. Water ph 6.2 Ive learned my plants love a water ph around 6.2. Even slightly altering this to 6.7 you can tell they don’t grow as much. Very excited for the next few weeks as you just sit back and watch them fatten up. See y’all next week.

This is probably week 9/10 actually. It’s been busy with non plant related stuff.. Babies moved tho, 1x1x2 growing tent with 600w hps. Gonna put a few cold white tornados next to it because the internet told me to🤓 9/9 plants are confirmed female. Found a bag seed of lemon haze that’s sprouted too, and now a week later it has the biggest leaves of m all. It’s on the flower schedule so prolly won’t get to big, still funny to see! Another bag seed that has been withering away on a windowsill somewhere joined us too! so it’s a full house atm with 11 different little ladies! Auto OG smells super nice, little chemical and lemony. It’s small but looks amazing, another week maybe 2? Had 2 gorillas in a pot together during veg and ripping the roots apart really set m back a little bit, they look a little light and are a lot smaller. Curious what’s still coming!!