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@Mr2toke
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06/12/23 - Day 0 Here we go again!! After a successful run of 3 strains, I've decided to pop a 3 pack of MilkyWay F1 from RQS. 3 seeds are in a wet paper towel, inside a plastic sandwich bag, into a dark warm cupboard. Im hoping they all germinate!! LET'S GROW!!! 08/12/23 - Day 2 from seed All 3 seeds have cracked and tap roots have come out, so i've put them in the peat pots. I mixed coco coir and perlite at 70/30. I've also decided to add a teaspoon of DYNOMYCO’s Mycorrhizae in each little pot too. 10/12/23 - Day 4 2 out of 3 have sprouted, the 3rd isn't too far behind. 11/12/23 3 out of 3 are out and thriving!! we're well within schedule and we're off to a very good start!! 12/12/23 - Day 6 I've decided to move all 3 into their final pots today! I'm using Plagron AllMix in 12L pots with a nice big drip dish. Into the tent they go!!!
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Week 6 starts tomorrow technically this went up at day 41. But I've started every week a day early so far so keeping with tradition we can do this again 😜 Slight purpling of the leaves I'm confident this is due to the cold night temps, I'm getting a heater today to warm her up a bit to try and kick start the growth again, buds are really thickening up, won't be long until they look like buds and not little balls of white hairs! The main Cola looks like she's going to be a big one! Exciting times! Day 42: Week 6 is here! Finally the buildings heating got turned up to a more acceptable level! Night time temps are up (18c), day time temps are up (26c) and I might be imagining it but the plant really responded to not being on the border of whats acceptable! Buds are very visibly forming day by day at the moment, really looking forward to what next week brings! I'm seeing more and more bud sites appearing all over the place, the Main Cola is becoming a decent size, all the secondary colas are growing in but I think she's gonna be heavy on popcorn buds too 😁 I'm wishing I was more experienced because I'd probably be a lot more excited about what she's doing, I assume she's going well but I have no idea how much buds will swell over the next few weeks, I'm just assuming they're going to fill out where the pistils are growing out to if that's the case oooowwweeee I've broken even at least! Loads of pictures gone up today, tried to get a picture of every cola/top that's forming and a decent number of the lower bud sites, that main cola though 😍 One of my main sun leaves has been shaded for about a week and the plant has only just decided to start cannibalising it, going pretty completely yellow and the edges are starting to go brown. I'm now 100% convinced this is because it's not getting light and isn't adding any benefit to the plant. I'll be taking that off in a few days I'm sure. I also have one sun leaf that got burned fairly early on in the grow and is now starting to get pretty seriously burned with each feeding, debating just taking it off too. It's the only leaf looking sick Day 43: Now I've raised the temps it seems a lot more of the nutes in the soil have suddenly become available and there's a bit of Nute burn showing on the plant in various locations, the first few fan leaves that were already burnt are now starting to die off anyway. I think we're getting to that stage where the plant starts cannibalising it'self by nature because those partially burned leaves are starting to look very sick whilst the rest of the plant looks healthy and green. New growth is still a bit purple I'm not sure what to do tomorrow, to feed or not to feed that is the question! Every day the buds are visibly swelling and growing taller, I'm getting more and more excited by the day! I'm uncertain about defoliating this girl, certainly the lower leaves that are dying off need to come off soon, one is completely yellow so I could do that almost any day now, but the burned leaves look like the plant is still taking nutrients out of them so I don't want to take away that valuable source! Top canopy is very bushy so I'm not sure she'd even notice, opening a grow question about this! Day 43: Updated - Tonight I trimmed the dead leaves ONLY (2 total, got nervous after this) there was the yellow leaf that had completely died and would have started to rot soon and one of the very burned leaves had also gone a very sick shade of yellow/green I went around the plant an tucked all the fan leaves covering the bud sites to try and get more light, except by the end of the day the plant had moved those leaves back into place, guess I need to let nature take her course! Tomorrow is a feeding day, she's started showing some early signs of def. in the topmost leaves, looking forward to feeding her and giving her a big boost of growth again 😁 I think we've about 4/5 weeks to go on this girl being ready! Day 44 - Feeding day, 1ml of Bio Bloom in 1 litre of water (750 ml with the mix in then followed behind with another 250 ml clean distilled water to help dilute it down further) this was the first time in a long time I actually got run off! Happy to report the PH at Run off was 6.5 which is pretty darn good! and the PH of the water provided was also 6.5 after nutes and PH balancing. Buds have thickened up again overnight! Day 45 - No pics this morning as I'm in a bit of a rush, will upload tonight, Humidity very high (65%) this morning but she did get a litre of water yesterday, seems to be drinking so much more water than ever before probably ready for a water tomorrow morning already! I think now is the time to stop droughting, the roots should be fairly well established and I want bud production to be the biggest focused, buds have swollen overnight again, the leaf mass is starting to spread out more and airflow is better, mould is a concern but looking to reduce humidity with a humidity pack very soon Day 46- Pistils are now starting to go brown, watering around 1 Litre every 48 hours today was a plain water day and the leaves are starting to turn yellow at the bottom, I understand this is normal for flowing but wonder if it's too early, started grow question regarding this Day 47 - The bud growth is incredibly noticeable! The top cola is starting to take a very nice shape, I've moved the lights around to get the lights closer to the other colas without burning the top one, a feat of engineering in itself! Each day the flowers get bigger and thicker!
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@reirrac1
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She started out as the most vigorous grower, but may have been too quick for her own good. She began having deficiencies early on which were easy to address, but they came back intermittently. Ultimately she didn’t thicken up quite as much as I would have liked, but the trichome coverage is much higher than the Sour Kush.
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@CannaBuds
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Haven't updated in a while as I haven't had much time to do so will update this all soon when I can ✌️❤️
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Chopped and done been drying for a total of 14 days ! (Feb 11th) and now just waiting to do some trimming! pics and yeild soon after cure !
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She has stretched a bit this week and started to show flowers. I removed a few leaves, and I did another refill of the reservoir. That's all that happened this week.
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@Roberts
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Casey's Rollex OG is making progress. I did treat her 4 days ago with neem oil. I did again today after some defoliation and canopy maintenance. The spotting on the leaves appears to have stopped. Hopefully it stays stopped is the intent. Everything else is looking good, and hopefully any pest are exterminated after treatment of the grow room today. Thank you Spider Farmer, and DutchFem Seeds. 🤜🏻🤛🏻🌱🌱🌱 Thank you grow diaries community for the 👇likes👇, follows, comments, and subscriptions on my YouTube channel👇. ❄️🌱🍻 Happy Growing 🌱🌱🌱 https://youtube.com/channel/UCAhN7yRzWLpcaRHhMIQ7X4g
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💩Holy Crap We Are Back💩 Well i took the summer off to do some outdoor but thats all done so , we are back indoors and at it again 😁 So super happy to be trying this one out , can't wait😝 ..... it's been awhile since I've grown some BubbleGum so looking forward to it ..👍 Seed soaked for 24 then placed in a tub with paper towels , once it cracked and rooted , placed into its main pot 👌 Lights being readjusted and chart updated .........👍rain water to be used entire growth👈 👉I used NutriNPK for nutrients for my grows and welcome anyone to give them a try .👈 👉 www.nutrinpk.com 👈 NutriNPK Cal MAG 14-0-14 NutriNPK Grow 28-14-14 NutriNPK Bloom 8-20-30 NutriNPK Bloom Booster 0-52-34 I GOT MULTIPLE DIARIES ON THE GO 😱 please check them out 😎 👉THANKS FOR TAKING THE TIME TO GO OVER MY DIARIES 👈
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67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.
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@Pixie
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Slow week not much growing still not give them their first feed yet going to start next week
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@Hawkbo
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Everything is still alive thankfully and smells fuckin tremendous. The pictures were taken on day 49 or 50. I'll probly start flushing some of them over the next week the citradellic are lookin close. They kinda all look close even tho I expected some 70 dayers with the mostly sativa crosses but I gotta get in there and check the trichs. Got all the pics I have up, I realized I didnt have any full plant pics of 2, and minimal of 3 so next feed I'll try to get some and next week I'll make sure I get alot of good ones. I feel like I should start the flush soon this strain seems to finish very quick theres already a good amount of amber trichs at day 50.
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@Bud_vista
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We are hitting week 4 now! Plant looks strong, has a nice green look overall and she seems to like her new home! I give her every 4 days ph regulated water. 1liter from the bottom, about 1,5l from above. I will give the plant another week unter the trellis to make sure the side branches catch up. Week 4 was pretty straightforward, holding the branches under the trellis and cutting some fan leafs that giving shadow to the lower branches. At end of week 4 there are first signs of flowering and she gets thirstier over the week. Giving her about 1L from bottom and 1,5L from above every two days at the moment. At first sign of flowering I have turned the led to 100% (100W) I’m really happy with my first try in coco, the plant looks healthy with a nice green color overall. I’m using ph regulated water between 6-6,3 with biobizz nutrients.
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Started some LST and removed a few leafs to get some light to the under branches. Trying to get those to grow up some for more tops in the end hopefully. Feed most of the plants some Liquid Seaweed this week with Molasses, plants seem to be enjoying it. Other then that, nothing to report really.
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@Natrona
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Auto Wappa by @paradiseseeds 8/16-22 W7F3 Hello Friends, This week, the Wappa girls stretch is slowing down and grew only 1-2 inches. Wappa 1- 48”, # 2- 46”, # 3 -25 & #4- 39”. They are in flower. All the girls are strong, healthy and vibrant. I am using TPS1, Silica Gold and Sensi Calmag. All 4 received 2 liters of fertilizer solution at Ph 6.78, PPM 661, 74.8F. I watered 3 times. The tent is very full. I really need WWCM to be done as I need to open the area for air flow. While they are 9–10-week plants I don’t expect to harvest September 5th. They don’t look near ready. Thanks for visiting. Stay green, growers love 💚🌿 💫Natrona💫
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@BigHorn
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First week budding. Definitely starting showing signs of female the first 2 days you can see the hairs com in at the bot of the stocks. Looking forward to next week
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Very high quality strain. No joke, I'm glad I have discovered such a fruity and sweet sativa strain. This m8 by gea seeds is a pleasure to smell, I'm so sad about growing her in that little 11l pot, hope next year I can make a very big bush full of fruity big colas 👨‍🌾🤤🍭🍓🍓🍏🍉🍉🍊 Loving the fragrance. Very recomended guys. Peace ✌️💚❤️💛
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@Messypies
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In the second week the plant has now started to produce its first set of single bladed leafs.
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The start of flower wars very good, we got the first flower nutrients. It will be a Monster plant again