67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Been away for 2 weeks working away. The first test for the autopots. Well what can I say. This grow is insane . I have 8 plants all are over 160cm. The 3 sweet seeds plants are over 240cm... It's insane. Supercropped the biggest but just chunking up. I'm out of height for lights now so I'm kinda stuffed in a good way. This is not the worse issue to have. I can't get individual pics of plants as there is no room in this jungle. The cheat code is Biotabs and Autopots. Just leave them alone and prepare to be amazed These have only ever had untreated tap water. And I'm talking Lolndon tap water so not the best. But the biotabs just seem to make it all good No sign of salt build up and no sign of any deficiency. I will give I feed of biopk in the coming week as a top feed but that will be that until harvest. Unless something happens if course..🤪

They are growing well. Lemon Cherry Cookies flowers fast. Guava and Apricot have done some good stretching.Their lengths are now: Lemon Cherry Cookies: 53 cm Apricot: 54 cm Guava: 40 cm I have defoliated all a fair bit. LCC is starting to spread a lovely smell. She is also turning purple. I have some problems with heat. Some days it's 34 degrees in the tent.

All okay

Flowering week 2 the ladies are slowly forming tips and everything is going according to plan. Purple Punch x Lemon Drizzle has slightly burnt tips from the fertilizer. I probably could have started fertilizing even later.

Sour Jealousy Auto FastBuds 2025 Outside Grow Week 4 April 27-May 3 Veg Not much to say. Our weather is roller coaster. One day high of only 72 and low of 44 while most of the others in the mid-80s and low in the 50s. Most of the days were sunny and there was one day of thunderstorms. I can see with the erratic conditions; she has not grown as full and leafy as she should have by now. She only grew about an inch and now 6" tall. I fed kelp and TPS1 once this week. The last pic is a heron i saw in our ditch. Your likes and comments are appreciated. Thanks for stopping by. Growers love 💚🌿 💫Natrona💫

first flower feeding week 1.added a vid.and a vid of next gen of clons.

Meseta planta se ve péqueña aún debido al proceso que llevamos del esquejé que la ha retardado un poco pero ya se empieza a notar un desarrolló más rápido podría tener un par de semanas más de vegetación y de ahí podría pasarla a floración hasta ahora todo muy bien ninguna Plaga vista y un manejo de plagas por jabón potásico para insectos durante esta semana solo una aplicación y para fungicidas un poco de fungical también solo una aplicación con un día por medio de distancia en tiempo 1 cm por litro

Hi guys, some surprises this week. We are now on transition to Flowering period, i have already seen some pre flowers, really smalll. Everything is doing really great , just one plant is with some signals of high fertilization, but nothing critic, its the most small of them. I m watering the plant almost every day, yesterday ( 19/04) i watered with 500ml of water mixed with Bio nova autoflower supermix, and RQS bloom tablets, like 1/8 of tablet per liter. They are drinking a lot now. I will keep every day watering with around 350 - 500 ml per plant, i will vary that according to the plant size and the conditions of the soil. In terms of heat, its doing ok, i added now one more ventilation inside the tent to keep more air moving around the plants. This week, i have also done more LST trainings, really small adjustments, i will do more LST when i start to see big flowers. My plant on the balcony suffered a lot because of my cats ahaha, she is now inside on a window , is recovering but slow growing, she stretched because of lack of light. Today i also decided to switch my main LED 600 W to only red light, only bloom, i was on full spectrum but i will keep for some days on red to give more height to the plant , i also improved the light distance to 70 cm, before was 60 cm. Now the height is around 15 - 20 cm, i want to improve a little the most small ones. Next week, flowering week 😜 I have one doubt , should i defoliate some fan leaves? or that procedure is only on advanced bloom phase ? And should i Keep the Full spectrum, Veg and Bloom LED on, Blue and red. ?

These girls are just days away from harvest! I will closely monitor their pistils, calyxes & trichomes throughout the week so I can determine exactly when to give these girls their two days darkness before chop! They are all starting to fade out really nice and the smell just keeps getting stronger each and every day! After this last feed/flush I will only give these girls R/O-Distilled Water with nothing added whatsoever. Please enjoy the videos I posted of the girls! Thought I’d add some music to the videos vs loud condenser microphone picking up fans 🤣 Only videos for now, I will post actual pictures and macro shots throughout the week before harvest. Update: 9/7 The pistils and trichomes are about right where I want them. I’d say I have about 90% Cloudy, 7% Clear & 3% Amber Trichomes. A majority of pistils have gone from white to amber and have retracted. The girls have stopped drinking water so I transferred them to my darkroom to finish off for two days. After the two days I will chop and hang at 67°F @ 55%RH for 8-10 days until the stems begin to snap.

All girls were 6-7 nodes high I clipped them at the nearest nodes that were close together and healthiest. I’ve heard it’s all ab the fee and I felt like that was the best choice! I’m super excited to be doing this and I’ll be doing them both differently strain specific. Glad to have the tent up and running again it was nice to take a week off during the holiday season. Can’t wait to get these girls off to a great start only thing I wasn’t excited ab was the fact I know they came from a tent that had a small infestation so I’ll be treating them as soon as they bounce back for preventative measures for a few weeks. Once again super excited and a good trial run before I get some seeds in the soil since these are clones once again. Happy growing y’all and I’ll take more pics here in the next few days to see how they react to the major haircut. Update: All reacting very well to topping! First time doing this so very exciting!!! The dosi I’d have to say is reacting better than the Maui which I thought was going to be the other way around since it’s sativa vs indica. I’ll be doing nebula and nugbucket mailing/manifold of each strain and recording everything pretty well. I’m more excited about getting this spider farm 2000 light instead of using the bestva 1000 either way it’s going to produce more and I like the white light instead of the blurple. Super excited ab this run!!!!

Idhdb

👨‍🚀Salut les copains,👋 🌞 Nous sommes au 38ème jours de floraison, Lors de ma visite j'ai été surpris par le changement de couleur de quelques feuilles sur les plantes. 🤔 Je n'ai pas beaucoup le temps de m'en occuper en ce moment, je passe juste les arroser et prendre quelques photos. Intensité de la FC3000: 90% Ventilation : Extracteur mars hydro 6 pouces avec filtre à charbon puissance : 4/10 (24h/24h) + 3 ventilateurs à l'intérieur ( ON 8/24h). ils s'activent à un horaire différent. J'arrose environ tout les 4-6 jours avec 1.5L d'eau. (+ 1gr de bioenhancer/L eau un arrosage sur 2) Venez me voir sur Instagram ✌️ https://www.instagram.com/hou_stone420/ 🌺💃❤️️❤️️🌺❤️🌺❤️️❤️️💃🌺

nice week this week. very noticeable transformation. I have a yetti purple berry kush in there which smells just amazing. this week i tried, for the first time, some under canopy LED. 2nd day with it today as i write this. they really took it well. perked up and kept at it. the color and hue is starting to come through. Super happy with this tent. I think its worth the effort to create an organised space to give yourself the best chance possible. you will see the difference in approach form Auto tent and then photperiod tent.

Hi guys, As you probably can tell I am in transition right now. I have all the photos, I just need to organize them and post them in the correct order. But by the looks of it, I had a light timer malfunction on me a few ago when I moved the ladies to the 4x8 tent. So by the looks of it, I think she is more in the second to third week of flowering. I will change it over the weekend. Thanks for checking out my grow.

Going smoothly, got a 3rd Trellis in case they grow to high

Can’t wait to see the quality of hash! Update: great return/ great terps and daytime effects 12/27 update pressed 1.3 grams of bubble hash came out lil waxy still a little wet, i’m drying in box on parchment paper with desiccant packs. In the refrigerator. Took approximately 48 hours to drive and had to re-sift twice and refreeze obviously. Not the easiest process to do it manually when you have a 20-30g puck of hash.freeze dryer is needed update: freah press is great in a 430 temp in 3dxl chamber. Did another 10 gram test run thru 25 u triple wrapped. Rosin is very nice quality.

Really surprised with how everyone turned out! Everyone is starting to flower but Kayla definitely got the lead in terms of pistils and bud sites. These ladies still need to be LST every other day. Looking forward to an early harvest!