Problemas de ph en el hidro debido a la inexperiencia. Nutrientes segun tabla.

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

Leaves reaching up to the light, absolutely perfectly happy little plant:) Nice evening growth, good internodal spacing with a strong stem. Can't ask for more than that can we :) Canna Calmag agent added to feed schedule

09/19/2018 All going well buds filling out resin sparkle all over flowers and leaves this plant is destined for my top shelf of slow cured buds can't wait to taste each one and compare to each other,to see if my breeder was as good as I have hoped for. Sorry for the rambling on racy thoughts today need my Indica to slow my roll lol😎 Ps. Sorry I posted last weeks video,will fix in morning. Sleepy 😪 time indicas doing her job! 09/23/2018 Pistils still coming out some turning brownish red,as new ones pile on top,hope she fattens up well cooler weather is on the way,maybe see some fall colors,we have probably 2-3 weeks before avg. 1st frost, but no hard frost for a month or two.? Our falls can be quite nice! If rain holds off👍🙏

Run off testing Peach Sherbert OG - ph 7.1 / ppm 2800 Peach Sherbert OG #2 - ph 7.1 / ppm 2100 Mimosa x Orange Punch - ph 6.9 / ppm 3250 Mimosa x Orange Punch #2 - ph 7.1 / ppm 3700 Permanent Marker Auto - ph 6.8 / ppm 3750 Permanent Marker Auto #2 - ph 6.7 / ppm 4300 Glookies Auto - ph 6.7 / ppm 2000 Glookies Auto #2 - ph 7.0 / ppm 2500

Week 6

Super tasty buds very dense tastes like strawberry haribo definitely recommend this strain a super easy grow

Feed Log: D:61 - 4L - [pH 6.0-7.0] Si[1.2ml],Algo[0ml], Molasses[2tsp],HakaphosB[0g], HakaphosR[3.8g],Ca[0.3g/L/]Mg[0.2g/L] INPUT; [1.658 EC] OUTPUT; 1.1L pH ? [1.472 EC] previous irrigation: D:55 ——————————————————————————— This past week I had to change the light cycle making the grow run at night instead of daytime since it’s summer and heat is an issue : temps stay around 28-29c consistently with rh levels ranging between 55-62% ; I hope some terps will stay in tact ? Lights are set to run at 60% 270 watts (780 PAR at the top) instead of the usual 337.5w. The branches have also started sagging so to remedy that I’ve tied them upwards this way the buds also get extra PAR which should help increase gains further 📈 The past 2 fertigations I’ve also included a tsp of organic molasses for the microbial life; since I’m running a hybrid approach “synganic” 👍 Also once again my pH meter broke which leaves me with pH test strips ; they’re usually good enough to get by ✌️

We started week 7 Day 44 We noticed a little bit of nutrient burnt That's okay tho we went medium hard Last time we fed them It's okay, just the tip of 2 leaves not much to worry about. We already flush a little with just plain water today so she could feel better just in case. She's healthy and strong and developing tons of buds :) Any suggestion? Please feel free to comment below and thank you for your support, happy growing guys! Day 46 Great day outdoors from 7/7pm Rainy, cloudy, sunny But great after all, then we brought them back Inside for more CFL light Day 47 Weather outdoor Kinda hot but humid Only left them outdoors from 7/2pm then back inside for CFL Day 48 Fed them up, ladies all set All day outdoors great weather Gave them a Lil flush to each one after nutes, they had a nice run off Day 49 They looking even better today But I snapped accidentally one of the stems that carried 3 flowers, I was tryna get her LST so she could come out of scrog better but she's too thick and I was not gentle I'm so sorry guys, since she's full of buds and super healthy and literally fed yesterday and since she's full of nutes I think she'd be able to replace that stems which has already another bud forming below, so I think she'd be ready to double the stem and produce like 4 times more Buds on that area, that's what I'm hoping since it's not the main stem, anyways, I will keep you guys posted. I'm the mean time I'm taking that ripen stem with buds and hanging it so she can cure and dry and even tho it's so small hairs are already turning brownish so I guess I could smoke it and try it in several weeks I guess not sure but will keep you up to date and will open a grow question to see what's up with that Day 50 Outdoors from 6.40am until weather gets too hot DAY 51 Not much, everything good Day 52 A little bit defoliation Day 53 Outdoor and indoor comfort zone She's great we expanded the net we were using and also watered them a little End of week #7

Bubble Kush and her training were not going very well. This week, basically I fimmed the plant last week. And it had just grown straight upwards, and that's not what I really wanted. Due to that, I have decided to super crop the main stem again. Like I did with my Acapulco Gold and that worked really well. It just went absolutely crazy after I did that. So I'm hoping that it'll do the same thing with my precious Bubble Kush. She is my last seed, and I really wanna try and make the most out of her so with that in mind, I super cropped her. She's doing really well and I'm so glad that I did. Here is what I did this week. Date of super crop: 11.9.25. 12.9.25: I watered with 4L of dechlorinated water PH'd to 6.5 with; 💜 4ml Flourish PH: 6.5 PPM: 308 The fungus gnats have really incresed since I did a watering of the whole tent. I have some more sticky traps set out, and I will not water for several days. Once it has dried the top soil, I will add some more Diatomaceous Earth to the top 5cm. They are beginning to really annoy me. So lets hope I can get them under control here. I'm excited to see how she takes to the super crop, next couple of weeks should be fun 😁 Thanks for stopping by this week and hanging out in the comments! 💚😁🌱✌️🧡🤞

-fast Diarie Finish up sorry ( allready Harvested )- [Be Back soon !]

Hey guys :) The girls got topped once now, they still recovering from the light burn i did, Trying to ‚LST‘ 😄 Started giving nutes in a Half dosage at week 3 !

~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_ 6/4/22 🤘🐱 Week 6 is here!! The "Fast" strains are getting super close, I think they'll be finished by week 8..calmag issues came up the minute we ran out, we got some more today and gave them all a good dose but we're cutting all nutrients after today, they'll get water only until harvest (color be damned lol)..The White Widow fast can eat a ton but the Amnesia fast seem very intolerant to even light nutrients...the separate feeding regiments in the same tent hasn't been fun but I'm glad its now behind us..We have a Chemdawg#4 in the same area but she appears to be weeks behind the "Fast" strains..We're excited for this harvest, our personal supply is getting dangerously low. again lol...we have several White Widow Fast clones we may flower immediately after these, or give away to family, smoke quality will be the determining factor...The SP-3000 is the best light of its size we own, this is the 3rd complete grow and we couldn't be happier with how dense ,tight and long the buds form..,strains we've grown in the past under CMH/HID (315watt) do so much better under the Marshydro,... its the only tent we have that we don't worry about getting complete coverage corner to corner, absolute best bang for buck imo... thanks as always for dropping by, we'll be sure to update if anything crazy happens..Happy harvests everyone!! ❤️💡🌱😽💨 ⚡Mars Hydro/SP-3000⚡ Specifications ⚙️: Diodes: Samsung LM301B / Osram 660nm (960 total!) Driver: Meanwell 300watt 🔌 (300W±5% @AC120V-277V) PPF: 824umol/S ☢️ PPE: 2.8 µmol/j 〰️〰️ Lifespan: 50k+ hrs ⌛ Weight: 10.1 lbs (4.6kg) Veg Coverage: 3 x 5 ft 🌱 Flowering Coverage: 2 x 4 ft 🌼 -The SP-3000 uses an aluminum heatsink (no fan) and the driver can be placed outside the tent 🌡️⬇️ -IP65 waterproof ratings, tolerant to high humidity grow environments 💦 .. -Up to 15 can be daisy-chained together and all controlled from a single light! 💡~💡~💡~💡~💡 ~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_

More haircuts this week! I am very aggressively trying to keep up with the canopy growth. I'm continuing to remove the small branches underneath the canopy - more or less stripping the undergrowth, while defoliating around the growth sites that have made it to the canopy surface. I'm unsure of how much more growth to wait for before I send her into flower. Maybe next week? Who knows! Not me! Hah! Happily accepting any advice from any experienced main-liners out there! 😉 She's been super thirsty - I have to add a gallon every few days to keep up! I also started adding some p31 Microbes to the reservoir to see what I can see. 😎

She's almost ready for harvest. Right now, she will be on plain water for six days. Next, I'll give her one final big flush, let the coco dry out, and then it’s chop time. This strain is looking very dense and is covered in a nice amount of trichomes. Most of them are cloudy now, with a few amber ones starting to appear.

Welcome back here on the coast of central Italy, the b.purple punch continue the strech while at the same time they develop the flowers, they have a very promising smell to scratch the stem........ These RF3s are proving to be valid and so far with a very good quality / price ratio. The week started in the best way, heat and sea breeze during the day and in the evening temperatures around 19°c/20°c which in my opinion give breath to the plants after the heat of the day Update day 3, i use Big Bud and wait for Is magic Update day 4, today i do Better photos, today i do a massive photoshooting

some images also of the Fridgegrow setup from smaller to the final pots that are quite small and hold only 5-7 liters of soil, i have about 6 in it.