So this was my first autopot grow i could have made the plants way bigger but anyway the plants were in perfect health and the buds are rockhard I have also grown another forbidden fruit wich i handwatered in coco and turns out massive buds chek that diary out its insane

WEEK 8 🌻 Seeing really good bud development again over the last week. Both strains are showing a majority of cloudy trichomes with some amber ones starting to appear so I decided to give them there final feed at start of the week and then their first flush 6 days later using only ph’d water and some cannazym. Defoliating and using sticks again to get as much light to the lower buds as possible. Lights out for 48 hours hopefully some stage next week. 🤞🏻☺️✌️

It was finally time to harvest her, what good times we had with her. Amazed with how beautiful this plant is, how easy to manage and train and how rewarding Orange Hill Special is. So we said our thanks and goodbye, thanked her for all the joy she gave while growing her. I realize more and more how I love growing them even more than the end-product. It takes my mind of all going on for a while, in my miniature jungle world in the attic. Im sure all of you just sometimes sit there and watch them, in wonder, dreaming away with a good buzz on, watching them wave in the wind of the fans. So with a heavy hart I apologize, play them their last music, sit with them and feel them and smell them, watch the glistening of the cristals. In the end we had 209 gram dried Orange Hill Special, I will know the total of the grow, in a few days, since the final big whopper still has to dry: my XtraKush, be sure to check the harvest of that one *in couple of days) and see a one-dollar seed outperform two 10 dollar seeds. I probably go over 500 grams for the total grow, which would be 1.6 grams per watt. Big success! Consider an SP-3000 for your next light, you won't be disappointed! Check www.mars-hydro.com for the latest discounts! Thank you @MarsHydroLED for letting us try out your light, it made this successful grow possible! Greetings and all the best! Thank you to our friends here, our followers and the whole Growing Diaries community for just being there. Big Hug, Sunshine and BioBuds

This lady is showing beautiful roots and a fast growth pace, let's see how she keeps developing every day guys, finally this beautiful lady was Transplanted on February 2nd after 17 days planted from seed because I thought it was the right time considering her size and also because the pot was completely conquered by those super healthy and strong roots, let's see how this lady keeps performing so far! 💛❤️💚👨‍🌾💯

"Meet Rainbow Salt, a rare and exotic plant from the incredible folks at Lit Farms. This beauty has unique black leaves, giving it a super mysterious vibe. I've been so excited to watch this little seedling grow, and I can't wait to see how huge and exotic it gets!" How's that?

11.06 - I watered them without fertilizers. They look good and healthy. The leaves around the buds at the tops begin to darken, this is the effect of adding trace elements. Next time I water, I'll add a little more. 12.06, I cut off the two lowest floors of the branches, I left the leaves in case there were any problems with deficiencies. Unfortunately, I've already spotted a few squids with my own eye plus what I caught with sticks. This does not bode well for the future. I'll have to double dose Soil Attack soon. 14.06 They growing fast, I hope that soon they will stop ;). Last watering was with a little bit PK and Bloom Stimulator from BAC and Soil Attack, Azot Bacterias and little bit BAC Silicium. Next watering will be only with little Bit Trace Elements to fight with manganese deficiency.

Week 10 Last week of Vegging, switching the lights on 12/12 cycle. Xmas is in 8 weeks now 😄 Stretch should start in approximately 7 days. I might have 2 plants (Lemon Cream Kush) finishing on the side, will see how they stretch, I didn’t expect such a Vegetative growth. Adding some pictures of what an excess of Nitrogen looks like and when the EC level of the soil is too high for a plant. Keeping an eye on the new growth of the week, the leaves aren’t clawed, meaning I can add some Nitrogen again by the end of next week to give them what they need for the beginning of the stretch. Took off some few leaves, the big fans leaves, recovering the lower shoots to give them some light. The shoots will become buds sites during flowering. Remember last week, when I spoke about the case of working in a Grow Op and the need of another week of Veg ? Plants are filling up all the light coverage now, increasing yield and gr./watts, the boss should be happy and will probably forget about this extra week 😊 Stay tuned for the Jungle show 😄 (I’m looking for a job in the Cannabis industry as Master Grower, Mineralogist, Quality Control)

Day 71-1/10/22 gonna flush these babies one more time!!!!

We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

I didn't post week 4, due to my job! I don't know if I'm doing right, I'm not an expert, but my plants are in the pre-flowering phase, all in all I'm very satisfied for now! With time and experience, I will definitely be able to make more beautiful plants later! Any advice helps me! if you have something to recommend, do it, I'll be happy to learn how to improve my crops!

Im changed my lamp from 450w cob diy led to 600w hps sylvania grolux :) will see

DAY 88 Watered with enhancer. 💧 🐟 🐚 5L (1,3 gallons) DAY 89 Found pirate mites. 🕷️ ARRRR!! 😨 Ordered predatory mites, but 2 weeks to harvest, argh.. ordered organic spray with natural oils.. opened the window. Lebby will be in a much colder room now. 😤 Die spider mites!! 💀 DAY 90 Watered with nutes 💧 5L (1,3 gallons) 💚 Wishing you a great week! 😘 __________________________________________________ SET UP Mars Hydro LED TS1000 sponsored by @marshydrococo2 😘 https://www.mars-hydro.com/led-grow-lights/ts-1000-led-grow-light custom exhaust fan 270/320 m³/h 3x Garden High Pro fans 5W tap water EC 0,25 - adding Calmag (Plant Magic) to EC 0,4-0,6 - adding pH minus Bloom (AHH) to pH 6,5 biobizz Lightmix - later Plantaflor organic tomato soil 🍅

Very golden in colour, has a beautiful structure and a spicy smell. I really liked how even the bottom buds became chunky (: Def happy I tried this one

Really fabulous ... I did not expect counted flowers ... They are all big of the same size .... All top peaks .... Guys what do you think ... Give your opinion please ... I accept both criticism and congratulations of course ... 😊😊 if you watch the video you understand the size of the flowers compared to my index finger