Willkommen zur BW1, die Pflanzen befinden sich mittlerweile im Stretch und haben das SCROG Netz fast erreicht. Ab nächster Woche werde ich dann beginnen müssen, die Triebe nach und nach ein zu Flechten. Leider hat #2 nicht die selbe Höhe, aber da kann ich mit leben. Die ältere Pflanze zeigt leichte Anzeichen von Überdüngung, auch das ist nicht so tragisch aber wertvoll für die nächsten Grows. Mittlerweile hat GHF auf ihrer Seite die Empfehlung auf 3G/L Substrat angepasst, ich würde jedem empfehlen erst einen Teil und ab Blütenbildung den Rest der gesamten Düngermenge zu geben. Mittlerweile lässt sich auch ein leichter Geruch im Zelt vernehmen.

Week 4 was pretty solid for overall growth and for bud growth. I think the stretch phase is definitely done and the bud will start to pack on size from here on out. This seems like the fun part but it's becoming very smelly and sticky..extremely sticky. I touch it once and my fingers are glued together. Seems to me that they are all happy!! Normal feeding except for more bloom nutrients and no more adding nitrogen. I needed up buying Fox Farms Beastie Bloomz and gave the girls a nice feeding which they loved! I also bought a trellis net and added it, I also bought fabric pots but wont use until next run. I also got a Govee device to monitor humidity and temp better so I can dial in the VPD! Learning so much and VPD is definitely one of the most important aspects to dial in! So far so good this week! I'm loving the trellis net addition! Makes it look so nice! Thanks for any advice!!

Day 37 Week 5 update: Not looking awesome. Appears I have a root aphids or hopefully just soil mites “arthropods” and maybe thrips.. going to be fighting soil and plant pest.. :/ Update: went to store and grabbed Neem Max by Bonide, Alaskan Fish fertilizer Got some yellowing so I added 1tbsp alfalfa meal top dressed for nitrogen boost. Currently brewing a veg tea/ foliar spray. About 2.5 gallons dechlorinated water 1 tbsp alfalfa meal 1 tbsp kelp meal 1 tbsp super fly insect frass 1 tbsp crab meal. Half tsp molasses Half tsp fish emulsion Will feed/spay tea on day 39 (48 hr brew) For veg tea. Will spray plants foliage with NeemMax today (D37) to start fighting thrips or any pest. Day 38 decided to feed with a bonide mixture. About 3-4 tbsp per 2 gallon split between the veg plants sprayed into soil and roots. Aswell as a light spray for each plant in the flower tent although those plants seeem to be doing better I have yet to inspect. Wanting to keep areas as separate as possible while dealing with veg tent first. Day 39 plants drank up the bonide mixture surprisingly overnight and feed the Veg tea about 40 hour brew. Looks prime time to use as well lots of bubbles indicating microbe activity. Also sprayed folliage with the tea and lights off for 15-20 to let leafs dry off first. Also .. slight issue I’ve been measuring my umol incorrectly.. my measurement reads in lux and Foot Candles.. Basically I was giving my plants about 50-80 Umol instead of 400-600 like I thought. Same for flower. That being said very impressed with what I have achieved with very minimal light. Hopefully my plants won’t get stunted from the correct light.

Привет друзья. Моей растихе сегодня 60 дней. Начал применять LST технику на 19 дне и продалжаю применять её через день, а 18 августа добавил ДЕФОЛИЗАЦИЮ С 20.08 ДЕФОЛИЗАЦИЮ делаю каждые 3,4 дня С 20.08 LST технику делаю каждые 4.6 дней На сегодняшний день влажность 60% 15 дней назад заметил высокий Ph 7.9 С 48 дня Ph не ниже 5.8 На сегодняшний день Ph 6.0 Начал кормить с 60 дня Canna Terra Vega PPM 550 Погладитель влажности, выполняет свои функции. Посмотрю на динамику. Всем мира и добра! https://t.me/smail_seeds #Smail_Seeds

2024/01/20 : as it survived, shiva skunk got a decent pot (1 gallon smartpot 50% canna coco pro / 50% hydroton) and 3 others are going on LST... 3 days growth : afghani #1 - 19.0 cm (+3.0) sensi skunk - 17.5 cm (+4.5) hindu kush - 16.5 cm (+3.0) shiva skunk - 11.5 cm (+2.0) 2024/01/23 : shiva skunk looks bad, with leaves going down and yellowing... it didn't like its transplant. The others are looking OK. I may have seen first pistils... The heights are : afghani #1 - 22.0 cm (+3.0) sensi skunk - 18.5 cm (+1.0) hindu kush - 18.5 cm (+2.0) shiva skunk - 11.0 cm (-0.5) 2024/01/24 : spayed with Foliar Spray from B.A.C. last night, don't know if it was OK for shiva skunk, we'll see. 3 others are preflowering without a doubt now. afghani #1 - 24.0 cm (+2.0) sensi skunk - 20.0 cm (+1.5) hindu kush - 21.0 cm (+2.5) shiva skunk - 11.5 cm (+0.5) 2024/01/25 : shiva skunk is struggling but it's not done yet. And I think stretch began for others.

Hello everyone week 4 of flower has passed for this LSD-25 auto 🎢 For the feeding schedule i stopped feeding Power Roots and Pure Zym and started feeding Green Sensation 0,5/l Mars hydro FC-E6500 75% have a great day and wish you all happy growing 😎👨‍🌾🏻

Video posted for this week was taken last night. Getting anxious on which plants will be kept. I just noticed the Zombie Kush with the smallest root zone, leaves and shortest height happens to be (by far) the frostiest. Will be running 1 of each, 1 more time to be certain. I will be taking these to the lab to be tested as well.

Day 94 Harvesting and making Hash with the cut leaves. 5weeks of veg and 9,5weeks of flowering Pot size 6L

I put 4 or 5 new LST clips on her to open her up and she has already grown a LOT since doing so 4 days ago!!

Wächst gut und hat die Fläche des Zeltes schön ausgefüllt! Nächste Woche wird auf 12/12 umgestellt und der Stretch beginnt :)

Start of week 3. Feeding a little more consistently. 1gal of the above every 3 days.

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

All the ladies are cruising along just fine, just waiting for harvest day now, can't wait, Wedding Cake smells absolutely delicious.... I can see why she's called wedding cake. 🤤🤤🤤🤤 Happy Growing guys & Happy New Year

08/07/2020 Flowering week 2 for the bigger plant, all are cuttings of Red Sky I'm growing outside but this one is stinking some crazy smells not sure how to describe burnt rubber? And pine tar? Best I can say. Application of L A B this week to feed the microbial communities. Application to leaf surfaces to combat pw (prevent) bud rot.

Start of Week 12 😉 Day 86 autumn comes too fast 😵😲😪 Day 88 time is running out 😲😯😧 Day 89 the weather turns to epic fail 💀💀💀 Day 90 the sun comes back again 😍👌 oh lord

She's survived the burn from a few weeks ago and is getting into her stride. Roots forming well. Pale leaf canopy compared to her various sisters. My first indica, so not sure what to expect :-)

Doing last big defoliation, day 2 of week 9 from seed ,15.05.25 is 2 months

Tag 71 (64 tage aus der erde) - blumen gut Tag 72 (65 tage aus der erde) - alles gut Tag 73 (66 tage aus der erde) - 3000ml wasser ohne nahrstoffe - blumen gut Tag 74 (68 tage aus der erde) - alles gut Tag 75 (69 tage aus der erde) - alles gut - video Tag 76 (69 tage aus der erde) - blumen gut - 3000ml wasser Tag 77 (70 tage aus der erde) - blumen gut