4/15/25 This plant is blowing my freaking mind. Long stacked colas. Even the lower buds are plumping up like golf balls. This is an exceptional plant so far. Shes starting to show the classic "sherbert" purple that ive noticed shows up with anything that has sunset sherbert in the lineage. Some of the leaves are starting to fade slightly and the purple is coming in. The rs11 that this seed came from, produced the most from a single plant out of all plants ive grown and trained and kept that small. She yielded 3.5 ounces or a 1/4lb of top nugs from a plant that was only about 18 inches tall and vegged for 6 weeks before flip. Once i start to clear out all of the fan leaves later on in flower, its just going to be buds running the length of the stems 4/18/25 I really believe this may be a keeper. She is absolutely stunning. Just everything is perfect. She has super long stacking of buds up and down the stems. Im actually super stoked to see how she finishes up. One of the craziest parts is that shes in a plastic 2 or 3 gallon pot and this plant is going to yield insane.

Slightly Light amber, but I'm cutting her. She really looks ripe. Also an infestation of sap eaters, so the plant is at it's end. The plant with long stem is not even 48 grams, very disappointing! Very thin flowers. Maybe if I'm lucky, I will have 10 gr 😞😞😞

Week 26: September 20 2020 - September 26 2020 Great week, no issues, no complaints. Buds are getting fatter and the smell is really starting to come off of them. Fertilized for the last time on Friday and will begin flushing with water until harvest. Blue Dream looks like she can come down now but trichomes are still milky with very little amber. Keeping a close eye on her but I think 2-3 weeks more at most before she's chopped. Girl Scout Cookies is an absolute beast! She got some wild colors from the cold snap last week and she looks awesome. I got some dead leaves I could pull, but they all look awesome with the reds, purples and greens. Buds are dense too! The pictures and videos don't do them justice. The fan leaves have long stems so they're hiding the buds, but if you pull them back, each cola is huge and gets bigger almost daily. Trichomes are starting to come in more heavily, and pistils are just starting to turn red. Purple Kush is starting to put on weight and has really shaped up in the last couple weeks. Surprised she's still so green compared to the purple in Girl Scouts, but it could just be the phenotype. She's definitely the furthest back of the two and may stay out a little longer. Overall, I'm extremely impressed and happy with my results this year. Decent weather in the forecast for the month of October. Looks like we're on the road to a pretty sweet harvest. Hope everyone is staying safe. Thanks for stopping by. Cheers!

HARVEST TIME AT DAY 55 - 06/08/21 I wanted to get these ladies cut before we go through a heat spell. they were all ready but the gelato could have used a few extra days to make some more amber trikes... oh well cut them all and hung them at 72F @ 55%RH - hopefully I can keep the temps from fluctuating too much! I did a bit of trimming before the 48 hour dark period but none today see y'all in a week or so... if i can keep the temps good then it should be more like 10 days... we'll see! THCdaddy

She’s taking her sweet time now! I found a nanner and pulled it off, but I have to keep an eye out. You can see from the trichome shots that she is not ready yet... thinking maybe 1-2 more weeks—-hoping for sooner. Going to start a flush because of the leaf yellowing. Otherwise, she’s moving along! ✌️🏻💚🌿💨

Jack Frost is visiting everyday and gifting us more

D29/V25 - 29/04/23 - Benting D30/V26 - 30/04/23 - EC 0.9 pH 6.5 D31/V27 - 01/05/23 - LST and Benting D32/V28 - 02/05/23 - Some other LST D33/V29 - 03/05/23 - Added water and nutes - EC=0,9 pH=6,5 D34/V30 - 04/05/23 - LST D35/V31 - 05/05/23 - Nothing

The cough goes great. She is pushed a lot this week and sits at 104cm today. Lots of flower sites and loads of space for the colas to grow into. Light is good,CO2 is good,temps are good.. All is good.. Thanks for stoping by. Stay safe and grow well. 👍👊

Plant has done really well these past 2 weeks. Buds have packed on weight. Smell developing into some really fruity and exotic. Bud development is really good. Fast-Flowering has really kicked in these past 2 weeks. Another 7-10 days to go and I'll be pulling her. Nutrients will be lowered this week and she'll be prepped to put into my drying room. Xpert nutrients have worked really well again with this crop. Some light signs of early bud rot. Leaves started to die from within/outwards. Happy with my 1st Fastbuds Fast-Flowering. DISCOUNT CODE FOR XPERT NUTRIENTS 20% OFF, CODE:GGST THANKS TO ALL MY SPONSORS and to those above m who's support has been essential to getting sponsors much appreciated to all them and whomever stop by.

67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

02/15 (M) - Prepping her to flip into flower within the next week or two - Weaved her under net for better light coverage - Running 8 drip emitters with a 5 gallon res - 45 sec feed every 8hrs. 02/15 (C) - Thus far all 15 are still kicking but they did take a hit - starter roots for all 15 have begun - I will update with pics within the next 2 weeks - Running high temps and high humidity during lights on. 02/18 (M) - Mom is doing great - No deficiencies - Flipped her into flower today - running 8 line feed with 5 gallon res - clean water feeds for the first 2 weeks. 02/18 (C) - The babies to a bit of a hit they are looking a bit funky but they are rooting - some of the clones are growing their own babies - I will let them rock as to seeing they are rooting and showing new growth. 02/19 (C) - 4 out of the 15 have developed very strong roots - the rest have smaller roots coming in - will continue to run high humidity and monitor accordingly.

The plants are doing well. Go on.

Had them, in a glass of water, for 2 days, then planted them into small pots.

Temps were rough the last few nights but the girls look great tho, im hopping to achive some purple on them cause of the night temps, but other then that they are hopefully gone be done in the next month Date: 14.09.2024

Day 79 since seed touched soil. Found some bud rot on other strains yesterday, so made early chop for #2 and #3. Both needed time, #2 needed like 3 more weeks, would be huge ;))) Day 112 since seed touched soil. last one is done. Ganja Farmer 2024 project is over. Happy Growing !!!

07/09 - 3 days after breaking ground On the second day had to remove the residue of the seed that was gluing the leaves together. Video attached Turned the light to 50% and around 50cm from the plants. All systems - check

👉DIA : 13/12/21👈 Metodo de germinacion: 👉<< VASO DE AGUA >>👈 seleccionamos las cantidades deseadas de semillas y en un pequeño vaso con agua opmotizada insertamos las semillas para nutrirlas durante 12H, situada en un lugar sin luz, apropiadamente tapada con un trapo.😉 __________________________________________________________________________________________________________________________________________________________________________________ 👉DIA : 14/12/2021👈 👇👇👇👇👇👇👇👇👇👇👇👇 una vez pasada las 12 H de germinacion en vaso de agua , depositamos las semillas bien colocadas en un recipiente con papel de cocina humedecido con agua y 1ML de estimulador de raices (TOPCROP). Esperamos de 1 a 2 días a que salga la raiz de la semilla y ser transportada a los Jiffy😉 ___________________________________________________________________________________________________________________________________________________________________________________ 👉DIA 17/12/2021👈 👇👇👇👇👇👇👇👇👇👇👇👇 Pues pasados los 3 dias de germinacion en el metodo de papel, vemos que ya salieron a luz las raices y con sorpresa😱 NUNCA habia visto una cosa asin!! An salido GEMELAS, sii sii !!😵 de una misma semilla an salido dos raices una cosa impresinante! y damos paso a colocarlas en los Jiffy. 👉Instrucciones:👈 - Colocación de los jiffy en un recipiente con 2L de agua y 2ML de enraizantes de top Crop. - Dejamos actuar durantes varios minutos hasta que el jiffy se extienda. - Abrimos un pequeño orificio en los Jiffy para introducir la semilla con el cáliz dejandolo hacia afuera. - Colocamos en un pequeño invernadero para que tengan la suficiente humedad. - Ayudandonos de unos foco de pocos waltios, le damos a luz necesaria para esta face de germinacion dejandolas 24 horas de luz. ________________________________________________________________________________________________________________________________________________________________ DIA 22/12/2021 Colocacion de Jiffy en Maceta de 3,25L 👇👇👇👇👇👇👇👇👇👇👇👇 👉Instrucciones👈 -Pasados varios dias vemos que el periantio(semilla) ya se rompió y empezo a salir los cotiledones con una hermosa raiz blanca por debajo del jiffy. -rellenamos macetas de 3,25L con sustrato de top crop(anterior cultivo). -introducimos los jiffy en las macetas dejando la plantula bien colocada. -regamos con 3L agua opmotizada y 1ML/L enraizante Voodoo ADVANCED NUTRIENTS - Permanecemos con las 24 horas de luz con foco led. _________________________________________________________________________________________________________________________________________________ 👉DIA 25/12/2021👈 👇👇👇👇👇👇👇👇👇👇👇👇👇👇👇 pasados 3 dias desde que se plantó en maceta. A dado unas respuestas increibles !!👍 las volvemos a regar y a cambiar las horas de luz que se pasarian a 18H

The beautiful plant brings a smile to my face I built up the nutrients to 1250 ppm ... (including 200 ppm tap water). The plant is living under a CMH lamp now. Let's see how "XXL" it will get