67 days since April 16th, 2026 We become aware at such times of man's wonderful ability to bring seemingly unrelated elements into harmonic balance, and receive a glimpse into a world where everything exists in conscious sympathetic attunement to everything else. When we listen to a piece of music that seems to strike a beautiful chord somewhere inside us, or view a painting that simply glows with harmonic awareness well executed, we probably do not spare much time to contemplate the wonderfully intricate combination of vibrations that our sensors make it possible for us to perceive. We tend to appreciate the relationship between the parts of something by an awareness of the harmony or dissonance of the whole. This ability enables us to say "what a beautiful house!" instead of "analysis has proven that this collection of building materials exhibits certain elements of harmonic proportion." While this ability to instinctively appreciate the beauty of true harmony has an important role to play in evolution, a more analytical understanding of the laws involved can be most useful. This is especially so if we wish to create works of art where each part exists in true harmony, not only with the other part of that particular whole, but with the universe within which the creator and the created exist. Everything vibrates. From the most dense matter to the most subtle cosmic rays, everything which our senses allow our thoughts to become aware of, can be specified in terms of wavelength or frequency of vibration. These two terms define the same thing, but from different points of view. The following are the approximate wavelengths of various energy carriers: Cosmic rays 0.000,000,001 mm Gamma rays 0.000,000,1 mm X rays 0.000,500 mm Ultraviolet rays 0.003 mm Visible light 0.006 mm Infrared 0.01 mm Sound waves 1 meter Radio waves 300 meters Violet light 400 nm to 450 nm Blue light 450 nm to 500 nm Green light 500 nm to 570 nm Yellow light 570 nm to 590 nm Orange light 590 nm to 610 nm Red light 610 to 700 nm 1 nanometer (nm) = 0.000,000,1 cm = 1/10,000,000 cm If a guitar string is plucked and we hear a sound, it is not too difficult for the human mind to associate this sound with the vibration of the guitar string. With color it is quite different. It is difficult for us to conceive that the color of a substance is not an inherent property of the substance itself, but an indication picked up by our senses of that substance's ability to absorb or reflect the light which happens to be shining on it at that moment. Neither the matter nor the light is colored. What happens is that the brain learns to differentiate between the frequencies reflected or transmitted by the substance the eyes are focused on. The same thing happens with sound. When we say "Oh! Listen, they're playing my favorite song," what we really mean is: "My brain has stored within it a particular pattern of frequencies. I have compared the new information being received with this stored pattern and have deduced the answer that the two patterns are similar within certain specified tolerances." The 'pleasure' involved could have something to do with our running the pre-recorded pattern at the same time, in 'sympathy' with the new pattern as it is received. The word sympathy describes very well our ability to appreciate color and sound. It also describes the reason behind certain elements of harmony. For instance, if a substance vibrating at 100 cycles per second (tone 1) is in the proximity of another substance vibrating at 200 cycles per second (tone 2), we could perceive, if we had the right equipment, a certain sympathetic relationship between the two. We will see from this that there is a uniform doubling of the first tone seen in the second. At various points along the waves, the two are the same in amplitude. At other points, they are at opposite poles to each other. This doubled frequency has more points of similarity to the original than any other frequency except the original itself. If the equipment we had available for measuring these two frequencies was a soundboard amplifier and a pair of ears, then we would hear what would sound to us like one tone. If we had the opportunity to hear one at a time, we would hear that although they sound the same, one is higher in pitch than the other. This characteristic of 'the same but different in pitch', musicians have called the octave. Any two tones produced where one has exactly doubled the frequency of the other is called an octave. Speaking in ratios, an octave would appear then as the ratio 2:1 or 1:2, depending on whether we are talking of an octave up or down. A single note produced by almost any instrument will contain more than one wavelength or frequency. It will have a dominant frequency, the wavelength of which we would call the note's 'fundamental' or 1st harmonic. It will also have a varying number of upper harmonics, gradually fading in intensity into infinity or silence. Natural harmonics always have the same pattern of intervals between them. The interval between the 1st and 2nd harmonic is a perfect octave; between the 2nd and 3rd a perfect fifth; between the 3rd and 4th a perfect 4th; and so on, the intervals becoming smaller and smaller until they lose any relationship with the western 12 tone scale as it exists at the moment. Just as an octave has certain elements of sympathy with its fundamental, so some intervals have been noted to be more perfectly in sympathy with the fundamental than others. The ratio of the 'perfect 5th' or interval of 7 semitones, as it occurs in the harmonic series, is 3:2 or 2:3, while that of the 'perfect fourth" is 4:3 or 3:4. All the tones in the western 12 tone scale can be expressed in terms of the ratio between the upper tone and its fundamental. This would seem to be an ideal way of generating a scale from any given fundamental and several attempts have been made to do this, the Pythagorean system being probably the most well known. Although when working with a single tone instrument playing on its own, the Pythagorean formula works wonderfully well, if we had several instruments tuned this way together and asked them to play almost any western music, we would find that at times they sounded quite out of tune to each other. The lack of flexibility of the various scale systems based on the harmonic series has led to what is known as the 'tempered' scale. This uses as its primary unit of interval the ratio of the octave or 2:1. It then proceeds to divide the interval between any fundamental and its upper octave into 12 smaller intervals by applying the ratio: two to the one-twelfth power, to one (21/12:1). This equals 1.059463094, so by multiplying any frequency by this number, we will obtain the tempered semitone next up from our fundamental. We will also find that any tone twelve semitones up from any other tone, in a scale generated in this way, will have exactly double the frequency. If we took the note middle C on a piano and halved the wavelength, we would have the note C one octave above. If we halved this, we would have the C above, and so on. However, within about 6 octaves, we would find that although a 'sound' was being produced, no human ear could perceive it. If we kept on going, halving and producing upper octaves of our fundamental C, we would proceed through the infrared band, into the visible light spectrum. If we happened to be outside during the day, we would, for one octave only, see the note C with our eyes. The next octave above would already be in the ultraviolet band, and outside the eye's sensitivity range. If we can think of color as being an indication of a substance's vibratory rate or wavelength, we may begin to see a relationship that could exist between the color and sound spectrums. The logical extension of what has so far been said is that there exists a scale in the color spectrum that corresponds exactly to the scale in the sound spectrum, each color tone being an octave of the equivalent note in the sound range. This is not the end of the story but only the beginning. If we can for the moment accept that any wavelength in one band has upper and lower octave stretching out to infinity, then the next question is 'fine, but what shall we use as our fundamental? A particular color? A particular sound frequency?' The musicians among us will probably say 'A 440'. This means that the note A should vibrate at 440 Hertz, or 440 times per second. They would tell us that this is standard pitch has been adopted by most orchestras around the world; pianos are tuned to it, instruments are constructed to formulas based on it, and so to them it would probably seem the most appropriate place to begin. Some of these musicians may know of the battle that is still raging with regards to this being the standard, but few would know why A = 440 Hz was chosen except that it worked when it was set to be a suitable compromise between the many different pitches in use at the time. 432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum, while the A=440 Hz is off. Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation. Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into one's life or tune to specific energies. There is a form of absolute and relative harmony. Absolute harmony can, for example, be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz - and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up the body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90. It is interesting to note that 432 Hz was the standard pitch of many old instruments and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz, which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly, many old organs are tuned in A=432 as well; for example, St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome. Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity. The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.

mogge :) zoals ik zei in de video,het zou kunnen dat ik de Rapier en de black opium door elkaar heb gehaald .. want ik heb nog vage herinneringen dat ik het niet zo goed meer wist...(natuurlijk 😉) maar zeker weten doen we het nooit dus ach.. ze bloeit iig lekker👊 @)@}@}}@)]}-}}--}}} Happy growing 4 all✊ PS:Ik heb toch de namen van de dagboeken omgewisseld.. het is duidelijk dat dit Rapier is.. en niet black Opium.. #justsaying PS: i changed the names of the diaries..its very clearthat this is Rapier and not blackopium! PPS: i changed them back!! 😁👊 **KISS! growingtechnique: keepItSimple, Stupid! **how 2make thcoil: https://growdiaries.com/diaries/179107-grow-journal-by-hologram

Day15 - Day17: I had some difficulties to get the humidity right. It was either too high or fluctuating too much. I ended up getting a timer for the plug and running the humidifier 15mins every hour. To help with air flow, I have the main duct fan running 4 times a day for an hour. To ensure that there's airflow around the plant, I have a fan in the light as well as a smaller clip-on fan that runs during light hours. I'm not sure how the camera moved on day17... I only watered it mid-day. Day18: The timer on the humidifier and Duct Fan is now keeping the humidity in a good space. VPD now under control Day19: The Vivosun controller perfectly adapted the lighting schedule to an hour earlier, to ensure 6hrs of darkness. UInfortunately the RPi kept it's 04:00 schedule (makes sense). So I captured an hour of darkness. Adapted everything. Will have 18hrs again from Day20 onwards. Day20: In the next days I'll lift the camera higher for a better view of what's happening up top. My mesh-netting-dingsbums will arrive and I'll use this as a platform for the pi+camera. Day21: I'm not sure if I like this angle. I'll only keep it like this until she goes into veg-mode. It at least shows the new nodes growing from different perspective

Flower tent is ac infinity 4x8 tent. With two spider farmer sf-4000. This tent has the exhale 360 co2 grow bag. The nutrients are not what each plant receives. Each stage gets its appropriate nutrients. I will be going back and trying to name each plant in the 2-7 feeding

OMG when you touch her she REALLY smells of grapefruit!! Sour citrus! Amazing! I'm probably secretly most excited for her harvest. She grew 11 cm too! I've not done a thing to her apart from feed/water and turn her pot 180 degrees through the week.

Day 100 | 03/04/2022:💧 I am back from my holiday today but I will only be able to harvest them at the end of the week, so I watered them today. but with a reduced 1L each because I still want them to be more on the dry side when I am taking them off Day 105 | 08/04/2022: Today was harvest day and the girls look sooooo dry and yellow omg.. 😅 Maybe that 1L was not enough, but still it's better that they are on the dry side. They just all went so yellow in the last few weeks, obviously they werent getting any nutrients but also I harvested them a bit late

5/27 curious to see where this week ends up at 5/29 the one plant indoors is packing on weight. The one I put outside to finish (possibly stupid) seems to be maturing faster but bulking slower. She's seemed healthy this whole time. Not even a burnt leaf tip 5/31 attempting to take pictures in different lighting to get a better idea for yall viewers

Transplanted into the 5 gal smart bucket. Branches seem to be growing again. All main branches are tied down now, will take clones from the lower banches this week. But the red stems are worrying, I think she's stressed from repotting but I will wait and see. But the yellow new growth I will have to keep an eye on and do some reading. I was considering repotting to a 5 gal smart pot because I have the space but should leave it a while so she can recover. Thinking about what to do for flowering lights. don't know if low end LEDS might be a better option the cfls I have now.

From now i'll give her just water, i don't wanna ruin the taste, the thricomes is strarting look orange (Sorry for my english 🙏🇮🇹)

First time growing the new RF3 version and the stability and uniformity is on point. They smell so sweet and delicious. I decided to hang dry then since the weather was perfect for the conditions and also hung some in the dryroom. One I'll be Growing again as the flowers are covered in trichs and perfectly dense. I did a test wash with 10g to see if it'd make a good washing strain but the results weren't the best so I'll be drysifting this one. Happy Growing

Hey everyone :-) This week it smells more and more sweet and fruity in the whole room 😍. There is actually not much to report, everyone is now under 12/12 :-). This is the last grow that comes in the entire diary. From now on, each plant will be added to the diary 👍. I wish you all a lot of fun watching, stay healthy 🙏🏻 and let it grow 😎👌

Back in business Got some Lst work to do on these to keep em low I've been away for few weeks and they gone mental , started flower 12/12 3 days ago. Will be keeping stems as low as possible. Just ph water this week then onto flower nutrients. They had a 13 week veg

Flower Week 7

Hello my friends 👩‍🌾👨‍🌾, This 7th flowering week was good, maturation Buds continue 🌲, Buds continue to bump 😋. I think I'll have some surprises hidden behind the leaves 🍃 😁. The end is close, matbe for the end week, Trichromes are more and more milky, I'll start to check them each 2 💦 1 Watering this week 1.8l/plant . Water + Cannazym + Sugar Royal PH@6 Lamp @100% Bisous 💋😘, and see you next week. Thanks community for follow, likes, comments, always a pleasure 👩‍🌾👨‍🌾❤️🌲 Mars Hydro - TS 1000 https://www.mars-hydro.com/ts-1000-led-grow-light Mars Hydro - FC3000 https://www.mars-hydro.com/fc-3000-samsung-lm301b-led-grow-light Mars Hydro - SP3000 https://www.mars-hydro.com/sp-3000-samsung-lm301b-greenhouse-led-grow-light The High Chameleon - Bisous Au THC 💋💋🌲🌲😘😘 https://www.thehighchameleon.com/shop/bisous-au-thc-83

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MY FIRST GROWBOX MY FIRST SEED MY FIRST GERMINATION MY FIRST CULTIVATED PLANT MY FIRST COLLECTION WHAT A SATISFACTION ... REWARDING AS FEW THINGS IN LIFE .... I MADE IT !!! AFTER A FEW DAYS OF DRYING I DON'T HIDE YOU HAVING PUT SOME FLOWER ON THE LED GRID .... BLEAAA A STRONG FLAVOR OF GRASS AND SOIL .... I WAS A LITTLE IMPATIENT I ADMIT IT .... BUT DO NOT IMAGINE HOW MUCH IT IS ... IT HAS BEEN HARD FOR ME TO FACE ALL THE DEFENSE GROWTH BY EATING MY NAILS ... I HAVE NEVER ATTENDED THE ENTIRE BLOOMING PROCESS AND I WAS UNKNOWLEDGE OF WHAT THE NEXT STEP WOULD BE EVERY TIME AND THEREFORE FOR THE WHOLE TIME I WOULD ASK YOU FROM A PAIR OF LEAVES TO BECOME LARGE AND JUICY GEMS ...... SPECTACULAR ... MAGNIFICENT ... I REMEMBER HOW LONG IT WAS WAS TO PURCHASE GRASS HERE AND IT DID NOT BE UNDEFEATED IMMEDIATELY IN THIS MAGNIFICENT EXPERIENCE ... MY GRASS IS MY GRASS AND THIS I UNDERSTAND IT NOW I HAD FANTASTIC SUPPORT FROM ALL OF YOU THANK YOU ONE BY ONE FOR YOUR VERY PRICE TIPS ... I CUT THE PLANTS AFTER THE TWO WEEKS FLUSH AND I HANGED THEM WITH ALL THE STEM I PERFORMED A DRY TRIMM AFTER FIFTEEN DAYS OF DRYING AFTER TAKING CARE OF MY GRASS I REALLY UNDERSTAND WHAT PASTA IS MADE OF WAUUUUU I HAS A LITTLE HASH ... BUT NOT HAVING GOOD FILTERS IT HAS NOT COME VERY PURE WITH THE REST OF THE WASTE I AM TRYING TO EXTRACT OIL WITH PURE ALCOHOL ... ONCE I EXTRACT I WILL MIX IT WITH A TEN GRAMS OF FLOWER MAKING IT A SPLENDID SMOKE GREETINGS TO ALL MY FRIENDS OF GROWERE VERY HAPPY AND ABUNDANT COLLECTED TO ALL OF YOU

Day 49 - 14th Day of Flower I'm starting to really enjoy this part of the grow. That said the amount they have stretched is crazy! My lights are maxed out height wise and they are only just 18" above the tallest colas so I really hope they finish up stretching soon. Nutes: I added PK13/14 for fridays feed and they seem to have responded really well to it. They have been fed every other day as they aren't quite drying up in 24 hours. One thing I have noticed this week is the smell! They have become incredibly pungent. Everytime i go in the tent I have to change my clothes as they just smell so much. The fan leaves around the bud sites are becoming sticky! I have taken the smallest one out to photograph this week. It was sick when i got it as cutting so wasn't topped as early as the others. That said it seems to have grown into a really nice shape and has lots of buds developing. No problems really this week. Just a bit of mild light burn which I kept on top of. They will have 1 more defoliation this week and then I'll leave them be.

She’s got a lovely gassy sweet smell.

As you can see, these girls are looking good they are growing and you may see more than you know of. I got one from a buddy who said he did not know what he was doing after about a month and a half so I said give her here I’ll take her.